GRASS VALLEY CameraMan CPT-2018 Installation And Operation Manual
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GRASS VALLEY CameraMan CPT-2018 Installation And Operation Manual

GRASS VALLEY CameraMan CPT-2018 Installation And Operation Manual

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CameraMan
CPT-2018 3-CCD CAMERA SYSTEM
Installation and Operation Manual
071838701
JUNE 2005

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  • Page 1 CameraMan CPT-2018 3-CCD CAMERA SYSTEM Installation and Operation Manual 071838701 JUNE 2005...
  • Page 2 +33 1 45 29 73 00 Germany, Europe +49 6150 104 782 +49 6150 104 223 Copyright © Grass Valley. All rights reserved. Grass Valley Web Site www.thomsongrassvalley.com web site offers the following: — Current versions of product catalogs, brochures,...

  • Page 3: Table Of Contents

    Contents Section 1 — General ........... . . 3-CCD Product Descriptions .
  • Page 4 Contents Section 3 — Switch Configuration ........Section 4 —...
  • Page 5 Initial Settings (User Mode) ......... . . Appendix J — CPT-2018-A3DS On-Screen Menus .
  • Page 6 Contents CameraMan Installation and Operation Manual...

  • Page 7: Section 1 - General

    Product Description The 3-CCD DIGITAL Camera’s pan/tilt functions, zoom perspective, focus and IMAGE settings can be controlled via Grass Valley’s Remote Control Keypad, DIGITAL SHOT Director, or Tracking Keypad. In addition to the camera-control these accessories provide, they also provide multi-camera control and store up to 125 presets per camera.

  • Page 8: Student Camera Upgrade Package

    Used in distance learning applications, this system gives each student the power to be instantly identified by the camera with the touch of a press to talk microphone (such as Grass Valley’s Low Profile Microphones). This includes the Programmable Response Module for distributed preset control and a 3-CCD Camera Control Keypad.

  • Page 9: Script Viewer Display

    Contact your reseller for more information on the complete Script Viewer system. 3-CCD DIGITAL Camera Components Following is a description of each part that came with the CameraMan CPT-2018 3-CCD DIGITAL Camera. CameraMan Installation and Operation Manual...

  • Page 10: Cameraman 3-Ccd Digital Camera

    Section 1 — General CameraMan 3-CCD DIGITAL Camera The camera and its integrated intelligent pan/tilt system is the primary component, and the basis for all of Grass Valley’s CameraMan camera sys- tems. Figure 4. Front of Camera Lens Shroud The 20x version of the 3-CCD DIGITAL Camera includes a rectangular lens...

  • Page 11: Cameraman Power Supply

    CameraMan Ports and Jacks Figure 6. Camera Control Block CameraMan Power Supply The included power supply enables use with 50/60 Hz, 100-240V Power sources. Figure 7. CameraMan Power Supply Connection Accessories • RS-485 T Connector (Figure • 3’ CameraMan Communication Cable •...

  • Page 12: Back Of Camera Block Overview

    Section 1 — General Figure 9. Back of Camera Back of Camera Block Overview • Turns on the on-screen menu for appearance adjustments. Also used to scroll upward through the on-screen menus. • When in shooting mode, the automatic white balance control can be set with this switch.

  • Page 13: Camera Control Block Overview

    • Used for RS-485 communications between the camera system and other Grass Valley devices. This jack can be used to network multiple cameras or to connect appropriate Grass Valley approved peripherals using a Grass Valley T-connector. This is a standard 4-position modular handset jack.

  • Page 14: Cameraman Led Displays

    Section 1 — General • Power input for the CameraMan Camera. Plug only a Grass Valley power supply (supplied) into this jack. No other types of power supplies should be used. • Used to power on/off the CameraMan Camera. CameraMan LED Displays...

  • Page 15: Cameraman Configuration Panel

    CameraMan Configuration Panel • Indicates that the camera has acquired the RF signal from the TRP and is receiving valid data. When this LED is OFF, TRP power is usually OFF. • Reserved for future use. CameraMan Configuration Panel Behind the configuration plate on the lower right side rear of the 3-CCD DIGITAL Camera is the configuration panel ().

