Roland FR-7 Owner's Manual
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Roland FR-7 Owner's Manual

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  • Page 1 FR-7/FR-5 Owner’s Manual...
  • Page 2 The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug. The technology used in the FR-5 and FR-7 is covered by patents pending in certain countries throughout the world.
  • Page 3 FR-7/FR-5. Be sure to keep this manual in a safe place for future reference. Copyright © 2004 ROLAND EUROPE. All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland Europe S.p.a.
  • Page 4 FR-7/FR-5 V-Accordion...

  • Page 5: Table Of Contents

    Touring the FR-7/FR-5’s sections ........

  • Page 6: Features

    Though the FR-7/FR-5 is a fully electronic instru- The V-Accordion includes all functions and sounds of ment, you do not need to connect the FR-7 to an a traditional accordion, thus conveying a really natu- amplifier in order to produce sounds. Its onboard ral feel and sound.
  • Page 7 • Protect the FR-7/FR-5 and FBC-7 from strong impact............................. (Do not drop it!) • When not in use, do not place the FR-5 or FR-7 vertically due to instability. If placed in the vertical position on the ........................... floor/stage, ensure that it leans against a stable vertical •...
  • Page 8 Roland Service Center or an authorized Roland distributor, as listed on the “Informa- tion” page. • The FR-7/FR-5 or FBC-7 should be located so that its location or position does not interfere with its proper ventilation.

  • Page 9: Important Notes

    Maintenance nals to become damp. This may cause heat generation and forma- • For everyday cleaning wipe the FR-7/FR-5 with a soft, dry cloth or tion of rust on the battery and its terminals. one that has been slightly dampened with water. To remove stub- •...
  • Page 10 FR-7/FR-5 V-Accordion Important notes | Using the unit safely • Do not connect the battery directly to a power outlet or insert it into a cigarette lighter socket in a car. High voltage may cause excessive current flow, leakage of battery fluid, heat, bursting or fire.

  • Page 11: Panel Descriptions

    The [EXIT÷JUMP] button allows you to return to the Main page (the display page that is shown while you Harmon 11 Tremolo are playing the FR-7/FR-5). After selecting a Menu Organ 12 Clarinet function, briefly pressing [EXIT÷JUMP] takes you back...

  • Page 12: Bass Control Panel

    This knob is used to set the level of the Delay (echo) effect (see p. 57). Note: The FR-7/FR-5 is automatically switched off after 10 minutes of inaction to save battery power. This can be L CHORUS knob changed, however (see p.

  • Page 13: Connection Panel

    FR-7/FR-5 to the FBC-7 when you need to connect it to an external amplifier. hours. Note: On the FR-7, connecting jacks to these sockets does not Note: See also “Connecting the FBC-7” on p. 30 for details mute the internal speakers.

  • Page 14: Setting Up

    Note: The FR-7/FR-5’s OUTPUT sockets are also available if you connect the FR-7/FR-5 to the FBC-7. Do not try to connect them to any of the FBC-7’s sockets, because that does not work.

  • Page 15: Switching The Power On And Off

    (6) Turn down the output volume of the receiving tery Charger Unit. audio device or switch it off. Note: Only use the battery that either came with your FR-7 or (7) Press the FR-7/FR-5’s [POWER] button again so that you purchased from your Roland dealer. Using other batter- that it goes dark.

  • Page 16: Listening To The Demo Songs

    FR-7/FR-5 V-Accordion Setting up | Listening to the demo songs (6) Press the FR-7/FR-5’s [POWER] button (it lights) to icon in the display means that the FR-7/FR-5 switch it on. is powered by the FBC-7. (7) Switch on the receiving audio device.

  • Page 17: First Steps

    V-Accordion First steps First steps The sections of your FR-7/FR-5 Before showing you how to use the FR-7/FR-5, let’s briefly look at the various “sections” of your instrument, as that will help you understand how your V-Accordion works. Master bar The FR-7/FR-5 is a “virtual”...
  • Page 18 You may have realized by now that, with the exception of the display as well as the additional buttons and knobs, the FR-7/FR-5 looks a like a conventional accordion. The display contains important clues about the settings that are cur- rently in effect.

