Roland V-synth GT Supplementary Manual page 13

61: OD/DS -> Stereo Delay
(Overdrive/Distortion->Stereo Delay)
This effect connects either Overdrive or Distortion and Delay
in series.
fig.MFX-29
L
Overdrive/
Distortion
R
Parameter Value
Drive Mode OD, DS
Drive #1 0–127
Amp Sim Sw OFF, ON
SMALL, BUILT-IN,
Amp Type 2-STACK, 3-
STACK
Distortion Level 0–127
Delay Time 0–1300 ms, note
MONO, STEREO,
Mode
ALTERNATE
0–1300 ms
(MONO), 0–650
Delay Time ms (STEREO,
ALTERNATE),
note
L-R Shift 0–650 ms, note
L-R Order L→R, R→L
Feedback #2 -98– +98%
Low Damp Freq 50–4000 Hz
Low Damp Gain -36–0 dB
2-Band
Delay
EQ
Description
Selects whether to use overdrive (OD)
or distortion (DS).
Degree of distortion
Turns the amp simulator on/off.
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Volume of the overdrive or distortion
sound.
Adjusts the delay time from the direct
sound until the delay sound is heard.
Switches stereo, monaural, or
alternate.
MONO: This is a single-input, dual-
output delay. Stereo sound (left and
right) are mixed before being input.
STEREO: This is a dual-input, dual-
output delay. The delay sound output
features the same stereo placement as
that of the input.
ALTERNATE: The left and right delay
sound output alternately. (Alternate
delay)
Adjusts the delay time from the direct
sound until the delay sound is heard.
Of the left and right delay sounds, the
delay time will be increased for only
one side.
If the L-R order is L→R, the R sound will
be later. In the case of R→L, the L
sound will be later.
When the mode is set to MONO or
ALTERNATE, this setting will be
ignored.
In STEREO or ALTERNATE mode, this
setting determines which of the left or
right sides has the delay sound before
the other
L→R: The left side is expressed first
R→L: The right side is expressed first
In MONO mode, this setting will be
ignored.
Adjusts the proportion of the delay
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
Adjusts the frequency below which
sound fed back to the effect will be cut.
The lower range is attenuated earlier
than other ranges (low-damp effect).
Degree of Low Damp
Parameter Value
Hi Damp Freq 2000–20000 Hz
Hi Damp Gain -36–0 dB
DRY100:0WET–
Balance #3
DRY0:100WET
Ps Low Freq 50–4000 Hz
Ps Low Gain -15– +15 dB
Ps Hi Freq 2000–20000 Hz
Ps Hi Gain -15– +15 dB
Level 0–127
List of Added Tone-FX
Description
Adjusts the frequency above which
sound fed back to the effect will be cut.
High Damp, by attenuating the higher
frequencies first, makes the delay
sound more natural.
Degree of High Damp
Volume balance between the direct
sound (DRY) and the delay sound
(WET)
Frequency of the low range
Gain of the low range
Frequency of the high range
Gain of the high range
Output level
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