Related Manuals for Lab:One Recordings ReQ·131
Summary of Contents for Lab:One Recordings ReQ·131
- Page 1 ReQ·131 Instruction Manual v1.2 ReQualizer 31 ISO Band Graphic Equalizer Rack Extension for Reason Instruction Manual...
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Page 2: Table Of Contents
ReQ·131 Instruction Manual v1.2 Contents Page Subject Thank You, Acknowledgements & Dedications Introduction 5 - 8: A brief guide to the ReQ·131 9 - 13: Working with the ReQ·131 14 - 15: Selecting the Signal Path and dB ranges HEAR EQ mode and how it works CV inputs and controls How to save and load presets 19 - 20:... - Page 3 We hope you continue to enjoy using the ReQ·131 in your projects for now and for future. Lab:One Recordings © 2013 ACKNOWLEDGEMENTS Thanks to the ReQ Squadron for all the testing, comments, suggestions and feedback.
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Page 4: Introduction
ReQ·131 Instruction Manual v1.2 Introduction The ReQ·131 31 ISO band graphic equalizer is a dedicated rack unit, built as a Rack Extension for the Propellerhead Reason environment. This device has a maximum of what would be 2U space in the real world. -
Page 5: A Brief Guide To The Req·131
ReQ·131 Instruction Manual v1.2 A brief guide of the ReQ·131 The ReQ·131 is based on most hardware 31-ISO band equalizer units. The Front Panel (folded & unfolded views) FOLD-UNFOLD [1] – To allow the RE to be maximized or minimized BYPASS SWITCH [2] –... - Page 6 ReQ·131 Instruction Manual v1.2 The FREQUENCY BANDS are set so they can manipulate the specific frequencies they are set to. They can be used to attenuate the set frequency between minimum and maximum dB range, set by the SIGNAL PATH AND DB MODE dropdown. The bandwidth (known as ‘Q’ in equalizer terms) is specifically set at Octave.
- Page 7 ReQ·131 Instruction Manual v1.2 The Back Panel (folded & unfolded views) FOLD-UNFOLD [1] – To allow the RE to be maximized or minimized TAPE STRIP [7] – Used to identify the RE. Double click to edit CV INPUTS, CV Inverts & CV Bi-polar / Uni-polar modes [17] are used to affect each of the 31 faders independently, and would affect the attenuation of the band filter.
- Page 8 ReQ·131 Instruction Manual v1.2 How to connect audio To connect the ReQ·131 you can use Reason’s own auto-connection system, and the ReQ·131 will decide the best way to auto-wire; if you have a mono-output device (Subtractor, for example), and you wish to add a ReQ·131 to it, the ReQ·131 will auto-connect the Subtractor output to the Left input, and then continue to route the Left output of the ReQ·131 to the Left input of the mix-channel (or next device in your processing chain).
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Page 9: Working With The Req·131
ReQ·131 Instruction Manual v1.2 Working with the ReQ·131 The ReQ·131 is designed to be a flexible device, allowing it to be used however you see best fit. Only typical applications will be listed in this manual. Experiment with setups to your own way of working, use these as a guide, but not necessarily as the be- all-and-end-all approach. - Page 10 ReQ·131 Instruction Manual v1.2 B) Using the ReQ·131 as a send effect (mix / audio channel setup). Return inputs Reason Master Section Send ReQ·131 Outputs Outputs Reason Audio Channel 1 ReQ·131 Inputs Audio Clips on sequencer Reason Mix Channel 1 Mix channel 1 Mix channel 1 Left Input...
- Page 11 ReQ·131 Instruction Manual v1.2 C) Using the ReQ·131 as an insert to a side-chain (mix / audio channel setup) Reason Master Section Audio Channel Outputs Audio Channel Sidechain inputs Reason Audio Channel Reason Mix Channel Audio Channel M-Class outputs M-Class Comp. Insert outputs Sidechain inputs M-Class Compressor...
- Page 12 ReQ·131 Instruction Manual v1.2 D) Using the ReQ·131 to process MID and SIDE signals in series Reason Mix Channel Reason Master Channel Mix Channel Mix Channel Right Input Left Input ReQ 2: set to SIDE 12dB mode ReQ 1 Left Output ReQ 1 Right Output to ReQ 2 Left Input to ReQ 2 Right Input...
- Page 13 ReQ·131 Instruction Manual v1.2 Using the LED meters with the ReQ·131 The Input and Output LEDs can be used to assess initial audio signal levels, and processed final output levels. The best way to use the meters is as follows; 1) Set the output of the sound module (synth / sampler / insert effect) so that the input meter on the ReQ·131 is around the highest green LED and the lowest yellow LED –...
