Split Mode; Engaging The Split Mode; Changing The Split Voices; Changing The Split Point - Yamaha Clavinova CVP-87A Owner's Manual

Split Mode

10
The split mode lets you play different voices with
the left and right hands — bass with the left and pi-
ano with the right, for example. You can assign any
of the Clavinova's voices to the left and right-hand
sections of the keyboard.

Engaging the Split Mode

SPLIT
F#2
Left-hand section

Changing the Split Voices

CLAVINOVA
E.PIANO HARPSI
TONE
2 3 4
9 0
UPRIGHT ELEC
CHOIR
BASS BASS

Changing the Split Point

SPLIT
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
When the [SPLIT] button is pressed and its indicator lights, the keyboard is
split into left- and right-hand sections and different voices can be assigned to each.
The split point is initially set at the F#2 key when the power is turned on, and the
UPRIGHT BASS voice is initially assigned to the left-hand section of the keyboard
(all keys up to and including F#2). The voice that was selected when the SPLIT
mode was engaged is assigned to the right-hand section of the keyboard. The cur-
rent settings are retained if the SPLIT mode is turned off (press the [SPLIT] but-
ton again) and on while the power remains on.
C3
Right-hand section
The right-hand voice can be changed simply by pressing the appropriate voice
SPLIT
selector.
The left-hand voice can be changed by pressing a voice selector while holding
the [SPLIT] button.
NOTES
The split point can be set at any key by pressing the desired key while holding
the [SPLIT] button. The split point key name will appear on the TEMPO display
while the [SPLIT] button is held.
Example:
C3
In the CVP-87A a keyboard guide lamp will indicate the selected split point.
The default split point — F#2 — will always be set automatically whenever the
power is initially turned on.
MIN MAX AUTO BASS CHORD
RHYTHM SOLO
MIDI/ FULL KEYBOARD SINGLE FINGER FINGERED STYLEPLAY POP 1
TRANSPOSE
MIN MAX POP 2
CHORD 1
DEMO START/STOP SYNCHRO INTRO/ENDING
ROOM MIN MAX START
HALL 1 SOFT CHORD 2 SWING
HALL 2 START/STOP
MIN MAX COSMIC SOLO STYLEPLAY MIN MAX NORMAL VARIATION JAZZ
BALLAD
BASS
FILL TO NORMAL FILL TO VARIATION
LEFT PEDAL
MASTER VOLUME REVERB FUNCTION AUTO ACCOMPANIMENT STYLE
• All voices except BASS (voice numbers 10, 11, 49, 50, 51, and 52) and DRUMS
(voice number 12) are shifted up one octave when assigned to the lower section
of the keyboard (this function can be turned on or off via the "Octave Shift" utility
function described on page 43).
A-1 A≠1 C 2 C~2
A-1 A#-1
SPLIT
BEAT SONG NUMBER
DANCE SLOW
POP 1 16BEAT 1 ROCK'N' ROCK COUNTRY 1
DANCE 16BEAT DISK CLAVINOVA
POP 2 16BEAT 2 SHUFFLE SHUFFLE COUNTRY 2 STYLE 1 PIANO TONE E.PIANO HARPSI VIBES GUITAR STRINGS SPLIT
METRONOME
1 2 3 4 5 6 7
BIG BAND BOSSA CHA-CHA MARCH WALTZ
8 9 0
BOOGIE SAMBA RHUMBA MARCH 6/8 J.WALTZ DISK ORGAN CHOIR UPRIGHT ELEC DRUMS VOICE 13-60
STYLE 2 TAP TEMPO BASS BASS /
VOICE DISK ORCHESTRA / PERFORMANCE MEMORY
3. 5" DISK
C2 C#2
SONG PHRASE GUIDE LAMP
SELECT REPEAT CANCEL
RIGHT/1TR LEFT/2TR ORCH/3-10TR RHYTHM
START/STOP REW F F PAUSE REC CHORD SEQUENCE COPY FORMAT
DISK CONTROL