  • Page 16: Tally Light Interface Port

    Section 1 — General Switch Bank B Switch 1 (Protocol Select Used to select the type of Protocol being used for Switch) RS-232 and RS-485 communications. This can be configured as either Basic or High Reliability. Switch 4 (RF Commands Used to enable or disable the RF Receiver in the Switch) CameraMan camera.

  • Page 17: Section 2 - Mounting The Camera

    Section Mounting the Camera Mount the DIGITAL Camera on any flat, non-slick, non-metal surface with a minimum supporting area of 8” x 8” by following these easy steps. 1. Check the selected camera location to ensure that there is enough camera and cable clearance space (Figure 14) for the CameraMan to pan...

  • Page 18: Connecting The Camera System

    Section 2 — Mounting the Camera Connecting the Camera System Follow the instructions below to begin connecting the camera to the system. Note After connecting each cable to the camera, let it hang loosely behind the camera. Then follow the instructions in Cable Restraint on page 21 before attaching the other ends of the cable to other equipment.

  • Page 19: Connecting Camera Control Devices

    DB-9 connector. When used with a DIGITAL SHOT Director, this port operates at 19,200 Baud, No Parity and software hand-shaking using Grass Valley High Reliability pro- tocol. Otherwise, the port operates at 9600 Baud, No Parity, and software handshaking using Grass Valley High Reliability or Basic protocols.

  • Page 20: Digital Shot Director

    Section 2 — Mounting the Camera Note Using cable other than Grass Valley supplied cable for the PVI COM port may cause damage. DIGITAL SHOT Director The optional DIGITAL SHOT Director multi-camera controller can be con- nected in hard-wired mode only. Follow these directions to connect the DIGITAL SHOT Director to the CameraMan.

  • Page 21: Cable Restraint

    Cable Restraint and System Power Figure 18. Camera Cable Restraint Cable Restraint For upper (i.e. GEN LOCK) cable connections (if used) 1. Locate the cable restraint on the back left side of the camera. 2. Insert cable(s) through the cable restraint from left to right. Note Allow 16”...

  • Page 22: Power Supply Connection

    Section 2 — Mounting the Camera Power Supply Connection Mount the Power Supply with any orientation, or on top of a table or roll- about unit by using the following steps. 1. Verify that the POWER switch, on the back of the camera, is turned OFF. 2.

  • Page 23: Section 3 - Switch Configuration

    Section Switch Configuration Once connected to the power supply and control devices, the DIGITAL Camera must be configured to work in the desired application. To begin, remove the configuration plate on the back right side of the camera by removing the two screws holding it in place. Behind it are the configuration switches (Figure 19).
  • Page 24 Section 3 — Switch Configuration Central Control Switches Base Unit Address Use the 16-position rotary switch labeled BASE UNIT ADDRESS to set the unique identification number for the specific CameraMan camera. If using the optional Keypad, DIGITAL SHOT Director, or another control system, refer to the documentation provided with those accessories for proper configuration.

  • Page 25: Section 4 - System Startup

    Section System Startup Note Before powering the CameraMan system, ensure all necessary connections and configurations are complete 1. Just switch the Power button on the back of the CameraMan DIGITAL Camera to the ON position. The Camera should automatically enter its position calibration mode and then stop at the zero degree point.
  • Page 26 Section 4 — System Startup CameraMan Installation and Operation Manual...

  • Page 27: Appendix A - Troubleshooting

    Should any problems occur with the CameraMan CPT 2018 3-CCD DIGITAL Camera, please refer to the following guide. If questions or prob- lems still exist after troubleshooting, please contact your authorized Grass Valley reseller or contact Grass Valley Customer Support directly. Problem The Camera’s Video is not working properly.
  • Page 28 Appendix A — Troubleshooting CameraMan Installation and Operation Manual...
  • Page 29 “daisy-chain” network configuration using the following steps: 1. Connect cameras together by plugging the Grass Valley T-connector into the RS-485 port on the back of the camera. 2. Connect each camera using a 4-conductor cable, with 4-position modular handset plugs wired straight-through: •...

  • Page 30: Appendix B - Multi-Camera Applications

    Appendix B — Multi-Camera Applications CameraMan Installation and Operation Manual...

