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You
can
toggle
between
SLOW
and
FAST
with
any
Controller
assigned
by
the
Source
setting for
EFX
Control Source
f«
p.
46).
For
instance,
if
Source
is
set to
FOOT,
you
can
toggle betuteen
SLOW
and
FAST
by
sending
a
foot
message
(Control
Change
#
4)
from
an
external
Controller.
*<Level>
Output
Level
—
to
127
This
sets
the overall level for
tlie
effect
sound.
9:
COMPRESSOR
This
stabilizes
the overall
level
by
suppressing
the
high
level
and
boosting
the
low
level.
<Attack> Attack Rate
—
to
127
Tliis
sets the force
of attack
when
sound
is
input.
<Sustain> Sustain Rate
—
to
127
This
sets
the
time
for
boosting
a
low-level signal
to a
uniform
volume.
<Post
Gain>
Post
Gain
—
xl/x2/x4/x8
This
sets
the
input
level.
<LowGain>
Low
Gain
15
dB
to
+15
dB
This
sets
the
bass
sound
quality.
A
larger positive
value
results in
greater
emphasis
of the
lower band.
<Hi Gain> High Gain
—
-15
dB
to
+15
dB
This
sets
the treble
sound
quality.
A
larger positive
value
results in
greater
emphasis
of the
higher band.
*<Pan> Output Pan
—
L64
to
to
63R
This
sets
the stereo position
where
the
effect
sound
is
output.
L64
is
leftmost,
is
centered,
and 63R
is
rightmost.
*<Level>
Output
Level
—
to
127
This
sets
the overall level
for
the
effect
sound.
10:LIMITER
Whereas
the
Compressor
acts
on both
low-level
and
high-
level signals,
the Limiter
compresses
only
high-level signals
that
exceed
a set
level.
You
can
eliminate
unwanted
distor-
tion
by
setting
this
to
work
only
on peak
input.
Limiter
Input
<Thresh> Threshold
—
to
127
This
sets
the
level at
which
the Limiter
effect
appears,
signals
above
the
set level
are
compressed.
<Ratio>
Ratio
—
1.5:1/2:1/4:1/100:1
This
sets
how much
the signals are
compressed
when
the
Limiter
is
applied.
<Release> Release
Time
—
to
127
This
sets
the
interval
from
the
time
when
the signal
drops
below
the threshold
level until
the
time the
effect ceases.
<Gain>
Post
Gain
—
xl/x2/x4/x8
This
sets
the
input
level.
<LowGain>
Low
Gain
15
dB
to
+15
dB
This
sets
the bass
sound
quality.
A
larger positive
value
results in
greater
emphasis
of the
lower band.
<Hi Gain> High Gain
—
-15
dB
to
+15
dB
This
sets
the treble
sound
quality.
A
larger positive
value
results in
greater
emphasis
of the
higher
band.
*<Pan> Output Pan
—
L64
to
to
63R
This
sets
the stereo position
where
the
effect
sound
is
output.
L64
is
leftmost,
is
centered,
and 63R
is
rightmost.
*<Level>
Output
Level
—
to
127
This
sets
the overall
level for
die
effect
sound.
11:HEXA-CHORUS
Chorus
is
an
effect
that
makes
a
sound
thicker
and
broader.
This applies
a
chorus
to six
sounds
with
different
delay times
(hexa-chorus).
Hexa
Chorus
<Pre
Dly>
Predelay
Time
—
ms
to
100
ms
This
sets
the
inter\'al
from
the
time
when
the
original
sound
is
played
until
the
time
when
the
effect
sound
is
played.
to 4.9
ms:
In
0.1
ms
steps
5.0 to 9.5
ms;
In
0.5
ms
steps
10
to
49
ms:
In
1
ms
steps
50
to
1
00 ms:
In
2
ms
steps
*<Rale> Chorus Rate
—
0.05
Hz
to 10.0
Hz
This
sets
the cycle
for
the
chorus
sound
undulations.
0.05
to
4.95
Hz:
In
0.05
Hz
steps
5.0 to 6.9
Hz:
In
0.1
Hz
steps
7.0 to 10.0
Hz:
In 0.5
Hz
steps
<Depth>
Chorus
Depth
—
to
127
Tliis
sets the
depth
of the
undulations
of
the
chorus sound.
<Dly
Dev>
Predelay Deviation
—
to
20
Predelay
is
the
time
interval
from
when
the
direct
sound
is
played
until
the
chorus
sound
is
played. This
parameter
staggers
the
predelay
for
each hexa-chorus
sound
by
the
value
set.
A
larger
value
results in a
greater
shift
between
each hexa-chorus sound.
<Dpt Dev> Depth
Deviation
20
to
+20
This
sets
the
deviated
depth
for
the respective
hexa-chorus
sounds.
Larger values prcduce
wider
deviated
depth
for the
chorus
soimd.
<Pan
Dev>
Pan
Deviation
—
to
20
This
sets
the
spread
in
stereo position
for
the respective
hexa-
chorus sounds. Larger values
produce wider
stereo positions
for
the
chorus sound.
When
set to zero,
all
chorus sounds
are
centered.
At
20,
the
sounds
are
spaced
at
30-degree
intervals,
starting
from
the
center.
87
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