  • Page 19: Touring The Fr-7/Fr-5'S Sections

    V-Accordion Touring the FR-7/FR-5’s sections Touring the FR-7/FR-5’s sections It’s time we put the FR-7/FR-5 through its paces, because that’s what you purchased it for. We’ll work section by section. Treble section Black dots mean that the Cassotto function (see The Treble section can be played p.
  • Page 20 FR-7/FR-5 V-Accordion Setting up | Touring the FR-7/FR-5’s sections (6) Use the SET [√][®] buttons to select another Set and Using the FR-7/FR-5’s digital effects again play a few notes. While playing on the Treble keyboard, you may have noticed that the accordion sounds were enhanced by effects (probably reverb).
  • Page 21 “accordion”, to play orchestral sounds or both. (1) Connect the FR-7/FR-5 (if necessary) and switch it See pages 14 and 15. (2) Grab the FR-7/FR-5, press a register and start play- ing on the Bass (button) keyboard. Though the FR-7/FR-5 is an electronic musical instru- ment, it only produces sound if you move the bel- lows.
  • Page 22 Setting up | Touring the FR-7/FR-5’s sections Playing in Free Bass mode Using the FR-7/FR-5’s digital effects The FR-7/FR-5 also provides a Free Bass mode, which While playing on the Bass keyboard, you may have is chiefly used by professionals who prefer to play the noticed that the accordion sounds were enhanced by left-hand notes (Bass section) differently.

  • Page 23: Using The Orchestral Sounds

    Those sounds allow you to expand your musical endeavours without using external MIDI devices. Of course, you are free to add external MIDI tone generators to your setup and to control them from your FR-7/FR-5. See page 65 for details. Let us first look at how to use the on-board orchestral sounds, however.
  • Page 24 (lower) key to its left, the upper note is To recreate the same sensation on the FR-7/FR-5, the played by the Orchestra sound. Lower notes, how- lowest octave on the Treble keyboard is assigned to ever, are played by the Treble accordion sound.
  • Page 25 V-Accordion Orchestral sounds for the Treble section LOW [11]: This is the opposite of HIGH and can be (6) Press the Master bar that protrudes from under- used in situations where the melody (or counter- neath the Treble keyboard to switch the Orchestra melody) lies above the notes you wish to hold.
  • Page 26 Switching off the Orchestra part To return to a state where only the Treble accordion section sounds: (9) Press the [CANCEL] register. Now, FR-7/FR-5 is a normal accordion again. To activate the Orchestra part again, perform steps (1) and (2) on page 23.

  • Page 27: Other Practical Functions

    After looking at the accordion and Orchestra functions, we will now leave the “acoustic” (but virtual) realm and look at the first “purely electronic” functions of your FR-7/FR-5. (1) While the Main page is displayed, press the [UP] Your FR-7/FR-5 is what we call a virtual instrument. Though its physical appearance is similar to that of its button once.
  • Page 28 Europe, the Americas, etc. play in all keys. The FR-7/FR-5 also features a “Scale” parameter that allows you to select the tuning system that best fits Except for “Equal”, you also need to specify the root/ the music you want to play.
  • Page 29 (3) Turn the [DATA÷ENTER] knob (or use the [UP]/ On the FR-7/FR-5, the volume of those noises can be [DOWN] buttons) to select the desired noise level changed if you think they are too prominent or too (Off, –30~“Std”~+30).

  • Page 30: About The Fbc-7

    5. About the FBC-7 Your FR-7/FR-5 comes with an FBC-7 footswitch unit that doubles as power supply for your V-Accordion and also allows you to recharge a battery. If you purchased an FR-5, you must connect it to the FBC-7 (or purchase an optional battery).

  • Page 31: Charging The Battery

    Charging the battery The FR-7 comes with one rechargeable Ni-Mh battery that can recharged when it is depleted. Such a battery is optional for the FR-5. If you decide to purchase one (to be able to play with a wireless system and no cables on stage), you should also read the following.
  • Page 32 The main use for the method described below is there- fore to recharge a spare battery (which is optional) while using the battery inside the FR-7/FR-5. If that is what you want to use the connector on the FBC-7 for, skip to step (7) below.
  • Page 33 At the end of its life cycle, it may only last one hour, ally need it. for example. But that is a gradual process. Note: You can use the FR-7/FR-5 while the battery is being recharged externally. Note: If the red indicator goes off while the battery is being...

