Roland BASS & DRUMS M-BD 1 Owner's Manual page 18

Tone List
／音色一覧表
■
About the Tone List
■ About the Performance List ...................................
Performance P01 to P09 are the collection of the bass and drum
sounds that are ideal for each music genre. Drum sounds P05 to P08
consist of more than one Part, and therefore can be easily swapped
such as Snare Drum.
Performance P10 includes two Drum Sets layering Parts 1 to 4 (Rx
ch:1) and Parts 5 to 8 (Rx Ch:10).
* When you change Parts where more than one Part are layered
using Program Change message, be sure to set the Program
Change Message Receive Switch of the Part that shares the same
channel to "OFF". (Refer to page 5 in the Sound Expression Series
Owner's Manual.)
Performances P11 and P12 are used in the built-in demo songs.
Performances P13 to P15 are for solo play, and make the best use of
effects'. The Flanger produces a unique undulating effect, and Pan-
Delay creates a delayed sound that moves from side to side.
With Performance 16, all Parts are set to the most standard values.
This Performance is called up when a GM System On or GS Reset
signal is received. The initial values of the Part parameters are
shown below.
Part Param1 Part Param2
Level = 120 Rx Ch = 1-7,10
Pan = 0 Key Shift = 0
Reverb = 64 Detune = 0
Chorus = 64 Assign = 0
• How to Switch Performances from an External Instrument
If you want to connect an external instrument to switch
Performances using MIDI messages, you need to carry out the
following steps to send the required MIDI messages to the M-DC1.
1. Send System Exclusive (SysEx) messages to set the control
channel (the MIDI channel used for changing Performances).
At the factory defaults, this parameter is set to OFF.
(Example) To set the control channel to "16," send:
F0 41 10 46 12 00 00 00 20 0F 51 F7
2. Send a value for Controller Number 0 that matches the value
set for Bank Select Message Reception on the M-BD1. Then
send "0" as the value for Controller Number 32.
3. Send the Program Number (PC #1 through #16).
18
MIDI Rx
Vol&Hold = ON
Prog Chg = ON
– – – – – – – – –
– – – – – – – – –
■ About the Patch List ..............................................
The Controller No. 0 (CC0) value shown in the lists is the value
when at the factory defaults. If you have altered the setting for "Bank
Sel" (Bank Select Message Reception; see page 5 in the Sound
Expansion Series manual), remember to take the current value into
account.
Patches marked with an asterisk ("*") are made using phrase-loop
Waveforms. The number from 52 to 126 attached to the Patch name
indicates the B.P.M. (tempo) when played with the C4 key.
Patches marked with double asterisks ("**") were created using Set
Waveforms. Only the specified key will be played.
"K.S.H.T" marked at the right of "**" shows the type of the Set
Waveform used for the Patch.
(K: Kik & CymSET S: SNR SET H:HAT SET T: TOM SET)
■ Tone Table 2.........................................................
The M-BD1 offers a tone layout called Tone Table 2 that comes in
handy when using a GM score or music data for a GS sound module.
When a General MIDI System On message or GS Reset message is
received from the MIDI IN connector, the M-BD1 switches to Tone
Table 2 and calls up Performance Number 16.
When switched to Tone Table 2, the setting for Bank Select Message
Reception on the M-BD1 (see page 5 of the Sound Expansion Series
Owner's Manual) is disabled, and Patches are switched according to
the Program Number listed above and the values for Controller
Number 0 and Controller Number 32.
If a value other than those in the list is received, the message "noP."
appears on the display and that Part is not played. However, you
can use the panel to choose any Patch or Rhythm Set.
If you change to the Tone Table 2, the volume of each Part can be
controlled with CC11 : Expression.
■ About the Rhythm Set List .....................................
The Controller No. 0 (CC0) value shown in the lists is the value
when at the factory defaults. If you have altered the setting for "Bank
Sel" (Bank Select Message Reception; see page 5 in the Sound
Expansion Series manual), remember to take the current value into
account.
[EXC]: Percussion sounds with the same number are not played at
the same time.
The keys of the d12 to d15 Rhythm Tone Names that are marked
with "----" are muted. These Rhythm Sets can be used to create a
drum sound by layering a Rhythm Part and the other Part, such as
Performance P05 to P08 and P10. d16 and d17 (Drum Loop 1, 2) are
the Rhythm Sets where the Phrase Loops are arranged in each B.P.M.
The number attached to the Rhythm Tone Name of each Key is the
B.P.M. for each key.