Roland V-synth GT Supplementary Manual page 9

50: Space-D
This is a multiple chorus that applies two-phase modulation
in stereo. It gives no impression of modulation, but produces
a transparent chorus effect.
fig.MFX-28
Balance D
L in
Space D
Space D
R in
Balance D
Parameter Value
Pre Delay 0.0–100.0 ms
0.05–10.00 Hz,
Rate #1
note
Depth 0–127
Phase 0–180 deg
Low Gain -15– +15 dB
High Gain -15– +15 dB
DRY100:0WET–
Balance #2
DRY0:100WET
Level 0–127
51: 2 Band Chorus
A chorus effect that lets you apply an effect independently to
the low-frequency and high-frequency ranges.
fig.MFX-32
L in
Split
Split
R in
Parameter Range
Split Freq 200–8000 Hz
Low Pre Delay 0.0–100.0 ms
0.05–10.00 Hz,
Low Rate #1
note
Low Depth 0–127
Low Phase 0–180 deg
High Pre Delay 0.0–100.0 ms
2-Band
EQ
Balance W
Balance W
2-Band
EQ
Description
Adjusts the delay time from the direct
sound until the chorus sound is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (DRY) and the chorus sound
(WET)
Output Level
High Band Chorus
Low Band Chorus
High Band Chorus
Low Band Chorus
Explanation
Frequency at which the low and high
ranges will be divided
Delay time from when the original
sound is heard to when the low-range
chorus sound is heard
Rate at which the low-range chorus
sound is modulated
Modulation depth for the low-range
chorus sound
Spaciousness of the low-range chorus
sound
Delay time from when the original
sound is heard to when the high-range
chorus sound is heard
Parameter
High Rate #2
High Depth
High Phase
L out
Balance #3
Level
52: 2 Band Flanger
R out
A flanger that lets you apply an effect independently to the
low-frequency and high-frequency ranges.
fig.MFX-33
L in
R in
Parameter
Split Freq
Low Pre Delay
L out
Low Rate #1
Low Depth
Low Phase
R out
Low
Feedback
High Pre Delay
High Rate #2
High Depth
High Phase
High
Feedback
Balance #3
Level
List of Added Tone-FX
Range Explanation
0.05–10.00 Hz, Rate at which the low-range chorus
note sound is modulated
Modulation depth for the high-range
0–127
chorus sound
Spaciousness of the high-range chorus
0–180 deg
sound
DRY100:0WET– Volume balance of the original sound
DRY0:100WET (DRY) and chorus sound (WET)
0–127 Output volume
High Band Flanger
Split
High Band Feedback
Low Band Flanger
Low Band Feedback
High Band Feedback
High Band Flanger
Low Band Feedback
Split
Low Band Flanger
Range Explanation
Frequency at which the low and high
200–8000 Hz
ranges will be divided
Delay time from when the original
0.0–100.0 ms sound is heard to when the low-range
flanger sound is heard
0.05–10.00 Hz, Rate at which the low-range flanger
note sound is modulated
Modulation depth for the low-range
0–127
flanger sound
Spaciousness of the low-range flanger
0–180 deg
sound
Proportion of the low-range flanger
sound that is to be returned to the
-98– +98%
input (negative values invert the
phase)
Delay time from when the original
0.0–100.0 ms sound is heard to when the high-range
flanger sound is heard
0.05–10.00 Hz, Rate at which the high-range flanger
note sound is modulated
Modulation depth for the high-range
0–127
flanger sound
Spaciousness of the high-range
0–180 deg
flanger sound
Proportion of the high-range flanger
sound that is to be returned to the
-98– +98%
input (negative values invert the
phase)
DRY100:0WET– Volume balance of the original sound
DRY0:100WET (DRY) and flanger sound (WET)
0–127 Output volume
L out
R out
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