  • Page 34: Editing Sounds

    6. Editing sounds Almost all sound aspects of your FR-7/FR-5 can be changed (“edited”) to your liking. On p. 27 we already showed you how to quickly edit the most important parameters of a sound. Those changes are temporary and not followed by a “WRITE”...
  • Page 35 V-Accordion Selecting parameters via the menu You can only select sections that are active (and thus Selecting parameters via the menu sound when you play on the Treble or Bass keyboard). A second way of selecting parameters goes like this: If you select a function of a section that is currently (1) Press the [MENU] button.

  • Page 36: Setting Parameter Values

    FR-7/FR-5 V-Accordion Editing sounds | Setting parameter values (6) Press the [EXIT÷JUMP] button once to return to the Setting parameter values function group (“TUNING” in our example) and again to return to the Main page. (1) Select the parameter you wish to edit (see above).

  • Page 37: Tuning Parameters

    TUNING parameters TUNING parameters The parameters of the TUNING group apply to the entire FR-7/FR-5 and are not saved to a Set. The FR-7/FR-5 remembers them, however, so that you may have to change them again to return to the factory default.
  • Page 38 FR-7/FR-5 V-Accordion Editing sounds | TUNING parameters • Use the [DATA÷ENTER] knob or the [UP]/[DOWN] but- 1.5 Scale Assign tons to select the User memory that should contain (Treble, Orchestra, Tre- your customized tuning system. ble&Orchestra, Bass&Chord, • Press [MENU÷WRITE] again to jump to the following ALL, Default setting: Tre- ble&Orchestra) This parame-...

  • Page 39: Treble Edit Parameters

    Note: You can save your changes later using the WRITE function ISTER”, then turn it to select the number (1~40 for (see p. 76). But be sure to do so before selecting another Treble SET, 1~14 for REGISTER). register or Set – and before switching the FR-7/FR-5 off.
  • Page 40 Note: Whenever you select “ALL” and set a different reed type, Similarly, do not switch off the FR-7/FR-5 or select another Set the “2.5 Valve Noise” setting is automatically adapted to the before saving settings you want to keep: save them first.
  • Page 41 Register” page). realism of the sounds emulated by your FR-7/FR-5. Here, you This is a relative parameter, which means that its value can specify how strongly the pitch of the simulated is added to or subtracted from the standard value Treble reed(s) changes when you open or close the bel- (“Std”).
  • Page 42 Bass). There is yet another parameter that allows you to Note: You can specify that this function should be activated associate a Treble Orchestra sound with the currently automatically each time you switch the FR-7/FR-5 on. See “8.9 Startup” on p. 62. selected accordion register (see below).
  • Page 43 Treble register and press it). On the main page, links are indicated as follows: Note: You can specify that this function should be activated automatically each time you switch the FR-7/FR-5 on. See “8.9 Startup” on p. 62. 2.14 Treble MIDI TX...

  • Page 44: Bass Edit Parameters

    Similarly, do not switch off the FR-7/FR-5 or select another Set before saving settings you want to keep: save them first. 3.1 Reed Type This parameter allows you to...
  • Page 45 V-Accordion 3.2 Register 3.2 Register 3.4 Button Noise The parameters on this page are The bass section of almost all used in combination with the accordion instruments can be parameters above. Here, you played via buttons. Such but- decide which reeds should be tons produce a typical noise audible and how they should be when pressed.
  • Page 46 One page allows by your FR-7/FR-5. Here, you you to specify which MIDI mes- can specify how strongly the pitch of the simulated sages the bass notes (i.e. the...

  • Page 47: Free Bass Edit Parameters

    Do not switch to Bass or Orchestra Bass mode before deciding whether or not you want to save your changes. Similarly, do not switch off the FR-7/FR-5 or select another Set before saving settings you want to keep: save them first.
  • Page 48 “mix” (volume realism of the sounds emulated balance) for the active reeds. by your FR-7/FR-5. Here, you This is a relative parameter, which means that its value can specify how strongly the pitch of the simulated is added to or subtracted from the standard value Free Bass reed(s) changes when you open or close the (“Std”).
  • Page 49 V-Accordion 4.10 Free Bass MIDI TX 4.10 Free Bass MIDI TX This page contains a series of MIDI parameters for the selected register you need to set one by one. See page 71 for details about the MIDI parameters. These parameters are saved along with all other Set parameters, which allows you to use different MIDI settings for each Set –...