  • Page 31: Appendix C - Camera Specifications

    Appendix Camera Specifications This device complies with part 15 of the FCC rules. Operation is subject to the condition that this device does not cause harmful interference. FCC identifier: JFECM003-AA Note In the following specifications the CPT 2018-A3D is shown without brackets and the CPT 2018 A3DP is shown in brackets.
  • Page 32 Appendix C — Camera Specifications Image Elements 2/3” IT type 3-CCD Pixels Total Elements: Approx. 510,000 [595,728] Effective Elements: Approx. 460,000 [538,200] Imaging Area 8.8H X 6.6V (mm) (2/3” 4:3) 9.6H X 5.4V (mm) (2/3” 16:9) Scanning System 2:1 interlaced NTSC system [2:1 interlaced PAL system] Scanning Frequency Horizontal = 15.734 kHz [15.625 kHz]...

  • Page 33: Appendix D - Pin-Out Diagrams

    Appendix Pin-Out Diagrams Following are the pinout connections on the rear of the CameraMan camera control block. Diagrams are for reference. PVI COM RJ-11 Connector Signal Ground Signal A Signal B Ground RS-485 Four Position Modular Handset Connector Signal Ground Signal A Signal B Ground...
  • Page 34 Appendix D — Pin-Out Diagrams 5.5 mm dc Power Connector Connector Signal + 18v DC Ground CameraMan Installation and Operation Manual...

  • Page 35: Appendix E - Field-Of-View Specifications

    Appendix Field-Of-View Specifications The following reference charts represent the approximate size of the field of view and angle of view from various distances and with different lenses. 20 x 6.4 Lens on Standard 4:3 DIGITAL Camera. Dist. from Lens No Zoom Full Zoom (feet) Hor.
  • Page 36 Appendix E — Field-Of-View Specifications 19 x 9 Lens on 16:/4:3 DIGITAL Camera switched to Aspect Ratio without crossover Adaptor. Dist. from Lens No Zoom Full Zoom (feet) Hor. (ft) Vert. (ft) Hor. (ft) Vert. (ft) 9.78 7.34 71.75 0.52 0.39 0.20 14.66...
  • Page 37 19 x 9 Lens on 16:/4:3 DIGITAL Camera switched to 16:9 Aspect Ratio. Dist. from Lens No Zoom Full Zoom (feet) Hor. (ft) Vert. (ft) Hor. (ft) Vert. (ft) 10.66 6.00 63.94 0.56 0.31 0.18 15.98 9.00 143.87 0.84 0.47 0.39 21.31 12.00...
  • Page 38 Appendix E — Field-Of-View Specifications CameraMan Installation and Operation Manual...

  • Page 39: Appendix F - The 20X Lens Shroud

    Appendix The 20x Lens Shroud The 20x version of the CameraMan 3-CCD DIGITAL Camera comes equipped with a rectangular lens shroud (Figure 20). The shroud helps to keep out glares from light sources located on the sides of the camera. Figure 20.
  • Page 40 Appendix F — The 20x Lens Shroud CameraMan Installation and Operation Manual...

  • Page 41: Appendix G - Typical Cameraman System Diagram

    Appendix Typical CameraMan System Diagram Below is a typical setup for the CameraMan camera system. Note Items in the diagram are not to scale. Figure 21. Typical Setup Diagram CameraMan Installation and Operation Manual...
  • Page 42 Appendix G — Typical CameraMan System Diagram CameraMan Installation and Operation Manual...

  • Page 43: Appendix H - Cpt 2018-A3D On-Screen Menus

    Appendix CPT 2018-A3D On-Screen Menus The 3-CCD DIGITAL Camera allows for adjustments to the camera settings via on-screen menus by using the controls on the back of the camera block, the Camera Control Keypad, or DIGITAL SHOT Director. These adjust- ments should be performed by qualified technical personnel only.
  • Page 44 Appendix H — CPT 2018-A3D On-Screen Menus Figure 22. Camera Back Switches 2. The use mode setting menu (Figure 23) appears on the monitor screen and one of the use modes blinks. Figure 23. Use Mode Setting Menu 3. Press the MENU switch, ITEM/AWC switch, or NO/BAR switch to let the desired use mode blink.

  • Page 45: Menu Item Setting

    Menu Item Setting Menu Item Setting • Each of the four use modes of the camera has a main menu (Figure 24). Figure 24. Main Menu - Halogen, Fluorescent, Outdoor Mode • Each item of the main menu has a submenu comprising several set- tings.

