SPL Transient Designer 9946 User Manual

Dual-channel dynamic effect processor

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Manual
Transient
Designer
DUAL-CHANNEL, Model 9946
Dual-Channel Dynamic Effect Processor

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Summary of Contents for SPL Transient Designer 9946

  • Page 1 Manual Transient Designer DUAL-CHANNEL, Model 9946 Dual-Channel Dynamic Effect Processor...
  • Page 2 Changes without notice. This document is the property of SPL and may not be copied or reproduced in any manner, in part or full without the authorisation of SPL.
  • Page 3: Table Of Contents

    Warranty ......................16 Dear customer, Foreword Thank you for the confidence you have shown towards SPL elec- tronics GmbH by purchasing SPL’s revolutionary dynamic processor, the Transient Designer. As you would expect from an SPL unit, the Transient Designer combines exemplary technical specifications with intuitive usability and unrivalled audio perfor- mance.
  • Page 4: Introduction

    The attack and sustain intuitive controls. SPL's Differential Envelope Technology® is the characteristics of any first solution for level-independent processing of envelopes allo-...
  • Page 5: Operation Safety

    Before connecting the Transient Designer switch power off at all connected units. The Transient Designer is fitted with unbalanced Jack connec- tors for the inputs and outputs of both channels. Rear panel of the Transient Designer Dual-Channel, model 9946 Transient Designer...
  • Page 6: Tech Talk

    Tech Talk In nearly every aspect the Transient Designer is different from conventional Dynamic Processors or Compressors. You don't need to know how the Transient Designer works in order to be able to use it effectively, but if you're at all curious as to what goes on inside the box, read this section while referring to the diagrams.
  • Page 7: The Sustain Control-Circuitry

    Tech Talk Diagram 3 illustrates the shapes of the processed curves with maximum and minimum attack, compared to the original curve from Diagram 1 The SUSTAIN control circuitry The SUSTAIN control circuitry includes two further envelope generators. The envelope follower Env 3 (Diagram 4), again follows the shape of the original curve.
  • Page 8: Prevent Overload

    Tech Talk Diagram 6 illustrates the processed curves with maximum and minimum sustain compared to the original curve from Diagram 1 Prevent overload Important advice for connection to digital recording systems: Each unit connected to the Transient Designer should be able to handle high input levels.
  • Page 9: Control Elements

    Control elements The ON button operates a hard-bypass relay circuit to switch the channels in and out of processing. The illuminated button indicates that the channel is active. The unit switches to relay hard-bypass automatically in the case of a power failure, either on the primary or secondary side of the power supply, or when the unit is turned off at the POWER switch.
  • Page 10: Sustain

    Control elements The SUSTAIN control increases or reduces the level of the sustain portion of a signal by up to 24 dB. For detailed informa- tion about the mode of operation of the sustain control please Sustain read the ”Tech Talk” section on pages 8 and 9. Two envelope generators work in the SUSTAIN control circuitry, too.
  • Page 11: Connections

    Applications There are several ways to connect the Transient Designer to your equipment. One of the most flexible options is wiring the Transient Designer to a patchbay. A console with switchable Connections insert points to prevent audio running through the patchbay when not required would be perfect.
  • Page 12: Guitar & Bass

    Applications • Corresponding adaptively to the duration of the original signal, the sustain can be shortened more musically than with tightly adjusted release times, effectively reducing crosstalk. • When recording live drums or other instruments on a HD recor- ding system, the Transient Designer prevents time-consuming removing of crosstalk signals on the hard disk.
  • Page 13: Power Supply

    Applications • Effect sounds and sample libraries benefit from more punch and more power – useful when working on TV commercials or movie soundtracks. Movie Post Pro • Outdoor recordings often suffer from poor microphone posi- tioning. The Transient Designer can help create the effect of re- positioning the mics during the mix.
  • Page 14 Specifications Input & Output Input impedance .......... = 100 kOhms Output impedance ........< 600 Ohms Max. input level ..........+24 dBu Max. output level .......... +22,4 dBu Minimum load ohms ........600 Ohms Relay Hard Bypass, Power Fail Safety Measurements Frequency response ........
  • Page 15 Your Notes ..........
  • Page 16 SPL does not, however, warrant its products against any and all defects:1) arising out of materials or workmanship not provided or furnished by SPL, or 2) resulting from abnormal use of the product or use in violation of instructions, or 3) in products...

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