Accupipe Wicks CM-100 Quick Reference Manual

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O R G A N
C O M P A N Y
CM-100
CM-100
QUICK REFERENCE GUIDE
QUICK REFERENCE GUIDE
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Summary of Contents for Accupipe Wicks CM-100

  • Page 1 O R G A N C O M P A N Y CM-100 CM-100 QUICK REFERENCE GUIDE QUICK REFERENCE GUIDE viscount...
  • Page 2: Important Safety Instructions

    WARNING: READ THIS FIRST! WARNING RISK OF ELECTRIC SHOCK DO NOT OPEN AVIS RISQUE DE CHOC ÉLECTRIQUE NE PAS OUVRIR This symbol is intended to alert the user to the This symbol is intended to alert the user to presence of uninsulated “dangerous voltage” the presence of important operating and within the product’s enclosure that may be of maintenance (servicing) instructions in the...
  • Page 3: Table Of Contents

    INDEX INDEX Introduction ............1 Warnings .
  • Page 5: Introduction

    Development unit is the FIRST in the world to create the sounds of a pipe organ by using the "physical modeling technology" upon which the ACCUPIPE is based. Instead of using "sound samples" from pipe organs (previously the standard method) this revolutionary...
  • Page 6: Warnings

    WICKS CM-100 Pipe Organ Module WARNINGS WARNINGS Switching on and off When switching the module on and off, make sure that the audio amplification system is switched off first: this will prevent signal peaks which may damage speaker components and people's hearing. Connecting and preventing interference For the connections to your sound system, see sections 1.3 and 1.4 Use quality cables and remember to check their condition regularly.
  • Page 7: Controls And Connections

    WICKS CM-100 Pipe Organ Module 1. CONTROLS AND CONNECTIONS 1. CONTROLS AND CONNECTIONS 1.1 Description of the front p anel 1.1 Description of the front p anel o VOICE key: Selection key used to access the menus for modifying everything relating to the voice, such as the timbre parameters, replacement of voices in the stops, the levels of each voice, and so on.
  • Page 8 WICKS CM-100 Pipe Organ Module o VOICES MEMORY keys (from 1 to 8). Press these keys for easy recall of 8 stop (voice) setups saved earlier by the user. The CM-100 offers a total of 64 memories divided into 8 banks of 8 memories each.
  • Page 9: Description Of The Rear Panel

    WICKS CM-100 Pipe Organ Module 1.2 Description of the rear p anel 1.2 Description of the rear p anel o POWER ON: On/off switch o AC INPUT connector: connect the power supply lead supplied with the instrument to this connector. The CM100 is able to operate on power supply voltages from 90 to 250 Volts AC.
  • Page 10: Connections

    WICKS CM-100 Pipe Organ Module 1.3 Connections 1.3 Connections Connect the power supply lead supplied with the instrument to the CM-100's A.C. input connector (rear panel). Then connect the other end of the lead to the mains plug. Now connect the Loudspeaker boxes (or the amplification system) to the OUTPUTS connectors on the CM100's rear panel.
  • Page 11: Positioning The Loudspeaker Boxes

    WICKS CM-100 Pipe Organ Module The fundamental connections have been made and the CM-100 is ready to be switched on. However, the interfacing options available do not end here: the instrument can be included in complex MIDI networks or connected to sequencers, computers or other devices. You will find the description of all these and other connection options in the "controls and connections"...
  • Page 12 WICKS CM-100 Pipe Organ Module - 4 boxes configuration (outputs 1, 2, 3 and 4) - 5 boxes configuration (outputs 1, 2, 3, 4 and 5) - 6 boxes configuration (outputs 1 to 6) Page 8...
  • Page 13: Main Page And Demo Mode

    The instrument will display the initial page, which carries the name of the instrument and the release of the operating system (Op.System) currently installed in the form of two numbers separated by a dot. PIPE ORGAN VOICES MODULE Op.System Accupipe Technology 1.10 After a few moments, the display will automatically switch to the main page. M.BANK:1 ENSEMBLE:2 TRANSP.:+1 TUNE:...
  • Page 14 WICKS CM-100 Pipe Organ Module The procedure for modifying these parameters is easy and intuitive: Use the cursor keys to locate on the value of the parameter you wish to modify (the field will start to flash), then turn the encoder to enter the value you require. Remember that turning the encoder clockwise increases the value, while turning it anticlockwise decreases the value.
  • Page 15: Display Messages