  • Page 46: Brightness Setting

    Appendix H — CPT 2018-A3D On-Screen Menus Brightness Setting Figure 25. Brightness Setting Submenu Table 1. Brightness Settings Picture Level (-50 to +50) Convergence level of AUTO IRIS/AUTO GAIN UP/AUTO ND (ELC) can be adjusted. Light PEAK/AVG (P50 to A50) The ratio of AUTO IRIS/AUTO GAIN up/AUTO ND (ELC) detected peak to average can be adjusted within a predetermined range.

  • Page 47: Color Setting

    Submenus Overview Table 1. Brightness Settings AGC Max Gain (6dB, 12dB, 18dB, 24dB, N/Eye L, N/Eye H) This is used to set the maximum amount to which the gain can be increased when “ON” has been selected as the Auto Gain Up setting. Manual Gain Up Manual setting is possible only when the Auto Gain Up setting is “OFF”.

  • Page 48: G/L Color Bar Setting

    Appendix H — CPT 2018-A3D On-Screen Menus G/L Color Bar Setting Figure 27. G/L Color Bar Setting Submenu Table 3. G/L Color Bar Settings H Phase (-206 to +49) Horizontal phase can be adjusted when a genlock signal is supplied. SC Coarse (1, 2, 3, 4) Coarse adjustment of subcarrier phase can be made when a genlock signal is sup- plied.

  • Page 49: Other Settings

    Submenus Overview Other Settings Figure 29. Other Settings Submenus Table 5. Other Settings Contrast (Gamma) (Low, Mid, High) The contrast can be adjusted to any of three levels. Shutter Speed OFF: Electronic shutter is turned off. 1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000: Electronic shutter operates at one of these speeds as selected.

  • Page 50: User Mode Submenus Overview

    Appendix H — CPT 2018-A3D On-Screen Menus User Mode Submenus Overview Iris, Shutter, Gain Settings Figure 30. Iris, Shutter, Gain Setting Submenu Table 6. Iris, Shutter, Gain Settings Picture Level (-50 to +50) Convergence level of AUTO IRIS/AGC/ELC can be adjusted. Light PEAK/AVG (P50 to A50) The ratio of AUTO IRIS/AGC/ELC detected peak to average can be adjusted within a range.
  • Page 51 User Mode Submenus Overview 1/500 492.2 Hz 1/1000 984.4 Hz 1/2000 1.969 kHz 1/4000 3.938 kHz 1/10000 7.875 kHz Gain When “Auto” has been selected as the Charge Time setting, the setting is kept to “Auto” regard- less of the Gain setting selected here. Auto: The light quantity is adjusted automatically.

  • Page 52: Color Settings

    Appendix H — CPT 2018-A3D On-Screen Menus Color Settings Figure 31. Color Setting Submenu Table 7. Color Settings Chroma Level (-3 to +3) Chroma Level can be decreased or increased to three levels. White Bal ATW: The white balance is automatically adjusted to the optimum position. AWC A, AWC B: Color temperature conditions at two points can be stored at AWC A and AWC B.

  • Page 53: G/L Adjustment Settings

    User Mode Submenus Overview G/L Adjustment Settings Figure 32. G/L Adjustment Setting Submenu Table 8. G/L Adjustment Settings H Phase (-206 to +49) Horizontal phase can be adjusted when a genlock signal is supplied. SC Coarse (1, 2, 3, 4) Coarse adjustment of subcarrier phase can be made when a genlock signal is supplied. SC Fine (-511 to +511) Fine adjustment of subcarrier phase can be made when a genlock signal is supplied.

  • Page 54: Color Matrix Settings

    Appendix H — CPT 2018-A3D On-Screen Menus Table 9. Detail Settings Dark Detail (0 to 5) The contours of the darker portions of an object can be emphasized. This setting is possible only when the Level Dependent setting is set to 0%. Chroma Detail (0 to 15) The contours of high-hue portions of an object can be emphasized.

  • Page 55: Other Settings

    User Mode Submenus Overview Table 10. Color Matrix Settings Phase Varies the hue of the cyan. Cy_B Gain Increases or decreases the intermediate color between cyan and blue. Cy_B Phase Varies the hue of the intermediate color between cyan and blue. Gain Increases or decreases the intermediate color between blue and magenta.

