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Synthesis Technology E350 Morphing Terrarium User Manual

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E350 Morphing Terrarium
www.synthtech.com/euro/e350
What is the E350?
The Synthesis Technology E350 is a 2-output wavetable VCO. There are 3 banks of 64 wavetables.
Each bank is arranged like a chessboard: there are 8 rows (the 'X' direction) and 8 columns (the 'Y'
direction). Waves in a row tend to be alike, or will progress from 'dark' to 'bright' in timbre. The E350
has independent controls to index/select where in this array the DSP 'scans' the data to generate these
2 outputs. The DSP has sophisticated algorithms that smooth the 2 outputs into over 24,000 unique
waves.
Connecting to the power supply
The E350 can use either a MOTM 4-pin, MTA-156 style connector (+-15V) or a 16-pin Euro style (+-
12V) connector. See the photos below. The Euro ribbon cable has a red stripe to indicate
-12V. The supplied Euro power cable is keyed so that when inserted in the E350, the red stripe is
'down' (towards the jacks) and by the white lettering on the pc board.

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Summary of Contents for Synthesis Technology E350 Morphing Terrarium

  • Page 1 What is the E350? The Synthesis Technology E350 is a 2-output wavetable VCO. There are 3 banks of 64 wavetables. Each bank is arranged like a chessboard: there are 8 rows (the ‘X’ direction) and 8 columns (the ‘Y’...
  • Page 2: Controls And Jacks

    Controls and Jacks 1 - COARSE frequency control covers ~ 8 octaves 2 – FINE frequency control covers ~ 0.5 octaves 3 – FM amount. This is an attenuator for whatever is plugged into the FM jack (#10). The response is exponential.
  • Page 3       5 17 -  4   $)#* &     5 !" ' ( !"   4  +#* 6 7 5     . / &   ' ( !" 0 1 4;< 2 %  ( % 2   ( 3    !" 1!" /  * -    #  ...
  • Page 4   37   5 17 -  4   $)#* &     5 !" ' ( !"   4  +#* 6 7 5   4; 4 ,   . / &   ' ( !" 0 1 4;< 2 %  ( % 2   ( 3    !" 1!" /  * -    #  ...
  • Page 5                                          ...
  • Page 6                                          ...
  • Page 7                                          ...