  • Page 50: Orc.bass Edit Parameters

    Bb 34, B 35, C 36; Default setting: E 28. (The figures refer to the MIDI note numbers – each MIDI note has its own “address”.) Note: Do not switch off the FR-7/FR-5 or select another Set before saving settings you want to keep: save them first.
  • Page 51 V-Accordion 5.2 Orc Bass Release Time 5.2 Orc Bass Release Time 5.7 Orc Bass MIDI TX (0~63, Default setting: 0) This This page contains a series of parameter allows you change MIDI parameters for the Orches- the way in which a note stops tra Bass part you need to set when you release the corre- one by one.

  • Page 52: Orch. Edit Parameters

    (3) Press the [MENU÷WRITE] button to save your changes. The display now briefly confirms that your settings have been stored: Note: Do not switch off the FR-7/FR-5 or select another Set before saving settings you want to keep: save them first.
  • Page 53 (see p. 55). 6.7 Aftertouch Pitch (Off, 1/4 Down, 1/2 Down, 1/4 Up, 1/2 Up, Default setting: Off) The FR-7/FR-5’s Treble keyboard generates aftertouch messages. “Aftertouch” refers to the fact that you press a key even further down after playing a note.

  • Page 54: Set Common Parameters

    Reverb, Chorus and Delay effects. Important note About the effects parameters Never switch off the FR-7/FR-5 or select another Set The settings you perform here apply to all sections that before saving the settings you wish to keep, because use the effect in question. Especially for the Reverb and doing so will erase your changes.
  • Page 55 V-Accordion 7.2 Reverb Parameters PreDlyTm (0~127)—This parameter sets the time inter- Delay This is a conventional Delay that pro- val between the original (“dry”) signal and the onset of the duces echo effects. selected reverb effect. Higher values result in a longer pre- Pan Delay This is a special Delay in which the delay time, simulating a larger reverberant space.
  • Page 56 FR-7/FR-5 V-Accordion Editing sounds | SET COMMON parameters The important thing to remember here is that the Chorus and Reverb effects in series (Chorus before Reverb). If you do not want the chorus signal to be processed by the overall chorus volume depends on three things: the Reverb effect, set this value to “0”.
  • Page 57 The available options are: Time C (0.1~1000)—The Delay effect of the FR-7/FR-5 allows you to set three delay times: center (C), left (L) and Delay 1~3 These are conventional Delays. 1, 2 and 3 right (R).
  • Page 58 Song you wish to use this Set for. settings, but that is entirely up to you. The FR-7/FR-5 contains 23 preset icons (stored in its (1) Select the character position (indicated by a dark internal memory). There are, however, additional mem-...

  • Page 59: System Parameters

    The SYSTEM group contains parameters that are related to all Sets and all sections: they apply to the FR-7/FR-5 as a whole. See pages 34 and 36 for how to select and adjust the parameters. Press [UP] and [DOWN] simultaneously to select the value that is indicated as “Default setting”.
  • Page 60 If in doubt, see their MIDI implemen- MIDI messages transmitted by the section in question to an tation section for details. The MIDI message transmitted by external instrument. They do not affect the FR-7/FR-5’s sound this footswitch is PC84 (program change) on MIDI channel 10. source.
  • Page 61 Obviously, this is meant to preserve battery power and the note system used in Free so this function only applies when the FR-7/FR-5 is not Bass mode. We already men- connected to the FBC-7. To “wake” the FR-7/FR-5 after tioned that there are a vast it has fallen asleep, press its [POWER] button.
  • Page 62 “TYPE”, then rotate the [DATA÷ENTER] knob to choose example) that is displayed each time you switch the the parameter you want to set. The possibilities are: FR-7/FR-5 on. If you also own a cell phone, this param- eter probably sounds familiar. Parameter Settings Meaning See “Entering names”...