  • Page 56: Initial Settings

    Appendix H — CPT 2018-A3D On-Screen Menus Initial Settings Note For an incorrect setting in any use mode, take the following steps to return to the initial settings. 1. Select [Initialize Data] on the main menu screen of each Use Mode. Press the YES/ABC switch, then the [Initialize Data] screen shows for about 10 seconds.

  • Page 57: Initial Settings (User Mode)

    Initial Settings Initial Settings (User Mode) Table 13. Factory preset values for User Mode Item User mode ± Picture Level Light PEAK/AVG Light Area Top cut Auto Iris Adjust Iris, Shutter, Gain Set Shutter Mode Step Step/Synchro Gain Digital Gain Up AGC Max Gain Charge Time Chroma Level...
  • Page 58 Appendix H — CPT 2018-A3D On-Screen Menus Table 13. Factory preset values for User Mode ± B_Mg Gain ± B_Mg Phase Gain ± Color Matrix Set 1 Phase ± Mg_R Gain ± Mg_R Phase Gain ± Phase ± R_YI Gain ±...

  • Page 59: Appendix I - Cpt 2018-A3Dp On-Screen Menus

    Appendix CPT 2018-A3DP On-Screen Menus The 3-CCD DIGITAL Camera allows for adjustments to the camera settings via on-screen menus by using the controls on the back of the camera block, the Camera Control Keypad, or DIGITAL SHOT Director. These adjust- ments should be performed by qualified technical personnel only.
  • Page 60 Appendix I — CPT 2018-A3DP On-Screen Menus Figure 36. Back of Camera Block 2. The use mode setting menu (Figure 37) appears on the monitor screen and one of the use mode blinks. Figure 37. Use Mode Setting Menu 3. Press the MENU switch, ITEM/AWC switch, or NO/BAR switch to let the desired use mode blink.

  • Page 61: Menu Item Setting

    Menu Item Setting Menu Item Setting • Each of the four use modes of the camera has a main menu (Figure Figure 38. Main Menu - Halogen, Fluorescent, Outdoor Mode • Each item of the main menu has a submenu, which consists of several settings.

  • Page 62: Brightness Setting Overview

    Appendix I — CPT 2018-A3DP On-Screen Menus Brightness Setting Overview Figure 39. Brightness Setting Submenu Table 14. Brightness Settings A.Iris Level (-50 to +50) Convergence level of AUTO IRIS/AUTO GAIN UP/AUTO ND (ELC) can be adjusted. A.Iris PEAK/AVG (P50 to A50) The ratio of AUTO IRIS/AUTO GAIN UP/AUTO ND (ELC) detected peak to average can be adjusted within a predetermined range.
  • Page 63 Submenus Overview Table 14. Brightness Settings AGC Max Gain (6dB, 12dB, 18dB, 24dB, N/Eye L, N/Eye H) This can be used to set the maximum amount to which the gain can be increased when “ON” has been selected as the Auto Gain Up setting. Manual Gain Up Manual setting is possible only when the Auto Gain Up setting is “OFF.”...

  • Page 64: Color Setting

    Appendix I — CPT 2018-A3DP On-Screen Menus Color Setting Figure 40. Color Setting Submenu Table 15. Color Settings Chroma Level (-3 to +3) Chroma Level can be decreased or increased to any of three levels each. Flesh Tone (-3 to +3) Skin color can be decreased or increased to any of three levels each. White Bal ATW: The white balance is automatically adjusted to be always right.

  • Page 65: Sharpness (Dtl) Setting

    Submenus Overview Sharpness (DTL) Setting Figure 42. Sharpness (DTL) Setting Submenu Table 17. Sharpness (DTL) Settings DTL Select (Normal, Super DTL) If contour correction is not sufficient at the Normal position when Detail Level setting is set to LOW or HIGH, select the Super DTL position. *Neither Normal nor Super DTL is valid for contour correction if Level setting is in the OFF position.

  • Page 66: Other Settings

    Appendix I — CPT 2018-A3DP On-Screen Menus Other Settings Figure 43. Other Settings Submenu Table 18. Other Settings Contrast (Gamma) (Low, Mid, High) The contrast can be adjusted to any of three levels. Shutter Speed OFF: Electronic shutter is turned off. 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000: Electronic shutter operates at one of these speeds as selected.