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Page 14: Selecting The Signal Path And Db Ranges
ReQ·131 Instruction Manual v1.2 Selecting the Signal Path and dB ranges ReQ·131 has a built in dropdown menu listing which is dedicated to signal path choices with dB range choices. The options available are: Signal Path: Affects dB ranges L/R : Total content of the stereo signal Mid content of the stereo signal, 12dB... - Page 15 ReQ·131 Instruction Manual v1.2 This means with ReQ·131 you can process on the middle or side, rather than just stereo-linked equalisation. This allows you, amongst other things, to EQ centre panned signal portions differently from portions that are wide in stereo. For example, with mid-side processing, you could add some high frequency sparkle to some wide stereo piano, while hardly affecting the centre panned hi hat.
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Page 16: Hear Eq Mode And How It Works
ReQ·131 Instruction Manual v1.2 HEAR EQ and how it works ReQ·131 has the option to listen to the affect of the EQ itself, via the HEAR EQ button, without the original content. This can be beneficial to help identify if certain instruments or sounds should be brought forward or sent to the back of the mix, in any of the signal path modes. -
Page 17: Cv Inputs And Controls
ReQ·131 Instruction Manual v1.2 CV inputs and controls ReQ·131 has a total of 31 CV inputs, trim knobs (to scale CV input signals) and two toggle buttons for each CV input (Bi-polar/Uni-polar mode, and Invert CV signal). Each of the 31 CV sockets connect to the 31 faders on the front of ReQ·131, giving more creative use of the equalizer where the user sees best fit. -
Page 18: How To Save And Load Presets
ReQ·131 Instruction Manual v1.2 How to save and load presets ReQ·131 comes with a collection of basic presets as a ‘starting’ point. Depending on your application may depend on how you wish to use the ReQ·131. Listed within the presets are some general application setups which may help guide you to the type of sound you want, and you may adjust them to suit accordingly. -
Page 19: How To 'Latch' Your Own Midi Via Remote Overriding
ReQ·131 Instruction Manual v1.2 How to ‘latch’ your own MIDI via Remote Overriding Reason allows the user to re-define certain controls via MIDI devices by using the Remote Override configuration. This means that a control on the ReQ·131 can be mapped by any MIDI controller you have connected to your DAW. - Page 20 ReQ·131 Instruction Manual v1.2 Once you are happy with the control being set, you can click ‘OK’ to continue with the new setting, or ‘CANCEL’ to abort the mapping. Also note that if you accept this mapping, the control (if already linked to another) will be fixed to the new mapping.
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Page 21: Appendix 1: Instrument Frequency Ranges
ReQ·131 Instruction Manual v1.2 Appendix 1: Instrument Frequency ranges To understand EQ and its intricacies you need hands-on experience, but through practice and use of the ReQ·131 you will start to become accustomed to certain ‘ranges’ of the frequency spectrum. Also, every sound that you use may sound different to someone else, even if you use the same sound –... - Page 22 ReQ·131 Instruction Manual v1.2 The Vocal This is a difficult one, as it depends on the microphone that was used to record the vocal. Apply either cut or boost around 300hz. Apply a very small boost around 6kHz to add some clarity. 100-250Hz ~ Adds 'up-frontness' 250-800Hz ~ Muddiness area 1-6kHz ~ Adds presence...
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Page 23: Appendix 2: Eq Tables
ReQ·131 Instruction Manual v1.2 Appendix 2: EQ Tables Below is a general guide to what specific frequencies may do to your sounds / mix. 50 Hz 1. Increase to add more fullness to lowest frequency instruments like foot, toms, and the bass. 2. - Page 24 ReQ·131 Instruction Manual v1.2 1. Increase to add attack on low frequency drums (more metallic sound). 2. Increase to add attack to percussion instruments. 3. Increase on dull singer. 4. Increase for more "finger sound" on acoustic bass. 5. Reduce to decrease "s" sound on singers. 6.
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Page 25: Licence Agreement
(the “Product”) on one personal computer at a time. If you want to use the Product on more than one personal computer at a time, or if you want to network the Product, you must obtain separate licenses from LAB:ONE by contacting them via info@lab-one-recordings.co.uk. - Page 26 Restricted Rights clause at FAR 52.227-19. Contractor is Lab:One Recordings. 9. TERMINATION. This License Agreement will terminate immediately if you breach any of its terms. Upon termination, you will be required promptly to return to LAB:ONE or to destroy all copies of the Product covered by this License Agreement.
- Page 27 ReQ·131 Instruction Manual v1.2 www.lab-one-recordings.co.uk © 2012 - 2013 Page 27...
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