Manley  Massive Passive Stereo Tube Equalizer Owner's Manual

Manley Massive Passive Stereo Tube Equalizer Owner's Manual

Manley labs massive passive tube equalizer owner's manual

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OWNER'S MANUAL
MANLEY
MANLEY
MANLEY
MANLEY
MANLEY
MASSIVE PASSIVE
MASSIVE PASSIVE
MASSIVE PASSIVE
MASSIVE PASSIVE
MASSIVE PASSIVE
STEREO TUBE EQ
STEREO TUBE EQ
STEREO TUBE EQ
STEREO TUBE EQ
STEREO TUBE EQ
MANLEY
LABORATORIES, INC.
MANLEY LABORATORIES, INC.
13880 MAGNOLIA AVE.
CHINO, CA. 91710
TEL: (909) 627-4256
FAX: (909) 628-2482
http://www.manleylabs.com
email: emanley @ manleylabs.com
email: service @ manleylabs.com
Rev. MSMPXxxxx

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Summary of Contents for Manley Manley Massive Passive Stereo Tube Equalizer

  • Page 1 OWNER'S MANUAL MANLEY MANLEY MANLEY MANLEY MANLEY MASSIVE PASSIVE MASSIVE PASSIVE MASSIVE PASSIVE MASSIVE PASSIVE MASSIVE PASSIVE STEREO TUBE EQ STEREO TUBE EQ STEREO TUBE EQ STEREO TUBE EQ STEREO TUBE EQ MANLEY LABORATORIES, INC. MANLEY LABORATORIES, INC. 13880 MAGNOLIA AVE. CHINO, CA.
  • Page 2: Table Of Contents

    SECTION INTRODUCTION BACK PANEL & CONNECTING FRONT PANEL CREDITS THE MASSIVE PASSIVE BEGINNINGS, THE SUPER PULTEC THE PASSIVE PARAMETRIC WHY PASSIVE, WHY PARALLEL PHASE SHIFT, WHY TUBES CURVES TUBE LOCATIONS, ETC EQUALIZING EQUALIZERS (GENERAL) EQUALIZER TECHNIQUES TRANSLATIONS TROUBLESHOOTING MAINS CONNECTIONS SPECIFICATIONS WARRANTY WARRANTY REGISTRATION...
  • Page 3: Introduction

    INTRODUCTION THANK YOU!... for choosing the Manley MASSIVE PASSIVE STEREO TUBE EQUALIZER. This EQ is supposed to be somewhat different from any EQ you may have used before , as well, this manual may be a bit unusual in that you may find it worthwhile to read. Even though at first glance the Massive Passive looks fairly conventional, you should take an hour and read this manual before you jump to conclusions or confusions.
  • Page 4: Back Panel & Connecting

    AN EVEANNA MANLEY PRODUCTION CHANNEL 2 BALANCED INPUT BALANCED or UNBAL INPUT +4dBu / -10 dBv WHEN RACK MOUNTING: LEAVE SPACE FOR VENTILATION AND FOR MAGNETIC FIELDS FROM OTHER EQUIPMENT TO AVOID HUM PICK-UP ! BALANCED OUTPUT UNBALANCED ONLY OUTPUT +4 dBu / -10dBv CAUTION - RISK OF ELECTRIC SHOCK.
  • Page 5: The Front Panel

    BOOST SHELF BOOST SHELF POWER BELL BELL GAIN BANDWIDTH BANDWIDTH PASS FREQUENCY FREQUENCY HIGH PASS MASSIVE PASSIVE STEREO EQUALIZER 82 ± 3K9 220 ± 10K 560 ± 27K BOOST SHELF BOOST SHELF BOOST SHELF BELL BELL BELL BANDWIDTH BANDWIDTH BANDWIDTH...
  • Page 6 BOOST BOOST 1) BOOST / OUT / CUT, TOGGLE. Each band has individual toggles to select whether that band will boost or cut or be bypassed. "OUT" is a hardwire bypass for that band. Unlike most EQs, you must select boost or cut for each band. There are several good reasons for this arrangement.
  • Page 7 "constant bandwidth" the RF engineers appreciate. This is either deliberate or the result of trying to squeeze too much range out of a simple inductor. Manley Labs prefers the bell shape to remain relatively constant at all frequencies and the Massivo uses 14 tap inductors with low DCR to provide this.
  • Page 8: Credits