  • Page 67: Iris, Shutter, Gain Settings Overview

    Submenus Overview User Mode Submenus Overview Iris, Shutter, Gain Settings Overview Figure 44. Iris, Shutter, Gain Setting Table 19. Iris, Shutter, Gain Settings A. Iris Level (-50 to +50) Convergence level of AUTO IRIS/AGC/ELC can be adjusted. A. Iris PEAK/AVG (P50 to A50) The ratio of AUTO IRIS/AGC/ELC detected peak to average can be adjusted within a range.
  • Page 68 Appendix I — CPT 2018-A3DP On-Screen Menus 1/500 492.2 Hz 1/1000 984.4 Hz 1/2000 1.969 kHz 1/4000 3.938 kHz 1/10000 7.875 kHz Gain When “Auto” has been selected as the Charge Time setting, the setting is kept to “Auto” regard- less of the gain setting selected here.

  • Page 69: Color Settings

    Submenus Overview Color Settings Figure 45. Color Setting Submenu Table 20. Color Settings Chroma Level (-3 to +3) Chroma Level can be decreased or increased to three levels. White Bal ATW: The white balance is automatically adjusted to the optimum position. AWC A, AWC B: color temperature conditions at two points can be stored at AWC A and AWC B.

  • Page 70: G/L Adjustment Settings

    Appendix I — CPT 2018-A3DP On-Screen Menus G/L Adjustment Settings Figure 46. G.L Adjustment Setting Submenu Table 1 — H Phase (-206 to +49) Horizontal phase can be adjusted when a genlock signal is supplied. SC Coarse (1, 2, 3, 4) Coarse adjustment of subcarrier phase can be made when a genlock signal is supplied. SC Fine (-511 to +511) Fine adjustment of subcarrier phase can be made when a genlock signal is supplied.

  • Page 71: Color Matrix Settings

    Submenus Overview Table 21. Detail SEttings Dark Detail (0 to 5) The contours of the darker portions of an object can be emphasized. This setting is possi- ble only when the Level Dependent setting is set to 0%. Chroma Detail (0 to 15) The contours of high-hue portions of an object can be emphasized.

  • Page 72: Other Settings

    Appendix I — CPT 2018-A3DP On-Screen Menus Table 22. Color Matrix Settings Phase Varies the hue of the cyan. Cy_B Gain Increases or decreases the intermediate color between cyan and blue. Cy_B Phase Varies the hue of the intermediate color between cyan and blue. Gain Increases or decreases the intermediate color between blue and magenta.

  • Page 73: Initial Settings

    Initial Settings Initial Settings Resetting Table 24. Factory preset values for Halogen Mode, Fluorescent Mode, and Outdoor Mode Item Halogen mode Fluorescent mode Outdoor Mode ± ± ± A.Iris Level A.Iris PEAK/AVG A.Iris Area Top cut Top cut Top cut Auto ND (ELC) Brightness Set Auto Gain Up...

  • Page 74: Initial Settings (User Mode)

    Appendix I — CPT 2018-A3DP On-Screen Menus Initial Settings (User Mode) Table 25. Factory Preset Values for User Mode Item User mode ± A.Iris Level A.Iris PEAK/AVG Auto Iris Area Top Cut Auto Iris Adjust Iris, Shutter, Gain Set Shutter Mode Step Step/Synchro Gain...
  • Page 75 Initial Settings Table 25. Factory Preset Values for User Mode ± B_Mg Gain ± B_Mg Phase ± Gain ± Color Matrix Set 1 Phase ± Mg_R Gain ± Mg_R Phase ± Gain ± Phase ± R_YI Gain ± R_YI Phase ±...
  • Page 76 Appendix I — CPT 2018-A3DP On-Screen Menus CameraMan Installation and Operation Manual...

  • Page 77: Appendix J - Cpt-2018-A3Ds On-Screen Menus

    Appendix CPT-2018-A3DS On-Screen Menus The 3-CCD DIGITAL Camera allows for adjustments to the camera settings via on-screen menus by using the controls on the back of the camera block, the Camera Control Keypad, or DIGITAL SHOT Director. These adjust- ments should be performed by qualified technical personnel only. If your system includes a DIGITAL SHOT Director, always use the DIGITAL SHOT Director’s LCD menus to make these adjustments.

