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Radio frequency interfer-
ence from TV/radio stations
and cellular phone users is
virtually eliminated, thanks
to Mackie's use of metal
jacks (instead of plastic)
and shunting capacitors.
Its built-in power supply
is beefy enough to handle
major power consumption
without breaking up. And
there's no bulky "wall wart"
to be kicked out of place or
to cover up extra outlets.
All of this adds up to an
extremely durable mixer
that can withstand major
use and misuse. Multi-user
applications like churches,
night clubs, A/V rooms and
schools are perfect homes
for the CR1604-VLZ.
Highly-usable.
We designed the CR1604-VLZ
by taking into consideration
a couple of things. One:
what made our original
CR-1604 so popular and
critically acclaimed. And
two: what additional fea-
tures or improvements
would make the CR1604-
VLZ the new standard in
high-quality compact mix-
ers.
Sixteen high-headroom,
low-noise mic preamps
(with –129.5dBm E.I.N.,
0.005% THD, and 60dB
max. gain), mean plenty of
mic inputs for virtually any
use. Additionally, each
channel has its own
switchable low cut filter
(18dB/octave @ 75Hz), so
Jacks to top.
(Pod normal.)
19.0" (482.6mm)
17.3" (442.0mm)
Jacks to back.
19.0" (482.6mm)
17.3" (442.0mm)
Jacks to front.
(With optional rotopod.)
19.0" (482.6mm)
17.3" (442.0mm)
mic thumps, room rumble
and stage mishaps are left
out of the mix without
diminishing the audible
bass frequency range.
Four buses make the
CR1604-VLZ a routing
giant. Channels can be
assigned to buses 1-2,
3-4 and/or Main Mix,
and the 4 subs can be
assigned to left and/or right
main mix. A Control Room/
5.0" (127mm)
5.6" (142.2mm)
8.7" (221.0mm)
9.3" (236.2mm)
6.0"
6.6"
(152.4mm)
(167.6mm)
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