  • Page 63: Utility Parameters

    The battery icon nevertheless informs you about the vides the same battery compart- battery’s current charge. ment as the FR-7, but the battery is an option. (As long as you do not purchase such a battery, you need to This message means that the FR-7/ connect the FR-5 to the supplied FBC-7.)
  • Page 64 These three parameters allow you to settings you wish to copy. copy the Reverb, Chorus or Delay set- By default, the FR-7/FR-5 selects the number of the tings of another Set to the currently Set you are currently using. selected Set. Unlike the “9.2 Copy ALL Effects”...

  • Page 65: Midi Functions

    MIDI functions 7. MIDI functions Your FR-7/FR-5 also transmits and receives MIDI data. In this chapter we’ll look at what MIDI is and does and which MIDI functions are available on the FR-7/FR-5. IMPORTANT REMARK: To take advantage of the FR-7/FR-5’s MIDI functions, you must connect it to the supplied FBC-7, because the FR-7/FR-5 itself has no MIDI sockets.
  • Page 66 If the FR-7/FR-5 is used as tone generator for an exter- for example. If they used the same MIDI channel, the nal sequencer, you must connect the sequencer’s MIDI bass line would have to be played by a piano or the OUT socket to the FBC-7’s MIDI IN port (because MIDI...
  • Page 67 Always ask yourself which MIDI sound source should play back the part you are recording. • If the FR-7/FR-5’s tone generator is not used for the part you are recording, you need to connect the external module’s MIDI IN socket to the sequencer’s MIDI OUT port and activate the sequencer’s “MIDI...

  • Page 68: Global Midi Parameters

    The parameters discussed here are part of a separate mode (called “MIDI”). Their settings, however, are saved to the FR-7/FR-5’s Global memory (there is no separate MIDI memory). Let us first look at the parameters that apply to all Sets.
  • Page 69 (In this example, all sections are disconnected from Note: If you selected “NO”, the edited Global settings will be used until you switch off the FR-7/FR-5 (or change them the FR-7/FR-5’s tone generator, which is probably a again).
  • Page 70 “Low”. “TX” means that this parameter only applies to data sent by the FR-7/FR-5. It’s own MIDI buffer is big enough to receive high-resolution data. Note: If you selected “NO”, the edited Global settings will be (1) Press and hold the [EXIT÷JUMP] button until the...

  • Page 71: Midi Parameters For The Various Sections/Parts

    Set can use different MIDI settings and thus control external MIDI devices in various ways. If you are serious about using the FR-7/FR-5’s MIDI potential, carefully read the following before editing the available parameters. (4) Press the [DATA÷ENTER] knob to select “MESSAGE”...
  • Page 72 That way, the MIDI instrument you are controlling is use the bass notes you play on the FR-7/FR-5 both as automatically set to the desired level. Remember that (accordion) bass and counter-melody played by a selecting “0”...
  • Page 73 (this Velocity needs to be set on the receiving instrument). Used (On, 1~127) Your FR-7/FR-5 is velocity sensitive. That right, it can be a very powerful expressive tool. is a very learned term for the fact that the volume...

  • Page 74: Archiving Your Settings Via Midi (Bulk Dump)

    MIDI functions | Archiving your settings via MIDI (Bulk Dump) Archiving your settings via MIDI (Bulk Dump) MIDI can also be used for transmitting parameter and memory settings from the FR-7/FR-5 to an external MIDI device and back. (8) On the FR-7/FR-5, press and hold the [EXIT÷JUMP] Archiving your settings with a sequencer button, then press register [9].
  • Page 75 FR-7/FR-5’s temporary mem- that currently reside in the FR-7/FR-5’s internal ory but that you need to save them if the FR-7/FR-5 memories, archive them first using the procedure should remember them. While a Set received in this described on page 74.

  • Page 76: Miscellaneous Functions

    Link function is on (page 42). Such a switch also erases changes to the previously selected registers if you decided not to save them when the FR-7/FR-5 suggested doing so. • The Bass and Free Bass sections cannot be used simultaneously.

  • Page 77: Restoring The Factory Defaults

    Restoring the factory defaults You can reset the FR-7/FR-5 to its factory settings, which means that your own Sets and Global settings are replaced by the settings the FR-7/FR-5 contained when you first got it. You may wish to archive your settings before initializing the FR-7/FR-5 (see p.