  • Page 78: Menu Item Setting

    Appendix J — CPT-2018-A3DS On-Screen Menus Figure 50. .Back of Camera Block 2. The use mode setting menu (Figure 51) appears on the monitor screen and one of the use mode blinks Figure 51. .Use Mode Setting Menu 3. Press the MENU switch, ITEM/AWC switch, or NO/BAR switch to let the desired use mode blink.

  • Page 79: Changing The Language Setting

    Changing the Language Setting Figure 52. Main Menu - Halogen, Fluorescent, Outdoor Mode • Each item of the main menu has a submenu, which consists of several settings. • These settings have been preset to the optimum values to suit each use mode, and can be changed to suit actual shooting conditions.

  • Page 80: Submenus Overview

    Appendix J — CPT-2018-A3DS On-Screen Menus Submenus Overview The submenus on page 80 through page 83 are for Halogen Mode, Fluores- cent Mode, and Outdoor Mode on the NTSC version of the 4:3/16:9 Swit- chable 3-CCD Digital Camera. Refer to page 84 through page 89 for User Mode.

  • Page 81: Color Setting

    Submenus Overview Table 26. Brightness Settings Auto ND (ELC) OFF: Luminance is not automatically adjusted by the electronic shutter. ON: The electronic shutter is controlled to automatically adjust the luminance. *ON is automatically selected when the Shutter Speed on the sub- menu [Other Set] is set to [Auto ND].

  • Page 82: G/L, Color Bar Setting

    Appendix J — CPT-2018-A3DS On-Screen Menus G/L, Color Bar Setting Figure 55. G/L, Color Bar Setting Submenu Table 28. Color Bar Settings H Phase (-206 to +49) Horizontal phase can be adjusted when a genlock signal is supplied. SC Coarse (1, 2, 3, 4) Coarse adjustment of subcarrier phase can be made when a genlock signal is supplied.

  • Page 83: Other Settings Overview

    Submenus Overview Other Settings Overview Figure 57. Other Settings Submenu Table 30. Other Settings Contrast (Gamma) (Low, Mid, High) Contrast can be adjusted to any of three levels. Shutter Speed OFF: Electronic shutter is turned off. 1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000: Elec- tronic shutter operates at one of these speeds as selected.

  • Page 84: User Mode Submenus Overview

    Appendix J — CPT-2018-A3DS On-Screen Menus Baud Rate (1200bps, 2400bps, 4800bps, 9600bps) Select a communication speed in controlling the camera from the computer. Component This enables RGB, Y/Pr/Pb or Y/C to be selected as the component signals which are to be output from the I/F REMOTE connector.
  • Page 85 User Mode Submenus Overview Table 31. Iris, Shutter, Gain Settings Light PEAK/AVG (P50 to A50) The ratio of AUTO IRIS, AUTO GAIN UP, ELC detected peak to average can be adjusted within a range. Light Area A photometric measurement method can be selected for AUTO IRIS, AUTO GAIN UP, ELC. All: All the screen is measured.

  • Page 86: Color Settings

    Appendix J — CPT-2018-A3DS On-Screen Menus Color Settings Figure 59. Color Setting Submenu Table 32. Color Settings Chroma Level (-3 to +3) Chroma Level can be decreased or increased to three levels. White Bal ATW: The white balance is automatically adjusted to the optimum position.

  • Page 87: Detail Settings

    User Mode Submenus Overview Detail Settings Figure 61. Detail Settings Submenus Table 34. Detail Settings Detail (OFF, Low, High) Contour correction quantity can be selected. Detail settings made using the Hori- zontal/Vertical Detail Level High/Low setting. Detail level can be set in horizontal (H) and vertical (V) directions with the Detail setting at High or Low.

  • Page 88: Color Matrix Settings

    Appendix J — CPT-2018-A3DS On-Screen Menus Color Matrix Settings Figure 62. Color Matrix Setting Submenus Table 35. Color Matrix Settings B_Mg Gain Increases or decreases the intermediate color between blue and magenta. B_Mg Phase Varies the hue of the intermediate color between blue and magenta.

  • Page 89: Other Settings

    Initial Settings Other Settings Figure 63. Other Settings Submenus Table 36. Other Settings Gamma (0.35 to 0.55) Gamma correction level can be set. Knee Point 88% to 98%: The level of video signals subject to knee (knee point) can be set. Dynamic: Knee level is automatically adjusted according to the scene.

