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American DJ Green Phantom User Instructions page 5

Two channel dmx intellingent green laser effect

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Green Phantom™
sound activation.
Assigning DMX Address: Each dipswitch has a preset value. A spe-
cific DMX address is set by combining the dipswitches that sum your
desired value. For example: To achieve a DMX address of 7, combine
dipswitches 1, 2, and 3. Since dipswitch 1 has a value of 1, dipswitch
2 has a value of 2, and dipswitch 3 has a value of 4, the combination
of the three create a DMX value of 7. (See example below).
Set DMX address 1:
Dip-switches #
1 = 1
Data Cable (DMX Cable) Requirements (For DMX and Master/Slave
Operation): The Green Phantom™ can be controlled via DMX-512
protocol. The Green Phantom™ is a two channel DMX unit. The DMX
address is set on the rear panel of the Green Phantom.™ Your unit and
your DMX controller require a standard 3-pin XLR connector for data
input and data output (Figure 1). If you are making your own cables,
REMOTE
INPUT
OUTPUT
be sure to use standard two conductor shielded cable (This cable may
CONTROL
INPUT
be purchased at almost all pro sound and lighting stores). Your cables
should be made with a male and female XLR connector on either end
of the cable. Also remember that DMX cable must be daisy chained
and can not be split.
POWER
Notice:
Be sure to follow figures two and three when making your own
DMX512
cables. Do not use the ground lug on the XLR connector. Do not con-
DMX+,DMX-,COMMON
nect the cable's shield conductor to the ground lug or allow the shield
conductor to come in contact with the XLR's outer casing. Grounding
the shield could cause a short circuit and erratic behavior.
COMMON
DMX +
1
DMX512 OUT
3
3-PIN XLR
DMX -
2
American DJ
- www.americandj.com - Green Phantom™ Instruction Manual Page 9
©
®
REMOTE
INPUT
OUTPUT
SOUND
CONTROL
INPUT
Set DMX address 7:
Dip-switches #
1 = 1
2 = 2
3 = 4
DMX512
DMX+,DMX-,COMMON
= 7
1
DMX512 OUT
3-PIN XLR
2
REMOTE
INPUT
OUTPUT
SOUND
CONTROL
INPUT
1
DMX512 IN
3
3-PIN XLR
2
Figure 2
Set Up
Green Phantom™
XLR Male Socket
1 Ground
SOUND
Figure 3
Special Note: Line Termination.
POWER
used, you may need to use a terminator on the last unit to avoid erratic
behavior. A terminator is a 90-120 ohm 1/4 watt resistor which is con-
nected between pins 2 and 3 of a male XLR connector (DATA + and
DATA -). This unit is inserted in the female XLR socket of the last unit
in your daisy chain to terminate the line. Using a cable terminator (ADJ
part number Z-DMX/T) will decrease the possibilities of erratic behav-
ior.
COMMON
DMX +
1
DMX512 IN
3
3
3-PIN XLR
DMX -
2
SOUND
CONTROL
5-Pin XLR DMX Connectors.
connectors for DATA transmission in place of 3-pin. 5-pin XLR fixtures
may be implemented in a 3-pin XLR DMX line. When inserting stan-
dard 5-pin XLR connectors in to a 3-pin line a cable adaptor must be
POWER
used, these adaptors are readily available at most electric stores. The
chart below details a proper cable conversion.
Data Compliment (- signal)
Termination reduces signal errors and
Data True (+ signal)
avoids signal transmission problems
1
and interference. It is always advisable
3
2
to connect a DMX terminal, (Resistance
120 Ohm 1/4 W) between PIN 2 (DMX-)
and PIN 3 (DMX +) of the last fixture.
American DJ
©
XLR Female Socket
2 Cold
2 Cold
1 Ground
REMOTE
INPUT
OUTPUT
CONTROL
SOUND
INPUT
3 Hot
3 Hot
POWER
Termination reduces signal errors and
avoids signal transmission problems
1
and interference. It is always advisable
3
to connect a DMX terminal, (Resistance
2
120 Ohm 1/4 W) between PIN 2 (DMX-)
and PIN 3 (DMX +) of the last fixture.
REMOTE
INPUT
OUTPUT
INPUT
Some manufactures use 5-pin XLR
POWER
3-Pin XLR to 5-Pin XLR Conversion
Conductor
3-Pin XLR Female (Out)
Ground/Shield
Pin 1
Pin 2
Pin 3
Not Used
Not Used
- www.americandj.com - Green Phantom™ Instruction Manual Page 10
®
Set Up
XLR Pin Configuration
Pin 1 = Ground
REMOTE
INPUT
OUTPUT
Pin 2 = Data Compliment (negative)
CONTROL
INPUT
Pin 3 = Data True (positive)
When longer runs of cable are
POWER
Figure 4
5-Pin XLR Male (In)
Pin 1
Pin 2
Pin 3
Pin 4 - Do Not Use
Pin 5 - Do Not Use

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