    WICKS CM-100 Pipe Organ Module 2.2 Display Messages 2.2 Display Messages INFO MESSAGE: LINE OUTs NOT CONNECTED press EXIT The CM-100 has detected that there are no loudspeaker boxes connected to the outputs: you can only listen to the instrument using the headphones. Press EXIT to close the video page and return to the main page WARNING: LINE OUTs HAVE TO BE CONNECTED CONTIGUOSLY (1 to 6)
  • Page 16: Setting The Midi Channels

    WICKS CM-100 Pipe Organ Module The association between the VOICE MEMORY keys and the demo songs is as follows key 1: Johann Gottfried Walther - Allegro (from Concerto in F maj.) key 2: Johann Pachelbel - Von der Geburt Christi key 3: Domenico Zipoli - Allegretto in G min key 4: Johann Gottfried Walther - Schmücke dich, o liebe Seele key 5: Gio Batta Pescetti - Presto...
  • Page 17: The Whole And Split Modes

    WICKS CM-100 Pipe Organ Module 3.2 The WHOLE and SPLIT modes 3.2 The WHOLE and SPLIT modes The CM100 sound module has two different modes for the reception of MIDI messages, called WHOLE and SPLIT. They are selected using a special button on the instrument's front panel. In the WHOLE (or "single manual") mode, the whole of the instrument responds to the MIDI commands resident on a single channel.
  • Page 18: Setting The Midi Channel In Split Mode

    WICKS CM-100 Pipe Organ Module Once the settings have been made, press EXIT to return to the MIDI menu: the settings will automatical- ly be saved, and will be retained even if the instrument is switched off. From the MIDI menu, you may return to the main page by pressing EXIT twice.
  • Page 19: Using The Voices Memories

    WICKS CM-100 Pipe Organ Module 4. USING THE VOICES MEMORIES 4. USING THE VOICES MEMORIES The voice memories are memory locations each containing a voices combination created by the user. The CM 100 offers 64 voice memories, subdivided into 8 sections (memory banks) of 8 memories each. The purpose of the voice memories is to allow the organist to change the instrument's entire timbre setup by just pressing a key, without having to switch the individual stops on and off individually.
  • Page 20: Setting The Reverb And Tremulant Effects

    WICKS CM-100 Pipe Organ Module SETTING THE REVERB AND TREMULANT EFFECTS SETTING THE REVERB AND TREMULANT EFFECTS 5.1 The reverb effect 5.1 The reverb effect Reverb, or reverberation, is the result of a series of sound reflections propagated inside a room. The order and value of each reflection depend on the room in which it occurs and a large number of fac- tors come into play within any one room (e.g.
  • Page 21: The Tremulant Effects

    WICKS CM-100 Pipe Organ Module .3 The T remulant effect .3 The T remulant effect In pipe organs, it is of fundamental importance for the air pressure to be constant in order to obtain an even, "sustained" sound. However, a number of mechanical devices were introduced to generate a number of periodic variations of varying intensity in the air flow.
  • Page 22: Voice Change

    WICKS CM-100 Pipe Organ Module 6. VOICE CHANGE 6. VOICE CHANGE As already mentioned at the beginning of this manual, the CM 100 has a library of 176 organ voices which the user can freely assign to each of the 12 stops on the instrument's front panel. Once the voice has been assigned to a stop, it will remain in the memory until the next time it is changed.
  • Page 23: Changing Labels

    WICKS CM-100 Pipe Organ Module In the usual way, when you press ENTER the new voice selected will replace the one present in the selected stop. To confirm this has taken place, the display will show the following video page WARNING! Tab 1 now is CtPrinc32 - Please change the label -...
  • Page 24: Appendix

    WICKS CM-100 Pipe Organ Module APPENDIX APPENDIX - CM100 VOICES LIBRAR - CM100 VOICES LIBRAR Family: PRINCIP Family: PRINCIP Long name Display Abbreviation Contra Principal 32' ........CtPrinc32 Double Open Wood 32' .
  • Page 25 WICKS CM-100 Pipe Organ Module Family: STRINGS Family: STRINGS Long name Display Abbreviation Contra Violone 32' .........CtVioln32 Gross Gamba 16' .
  • Page 26 WICKS CM-100 Pipe Organ Module Family: BOURDONS Family: BOURDONS Long name Display Abbreviation Chimney Flute 8' ......... .ChimnyFl8 Quintadeen 8' .
  • Page 27 WICKS CM-100 Pipe Organ Module Family: REEDS Family: REEDS Long name Display Abbreviation Tromba 8' ..........Tromba8 Trompette 8' .
  • Page 28 WICKS CM-100 Pipe Organ Module NOTES NOTES Page 24...
  • Page 29 NOTE: This equipment has been tested and found to comply with the limits for a Class B digital Device, persuant to Part 15 if the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instruction, may cause harmful interference to radio comunications.

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