Quadrasynth Signal Flow; The Four Sounds Of A Program - Alesis QuadraSynth Reference Manual

Alesis quadrasynth audio-keyboard: reference manual
Hide thumbs Also See for QuadraSynth:
  • Pre (2 pages)
Table of Contents

Advertisement

¥
When layers of a Program are designed to be used together, and the individual
layers by themselves wouldn't be used alone (for example, the percussion layer
of the organ sound).
Use Mix Mode:
¥
When you want to layer more than four voices. In Mix Mode, it is possible
(though not advisable) to stack all 64 voices onto a single key.
¥
When each sound is likely to be used by itself by other setups. For example, if
you are programming three different keyboard splits, each of which uses the
same left-hand bass patch, it makes sense to use Mix Mode.
¥
When you want different sounds to respond to different MIDI channels.

QuadraSynth Signal Flow

The Four Sounds of a Program

Each Program is made up of at least one to four s. A sound is made up of several
components including a voice (the original sound material) which passes through a
low-pass filter and an amplifier. The voice, filter and amp modules each have direct
modifiers (Pitch LFO, Filter LFO, Amp Envelope) which affect how each will
function in the Program. You can layer these sounds together, or divide them into
regions of the keyboard, or a combination of these things.
The following diagram illustrates the signal flow within each QuadraSynth Program.
LetÕs look at each moduleÕs function in detail.
This digitally-based oscillator provides the actual raw sounds from the 16 Megabyte
library of on-board samples. The oscillator's pitch can be tuned to a fixed frequency
or modulated. Modulation is the process of varying a parameter dynamically over
time; the oscillator pitch can be modulated by envelope, keyboard, pressure, pedal,
LFO, and other control sources (described later).
QuadraSynth Reference Manual
MIDI
Sound 1
Pitch
Filter
Amp
Input
LFO
LFO
LFO
Range
Voice
Filter
Amp
Pitch
Filter
Amp
Envelope
Envelope
Envelope
Assignable Modulation Sources
(velocity, aftertouch, modulation wheel, pitch bend, etc.)
Sound 2
Sound 3
Sound 4
Main L
Aux L
Pan
Output
Main R
Aux R
Sends
1—4
Effects
Effects
Effects
Processor
Level
Buss
(reverb, delay,
chorus, etc.)
Editing Programs
53

Advertisement

Table of Contents
loading

This manual is also suitable for:

S4 quadrasynth

Table of Contents