1. INTRODUCTION This manual first describes the terminology used, so that you can fully understand the BLUE DEVIL and its functions. Please read the manual carefully and keep it for future reference.
1.1.1 VIRTUBE technology 1.2 Before you begin If the unit is damaged, please do not return it to BEHRINGER, but notify your dealer and the shipping company immediately, otherwise claims for damage or replacement may not be granted. Shipping claims must be made by the consignee.
1.3 Control elements Fig. 1.1: The front panel of the BLUE DEVIL 1.3.1 The front panel Fig. 1.2: The front panel control elements INPUT VOLUME CHANNEL HEAT VOLUME Use both VOLUME controls to optimize the volume ratio of the two channels, so that no volume differences can be heard when switching from one channel to the other.
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When the MIDI functions are inactive, one effect can be stored for each of the two channels on your BLUE DEVIL, which allows you, for instance, to select a DELAY effect for the HELL channel and assign a REVERB/CHORUS effect to the HEAVEN channel. The corresponding program numbers will be stored with the channels and can be recalled using the footswitch or the front panel buttons.
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Since speakers can have quite an impact on the sound of a guitar amp, both the headphones and LINE OUT signals are frequency-corrected (speaker emulation). Without this frequency correction extreme treble frequencies would deteriorate the sound. You can still tap the unprocessed signal directly after the pre-amp (INSERT SEND jack), without interrupting the signal path inside the amplifier (INSERT RETURN jack may not be used in this case).
Please note that when using the serial effects path, the external effect should not be set to 100% wet (100% effect signal); otherwise, there will be no direct signal portion fed back to the BLUE DEVIL. FOOTSWITCH 2. WIRING EXAMPLES 2.1 Standard setup consisting of guitar, footswitch and external effects device Fig.
3.1 Description of effects 01-02 Spring Reverb: 03-04 Studio: 05-06 Chamber: 07-08 Stage: 09-10 Concert: 11-12 Plate: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B SPRING short Pre-Delay Reverb Time Mix L Mix R REVERB long Pre-Delay Reverb Time Mix L Mix R short Pre-Delay Reverb Time Mix L...
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15-16 Ambience: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B min. Reflections Room Size Pre-Delay AMBIENCE max. Reflections Room Size Pre-Delay Tab. 3.3: Parameters of effects 15 and 16 17-26 Wah/Delay/Distortion: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Feedback 0 % Delay Time Drive Delay Mix...
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Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B min. Feedback Delay Time R Mix L Mix R Delay Time R Mix L Mix R DELAY (stereo) Delay Time R Mix L Mix R max. Feedback Delay Time R Mix L Mix R Delay Time Feddback...
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38-42 Chorus/Reverb: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B ultra Reverb Time Chorus Mix Reverb Mix slow Reverb Time Chorus Mix Reverb Mix CHORUS / medium I Reverb Time Chorus Mix Reverb Mix REVERB medium II Reverb Time Chorus Mix Reverb Mix fast Reverb Time Chorus Mix Reverb Mix Tab.
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52-56 Flanger/Reverb: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B ultra Reverb Time Flanger Mix Reverb Mix slow Reverb Time Flanger Mix Reverb Mix FLANGER / medium I Reverb Time Flanger Mix Reverb Mix REVERB medium II Reverb Time Flanger Mix Reverb Mix fast Reverb Time Flanger Mix Reverb Mix Tab.
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67-68 Rotary Speaker: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B ROTARY Speed Variation SPEAKER Speed Variation Tab. 3.16: Parameters of effects 67 and 68 69-70 Magic Drive: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Delay Time Variation Delay Mix MAGIC DRIVE Delay Time Variation...
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75-81 Pitch Shifter: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Tune Left Mix L Mix R Tune Left Mix L Mix R Tune Left Mix L Mix R PITCH Tune Left Mix L Mix R SHIFTER Tune Left Mix L Mix R +4 % Tune Left...
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90-91 Compressor: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B fast Sensitivity Ratio Gain COMPRESSOR slow Sensitivity Ratio Gain Tab. 3.23: Parameters of effects 90 and 91 92-93 Expander: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Hell Sensitivity Ratio Gain EXPANDER Heaven...
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97-99 Speaker Cabinet: Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Stack A HF Cut Peak Gain Peak Frequency SPEAKER Stack B HF Cut Peak Gain Peak Frequency CABINET Combo HF Cut Peak Gain Peak Frequency Tab. 3.26: Parameters of effects 97 through 99 3.2 Controlling the BLUE DEVIL via MIDI Once you activate the MIDI functions, the automatic effect-to-channel assignment feature will be disabled, i.e.
5. INSTALLATION If the unit is damaged, please do not return it to BEHRINGER, but notify your dealer and the shipping company immediately, otherwise claims for damage or replacement may not be granted. Shipping claims must be made by the consignee.
Fig. 5.2: Wiring of a stereo headphones 1/4" plug 5.3 MIDI connection Make sure that pin 4 is connected to pin 4, and pin 5 to pin 5. 6. APPENDIX 6.1 Preset list...
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Effect Variation short Pre-Delay Reverb Time 1..32 Mix L 0..50 10 Mix R 0..50 10 SPRING REVERB long Pre-Delay Reverb Time 1..32 Mix L 0..50 10 Mix R 0..50 10 short Pre-Delay Reverb Time 1..32 Mix L 0..50 10 Mix R 0..50 10 STUDIO long Pre-Delay...
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Effect Variation ultra Reverb Time 0..63 20 Flanger Mix 0..99 50 Reverb Mix 0..50 10 slow Reverb Time 0..63 20 Flanger Mix 0..99 40 Reverb Mix 0..50 10 FLANGER / medium I Reverb Time 0..63 50 Flanger Mix 0..99 50 Reverb Mix 0..50 10 REVERB medium II Reverb Time...
PHYSICAL BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.