    1) Do not assume the knob settings "mean" what you expect they should mean. Part of this is due to the interaction of the controls. Part is due to the new shelf slopes and part due to a lack of standards regarding shelf specification. 2) You may find yourself leaning towards shelf frequencies closer to the mids than you are used to and the "action"...
  • Page 9: The Massive Passive

    It had a 10 dB insertion loss. No tubes. It had boost and cut positions but boost just meant less loss. Manley Labs re-created this vintage piece and added a tube gain make-up amp for that 10 dB or make- up gain to restore unity levels.
  • Page 10: The Passive Parametric

    A hybrid design using chips for cheapness and tubes for THD was almost opposite of how Manley Labs approaches professional audio gear and tube designs. Could we combine the best aspects of Pultecs, old console EQs and high end dedicated parametric EQs? What is the definition of a "Parametric Equalizer"? We asked the...
  • Page 11: Why Passive, Why Parallel

    Why Passive? If you hate tech talk, just skip this section - it has to do with electronic parts and circuits and design philosophy. All EQs use capacitors. They are very easy to use, predictible, cheap and simple. Some sound slightly better than others. Inductors do almost the mirror function of capacitors.
  • Page 12: Phase Shift, Why Tubes

    Why Tube Gain Stages? The stupid answer is the name on the unit is "Manley Labs" and that is what we do. Unlike a current trend, we do not use tubes for THD, clipping character, cool marketing buzz-words, or plagiarism.
  • Page 13 LOW SHELF CURVES Just like most EQs, a 100Hz low shelf doesn't reach "max" until about 10 Hz. 22Hz and 33Hz are different shelves when the Bandwidth is Narrow The top graph is for the other 20 Low shelves Normal Shelf Wide Bandwidth (slope =about 4 to 5 dB/oct) Special Shelf Medium Bandwidth (slope = about 8 to 10 dB/oct)
  • Page 14 MORE 100Hz SHELVES SHOWING BOOST AND CUT WITH VARIOUS BANDWIDTHS LOW SHELF +20 WIDE BW LOW SHELF +20 MED BW LOW SHELF -20 MED BW LOW SHELF -20 WIDE BW THESE CURVES SHOW ONE OF THE IDEOSYNCRACIES AND IT IS POSSIBLE FOR A LF BOOST TO SOUND AS IF IT HAS LESS LOWS DEPENDING ON THE FREQUENCY AND INSTRUMENT.
  • Page 15 TYPICAL BELL CURVES "dB" set at max (20 dB) and changing the Bandwidth Changing "dB" and Changing Bandwidth Narrow Bandwidth Bandwidth at 12:00 Wide Bandwidth Wide Bandwidth Bandwidth at 12:00 Narrow Bandwidth Max Boost Narrow Bandwidth 12:00 Boost Narrow Bandwidth Max Boost Wide Bandwidth 12:00 Boost Wide Bandwidth...
  • Page 16 LOW PASS FILTERS 1.5 dB bump on the 6K, 7.5K and 9K Filters HIGH PASS FILTERS...
  • Page 17: Tube Locations, Etc

    THE GUTS AC VOLT CHANGE GAIN TRIM GAIN TRIM +4 / -10 CHANGE +4 / -10 CHANGE 5751/12AX7 5751/12AX7 6414/12BH7 6414/12BH7 6414/12BH7 6414/12BH7 1) To Open: Disconnect the AC Power cable, let sit 15 minutes to allow the power supply capacitors to discharge. Remember there are high voltages (300VDC) used in the Massive Passive and that the capacitors may continue to hold a charge after power is removed - BE CAREFUL! We suggest using gloves and/or "one hand only"...
  • Page 18 DIP SWITCH SETTINGS Channel 1 Channel 2 LEFT CARD RIGHT CARD -10dBv -10dBv +4 dBu +4 dBu INPUT INPUT INPUT INPUT OUTPUT OUTPUT OUTPUT OUTPUT This procedure also results in a polarity reverse which means that the 1/4" outputs will reverse phase both in bypass and EQ.
  • Page 19: Equalizers (General)