  • Page 78: Troubleshooting

    Troubleshooting This section provides an overview of points to check and actions to take when the FR-7/FR-5 does not function as you expect. Feel free to contact your Roland dealer if your issue remains unsolved after reading through this section.
  • Page 79 “Off”. You need to Did you establish a “Link”? activate it if you wish to use the FR-7/FR-5 as MIDI If you change the Bass, Free Bass, and/or Orchestra tone generator (page 69).

  • Page 80: Specifications

    Reverb: 8 types, Chorus: 8 types, Options Delay: 10 types, Rotary for Orchestra organ sounds (slow/ Accordion soft bag fast) Battery (for FR-5, spare part for FR-7) “Cassotto” and “Sordina” simulation Pedal Board Soft Bag Panel controls Knobs: Volume, Treble/Bass balance, Reverb, Chorus, Delay, Encoder: [DATA÷ENTER]...

  • Page 81: Parameter List

    V-Accordion Parameter list Parameter list VOLUME AND EFFECT BALANCE The default value corresponds to the current physical position of potentiometer. The central position is 0. The values range from 0 to 64 regardless of whether the arrow symbol indicates BASS or TREBLE. REVERB The default value corresponds to the current physical position of potentiometer.
  • Page 82 FR-7/FR-5 V-Accordion Miscellaneous functions | Parameter list 3.2 Register Foot 16', 8', 8'-4', 4', 2' Status Off, Bass, Chord, Bass&Chord Note: With the 16' and 8' feet selected the “Status” can only be either “Off” or “Bass”. With the 8'-4', 4' and 2' feet selected the “Status” can only be “Off”, “Chord” or “Bass&Chord”.
  • Page 83 V-Accordion Parameter list 6.3 Bellows Detune Type Off, Low, Standard, High 6.4 Reverb Send Level 0~127 6.5 Chorus Send Level 0~127 6.6 Delay Send Level 0~127 6.7 Aftertouch Pitch Mode Off, 1/4 Down, 1/2 Down, 1/4 Up, 1/2 Up 6.8 Orchestra MIDI TX Message &...
  • Page 84 FR-7/FR-5 V-Accordion Miscellaneous functions | Parameter list 10. MIDI 10.1 RealTime RX-TX Part Treble (1), Bass/Free (2), Chord (3), Orchestra (4), OrcBass (5), Basic Ch (13) RX-TX * Off, 1~16 (can be set for each part) 10.2 Ext. Seq. Playback*...

  • Page 85: Midi Implementation

    2nd byte 3rd byte • When Active Sensing is received, the FR-7/FR-5 starts monitoring the intervals of all further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds Off, All Notes n = MIDI channel number: 0H~FH (Ch.1~16)
  • Page 86 When the FR-7/FR-5 receives a Bulk Dump Request, it transmits a Bulk Dump. Status 2nd byte 3rd byte The FR-7/FR-5 is able to transmit and receive a SET whereas it can receive only ICON bitmap. n = MIDI channel number: 0H~FH (Ch.1~16)

  • Page 87: Midi Implementation Chart

    V-Accordion MIDI Implementation Chart MIDI Implementation Chart [V-Accordion] Date: January 2004 Model: FR-7/FR-5 Version: 1.00 Function... Transmitted Recognized Remarks 5 parts: 1= Treble, 2= Bass/ Free Bass, 3= Chord, Basic Default 1~16 1~16 5= Ochestra Bass, 4= Orchestra Channel Changed...

  • Page 88: Information

    FR-7/FR-5 V-Accordion Information | MIDI Implementation Chart 10. Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. MEXICO IRELAND PHILIPPINES IRAN AFRICA AFRICA Casa Veerkamp, s.a. de c.v.

  • Page 89: Index

    V-Accordion 11. Index Copy French ......28 All Effects......63 Full .
  • Page 90 FR-7/FR-5 V-Accordion Index | Register Tuning ......28 Bass......12 Tuning system .
  • Page 91 For EU Countries This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
  • Page 92 R® 602.00.0033 RES 404-04 Printed in Italy 07-04 FR-7/FR-5 – OM/E...

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