Harman Kardon AVR 360 Function Manual page 21

Table A12 – continued
Surround Mode Description
DTS Neo:6 Depending on the number of speakers in your system, select 3-, 5- or
Cinema 6-channel modes, enhanced for movie or video presentations.
DTS Neo:6 Available only in 5- and 6-channel modes, creates a surround
Music presentation suitable for music recordings.
Logic 7 A Harman International proprietary technology, Logic 7 technology
Mode Group enhances 2-channel and matrix-encoded recordings by deriving
separate information for the surround back channels. This provides more
accurate placement of sound, improves panning and expands the sound
field, even when used with 5.1-channel systems. Logic 7 technology
uses 96kHz processing, and is available in 5.1-or 7.1-channel modes.
Three variants are available.
Logic 7 Especially suited to 2-channel sources containing Dolby Surround
Movie or matrix encoding, Logic 7 Movie mode increases center channel
intelligibility.
Logic 7 The AVR 460/AVR 360 is programmed at the factory to default to
Music this mode for 2-channel signals. Logic 7 Music mode is well suited to
conventional 2-channel music recordings.
Logic 7 Use Logic 7 Game mode to enhance enjoyment of video game consoles.
Game
5-Channel Stereo Useful for parties, the left- and right-channel information is played
through both the front and surround speakers on each side, while the
center speaker plays a summed mono mix.
7-Channel Stereo Expands the 5-Channel Stereo presentation to include the surround
back channels.
2-Channel Stereo Turns off all surround processing and plays a pure 2-channel signal
or a downmix of a multichannel signal. The signal is digitized and
bass management settings are applied, making it appropriate when a
subwoofer is used.
2-Channel Stereo Maintains an analog input signal in that form, bypassing all digital
(Analog Bypass) processing (i.e., surround and bass management). Requires Tone Control
setting to be off.
APPENDIX
Incoming Bitstream or Signal
• DTS 2/2/.0 or .1, 3/2/.0 or .1
• DTS 96/24
•
Analog (2-channel)
•
PCM (32kHz, 44.1kHz or 48kHz)
• DTS 2/2/.0 or .1, 3/2/.0 or .1
•
DTS 96/24
•
Analog (2-channel)
•
PCM (32kHz, 44.1kHz or 48kHz)
See below
•
Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
•
Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
•
Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz, 192kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz, 192kHz)
• Analog (2-channel; DSP downmix available for
multichannel)
•
Tuner
•
PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
•
Tuner
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