    Equalizers EQs range from simple bass and treble controls on a hifi system to pretty tricky parametric EQs and 1/3 octave graphic EQs. As an audio freak, you have probably tried quite a few EQs and have gotten both great results and sometimes less than great and you probably have a favorite EQ.
  • Page 20 EQ TECHNIQUE One of the best things about almost all EQs is that you don’t really need an instruction manual. You plug it in, turn a few knows and when nothing happens you take it out of “bypass” and the rest is easy.
  • Page 21 1) The song and the vocals was what producers wanted and perhaps that hasn’t changed much. Bands were recorded with live vocals back then. Even overdubs were a band thing. Much of the signature of both the British or American sound were the vocal harmonies. Same today.
  • Page 22 Rather than try to do all your compression while recording vocals, save some for the mix. This takes a little pressure off of finding the “ultimate” compressor with perfect settings and you have the option of compressing the vocals as a group. Real Drums: Typically need lots ‘o’...
  • Page 23 EQs and compressors along with the digital EQs and dynamics processors, all used together and each for a few dB of its strongest features. Manley Labs is one of the very few names commonly seen in most major mastering facilities.
  • Page 24 If you are attempting to master the project or “pre-master” (this year’s hot, new audio buzzword) yourself, here are some suggestions. Take a week off after mixing, then listen to the mixes on as many different systems as you can, friend’s homes, cars, boom boxes, headphones, etc.
  • Page 25: Translations

    This is just a few commonly used musical terms translated into technical terms or specific Massive Passive techniques. Note that these are fairly loose descriptions and definitions. Your mileage may vary. Bottom, Fat the deep lows for more: bell boost below 100Hz or use any low shelf up to even 330Hz. When you use a shelf this high, you should experiment with the bandwidth control more towards straight up or towards narrow.
  • Page 26: Troubleshooting

    TROUBLE-SHOOTING There are a number of possible symptoms of something not quite right, some may be interfacing, others we will touch on as well. If you suspect a problem the following paragraphs should help. NO POWER, NO INDICATORS, NADA - Probably something to do with AC power. Is it plugged in? Check the fuseon the back panel.
  • Page 27 IT MAKES NOISES WHEN THE FRONT PANEL IS TAPPED - An easy one. Some tubes become microphonic over time. That means they start acting like a bad microphone. Vibration has caused the supports for the little parts in the tube to loosen and now the tube is sensitive to vibration.
  • Page 28: Mains Connections

    Note: This unit has been factory wired for your country. If you plan to take the unit to countries with a different mains voltage you will need to send the Limiter to Manley Labs for the correct power transformer - or use AC voltage converters. See page 17 to convert...
  • Page 29: Specifications

    MANLEY MASSIVE PASSIVE STEREO TUBE EQUALIZER Maximum Input : 1.5% THD Maximum Output : 1.5% THD Unbalanced: 20-20K Balanced: 100 to 20K Low Freq Saturation Headroom (referenced to +4 dBm) Eq boosted full 20 dB THD & Noise (1kHz @ +4 dBm)
  • Page 30: Warranty

    Manley Labs. Customer will be charged for new factory original packaging if customer fails to ship product to Manley Labs in the original factory packaging. After repair, the product will then be returned to customer via prepaid, insured freight, method and carrier to be determined solely by Manley Laboratories.
  • Page 31: Warranty Registration

    WARRANTY REGISTRATION We ask, grovel and beg that you please fill out this registration form and send the bottom half to: MANLEY LABORATORIES REGISTRATION DEPARTMENT 13880 MAGNOLIA AVE. CHINO CA, 91710 USA Or you may FAX this form in to: +1 (909) 628-2482 or you may fill in the online warranty registration form found in the Tech Support section of our website www.manleylabs.com or you can be really diligent and register your warranty three times to see if we get confused! Registration entitles you to product support, full warranty benefits, and notice of product...
  • Page 32: Appendix 1 - Example Settings

    SHELF BOOST SHELF BOOST POWER BELL BELL GAIN BANDWIDTH BANDWIDTH PASS FREQUENCY FREQUENCY HIGH PASS MASSIVE PASSIVE STEREO EQUALIZER 82 ± 3K9 220 ± 10K 560 ± 27K BOOST BOOST SHELF BELL BELL BELL BANDWIDTH BANDWIDTH BANDWIDTH FREQUENCY FREQUENCY FREQUENCY...

This manual is also suitable for:

Massive passiveMassive passive stereo tube eq

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