User Manual CLOCKWORK D E L A Y Chapter 1 - OVERVIEW In this second rendition, we’ve completely overhauled the original design of the pedal to come up with a unique concept that packs a whole lot of useful features and sound possibilities, whilst retaining the compact footprint.
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The table below lists all available modes with their respective ‘PARAM’ knob functions. MODES PARAM Standard Modulation [ T ] Tape Resonance Primary Lo‐Fi Modulation [ L ] Variations [ A ] Ambient Pitch‐Shift 2 [ H ] Multi‐Head (2‐heads) Heads Matrix Secondary 3 [ H ] Multi‐Head (3‐heads) Heads Matrix Variations 4 ...
Chapter 2 - Operation All features and operations of the pedal are accessible through the 2 footswitches. Operation of the footswitches have been carefully designed to keep things as simple and intuitive as possible. Engage LED / Tempo Indicator Variation LED [Preset / Bypass] [Select‐Tap / Variation] Variation selector switch Switching between Standard and Variation modes (T.L.A / H 1.
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Saving a preset 1. Press [Select-Tap / Variation] to select the desired preset location. 2. Press and hold [Preset / Bypass] until the Engage LED flashes. Loading a preset 1. Press [Select-Tap / Variation] to select the desired preset location. 2.
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Variation LED Off : Standard delay mode. Green : Primary variation set (Tape, Lo‐Fi, Ambient) Red : Secondary variation set (H2, H3, H4) Each variation set has its own preset space : so you have 4 available presets when using the primary variation set, and another 4 presets when using the secon- dary variation set. T .
Chapter 3 - Tap Tempo Function The delay time can be set in relation to the tempo of the music by tapping on the [Select-Tap / Variation] footswitch. Recall that the same footswitch is also used to select preset locations, so how can we engage tap-tempo function without inad- vertently making preset selection? Note that whichever preset location you’re currently on, it takes a maximum of 3 moves to get to any other preset locations.
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8th-note Dotted-8th 8th-note Triplets Quarter-note T I M E Tap Interval Subdivisions Quarter-note echo echo Dotted-8th echo echo 8th-note echo echo echo 8th-note echo echo echo echo Triplets Tips : Select “Quarter-note” if you want the echo interval to match the tap interval. Select “8th-note”...
Chapter 4 - The Algorithms Standard This is a pristine digital delay with modulation. A touch of tone-shaping is applied to keep the repeats from being ‘sterile cold’, while retaining clarity and definition. Maximum delay time is 1000 ms (1 second). PARAM knob is partitioned into 2 regions : the first half constitutes slow modula- tion rate and the second half constitutes medium rate.
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The Algorithms Lo-Fi This variation mode has a special voicing that mimics that of an analog delay. The warm and lush repeats work great to thicken your guitar sound without getting in the way of the dry sound. Maximum delay time is 1000 ms (1 second). PARAM knob is partitioned into 2 regions : the first half constitutes slow modula- tion rate and the second half constitutes medium rate.
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The Algorithms Tape This mode is an emulation of the tape echo system that produces band-limited echoes with a touch of saturation and delay time variation. PARAM knob is partitioned into 2 regions : the first half constitutes normal stereo and the second half constitutes ping-pong stereo.
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The Algorithms Ambient This variation mode blurs the line between delay and reverb. Repeats get more diffuse with each iteration, and as REGEN knob is turned up the echoes wash out into reverb-like ambience. PARAM knob controls the type and level of a secondary pitch-shifted voice. The first half of the knob range constitutes Perfect-fifth pitch interval and the second half constitutes Octave interval.
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The Algorithms (2-heads delay) This is a model of tape delay with 2 “playback heads”. Each input sound event will be played back twice at different delay times, and signals from the playback heads are re-injected into the feedback loop, creating layers of warm and complex multi- tap echoes.
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The Algorithms (3-heads delay) This is a model of tape delay with 3 “playback heads”. Each input sound event will be played back thrice at different delay times, and signals from the playback heads are re-injected into the feedback loop, creating layers of warm and complex multi-tap echoes.
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The Algorithms (4-heads delay) This is a model of tape delay with 4 “playback heads”. 4 choices of head configurations (tap patterns) are accessible through the PARAM knob. Heads Matrix configuration (tap patterns) A : Pattern I B : Pattern II C : Pattern III D : Pattern IV * As the REGEN knob is turned up higher, a touch of PARAM reverb‐like ambience starts to appear, and the stereo ...
Chapter 5 - Auto Regen Sweep When you activate this feature the pedal automatically sweeps the Regeneration parameter to the maximum value, hold it there, and sweeps it back to the previ- ously set value - It’s like having someone turns the REGEN knob while you’re playing.
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Features : Precision and versatile delay in a compact pedal. Fully programmable (4 x 2 presets). Normal delay + 6 variation modes. Tap-Tempo (with 4 subdivision option). Stereo input and output. 24-bits signal processing. ...
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