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3.1.3. Hide/Reveal Advanced features
When you aren't editing presets, just playing them, you can hide the central programming
area to reduce the size of the CZ V window. To access Advanced mode and show the central
programming screen, click the two downward arrows to the left of the MIDI symbol in the
upper menu bar. You can also click the blank area on the right side of the top panel to enter
Advanced mode. Either way the central programming area will open, so you can build your
own custom presets.
To exit Advanced mode and close the central programming area, click the two upward
arrows, which are now blue.
When you're ready to learn more about these features, we suggest starting with the
Synthesis [p.29]
section.
3.1.4. MIDI CC Learn mode
On the right side of the upper toolbar, is the symbol for a MIDI jack. If you click on this,
all of the CZ V's parameters that may be addressed via MIDI continuous controller (CC)
commands will be highlighted in purple on the screen. Click on any parameter, then send
the CC message you want this parameter to be controlled by from your hardware (or DAW
sequencer) to the CZ V. The two are automatically linked, and the control image turns red.
For more details on this, see
•
You won't be able to modify any settings as long as you're in this mode. Click the
MIDI icon again to leave this mode.
•
On the right of the MIDI icon, the downward arrow opens up the MIDI Controller
Configs menu, which lets you save and recall different MIDI CC setups. MIDI
Controller configurations are covered in detail in
3.1.5. Master Tune
Click and drag on this control to adjust the tuning of the CZ V to match other instruments
if necessary. At the 12 o'clock position, zero, it is in standard concert pitch (A440). At
full clockwise the tuning is +100 cents (hundreds of a semitone) sharp, and at full
counterclockwise it is -100 cents flat, a full semitone in either direction.
Double-click on the control to set it back to zero.
Arturia - User Manual CZ V - QUICK TOUR OF THE ARTURIA CZ V
Chapter 9
[p.88].
chapter 9
[p.91].
16
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