  • Page 90: Resetting

    Appendix J — CPT-2018-A3DS On-Screen Menus 3. If the NO/BAR switch is pressed, or if the YES/ABC switch is not pressed, within about 10 seconds, and the camera returns to main menu, then the existing settings are not initialized. Resetting Table 37.

  • Page 91: Initial Settings (User Mode)

    Initial Settings Initial Settings (User Mode) Table 38. Factory preset values for User Mode Item User mode ± Picture Level Light PEAK/AVG Light Area Top cut Iris, Shutter, Gain Set Auto Iris Adjust Shutter Mode Step Step/Synchro Gain AGC Max Gain Chroma Level White Bal AWC A...
  • Page 92 Appendix J — CPT-2018-A3DS On-Screen Menus Table 38. Factory preset values for User Mode ± B_Mg Gain ± B_Mg Phase Gain ± Color Matrix Set 1 Phase ± Mg_R Gain ± Mg_R Phase Gain ± Phase ± R_YI Gain ±...

  • Page 93: Appendix K - Cpt-2018-A3Dsp On-Screen Menus

    Appendix CPT-2018-A3DSP On-Screen Menus The 3-CCD DIGITAL Camera allows for adjustments to the camera settings via on-screen menus by using the controls on the back of the camera block, the Camera Control Keypad, or DIGITAL SHOT Director. These adjust- ments should be performed by qualified technical personnel only. If your system includes a DIGITAL SHOT Director, always use the DIGITAL SHOT Director’s LCD menus to make these adjustments.

  • Page 94: Menu Item Setting

    Appendix K — CPT-2018-A3DSP On-Screen Menus Figure 64. Back of Camera Block 2. The use mode setting menu (shown below) appears on the monitor screen and one of the use mode blinks Figure 65. Use Mode Setting Menu 3. Press the MENU switch, ITEM/AWC switch, or NO/BAR switch to let the desired use mode blink.

  • Page 95: Changing The Language Setting

    Changing the Language Setting Figure 66. Main Menu of Halogen, Fluorescent, Outdoor Mode • Each item of the main menu has a submenu, which consists of several settings. • These settings have been preset to the optimum values to suit each use mode, and can be changed to suit actual shooting conditions.

  • Page 96: Submenus Overview

    Appendix K — CPT-2018-A3DSP On-Screen Menus Submenus Overview The submenus on page 96 through page 98 are for the Halogen Mode, Flu- orescent Mode, and Outdoor Mode on the PAL version of the 4:3/16:9 Swit- chable 3-CCD Digital Camera. Refer to page 99 through [cross-reference] for the User Mode submenus.

  • Page 97: Color Setting

    Submenus Overview Color Setting Figure 68. Color Setting Submenu Table 40. Color Settings Chroma Level (-3 to +3) Chroma Level can be decreased or increased to any of three levels each. Flesh Tone (-3 to +3) Skin color can be decreased or increased to any of three levels each.

  • Page 98: Sharpness (Dtl) Setting

    Appendix K — CPT-2018-A3DSP On-Screen Menus Sharpness (DTL) Setting Figure 70. Sharpness (DTL) Setting Submenu Table 42. Sharpness (DTL) Settings DTL Select (Normal, Super DTL) If contour correction is not sufficient at the Normal position when Detail Level setting is set to Low or High, select the Super DTL position.

  • Page 99: Initial Settings

    Initial Settings Shutter Speed Synchro-scan Required luminance ratio 1/120 120.2 Hz 1/250 250.0 Hz 1/500 492.2 Hz 1/1000 984.4 Hz 1/2000 1.969 kHz 1/4000 3.938 kHz 1/10000 7.875 kHz V Resolution Normal: Normal image. (CCD storage will be by field storage. Fine: Vertical resolution increases.
  • Page 100 Appendix K — CPT-2018-A3DSP On-Screen Menus CameraMan Installation and Operation Manual...

  • Page 101: Index

    Contact Information Control Block – components DIGITAL SHOT Director connecting – Field-Of-View Specifications LED Displays Lens Shroud – Manual Overview Menus CPT-2018-A3D CPT-2018-A3DP CPT-2018-A3DS CPT-2018-A3DSP – Mounting Multi-Camera Applications Pin-Out Diagrams Power Supply connecting Powering On CameraMan Installation and Operation Manual...
  • Page 102 Index CameraMan Installation and Operation Manual...

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