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Related Manuals for ARRI ULTRA 16
Summary of Contents for ARRI ULTRA 16
- Page 1 Ultra 16 Lenses A Complete Set of Modern Super 16 High Speed Primes...
- Page 2 The Super 16 Renaissance Continuous advances in lenses, film stock and postproduction technologies have elevated the Super 16 film format to new levels of image quality and production efficiency. Super 16 is now routinely used for standard and high definition television productions, feature films, commercials and documen- taries, and with stunning results.
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Page 3: Main Features
ARRI lenses in elevating the Super 16 image to its highest possible quality. All nine Ultra 16 lenses (6, 8, 9.5, 12, 14, 18, 25, 35, 50 mm) cover the full Super 16 format and are fully compatible with the optical quality, color balance and ergonomics of the other ARRI lenses. -
Page 4: High Speed
High Speed The speed of the new Ultra 16 lenses is a super fast T1.3, which allows the crea- tion of a shallow depth of field, a look that is often sought after in other formats. Especially for wide angle lenses in Super 16, a maximum aperture of T1.3 helps in creating a cinematic look. - Page 5 ARRI | Ultra 16 Lenses A shallow depth of field is an important narrative tool for the cinematographer, and a feature sought after by other formats for its cinematic quality.
- Page 7 Radical Spherical Lens Surfaces Old-style wide angle lenses are usually larger than their longer companions. The 6, 8 and 9.5 mm Ultra 16 lenses, however, have a revolutionary small form factor. This is made possible through a large diameter aspherical surface on the front and a radically shaped spherical surface with a very strong curvature on the inside.
- Page 8 ARRI lenses. The Ultra 16 lenses can be easily intercut with Master Primes, Ultra Primes, Variable Primes and the Lightweight Zoom LWZ-1, so the cinematographer is able to concentrate on creating a look rather than matching lenses in post.
- Page 9 ANGLE OF VIEW The illustration shows the horizontal angle of view for the Ultra 16 lenses for the Super 16 format. ARRI | Ultra 16 Lenses Ultra 16 lenses have been equipped with a blue ring and yellow scale markings to distinguish...
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Page 10: Technical Data
Technical Data Name Type Ultra 16 T1.3 / 6 mm Distagon T* XP Ultra 16 T1.3 / 8 mm Distagon T* XP Ultra 16 T1.3 / 9.5 mm Distagon T* XP Ultra 16 T1.3 / 12 mm Distagon T* XP Ultra 16 T1.3 / 14 mm... - Page 11 ARRI | Ultra 16 Lenses...
- Page 12 This Ultra 16 product brochure (K5.40457.0) is published by Arnold & Richter Cine Technik, April 01, 2008 © ARRI/2008 Technical data and offerings are subject to change without notice. All rights reserved. Without any warranty. Not binding 04/2008. ARRI is a registered trademark of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.