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Summary of Contents for Blue Microphones 8BALL
- Page 1 The 8-Ball...
- Page 3 Congratulations. You have just purchased a very unique and innovative condenser microphone – The 8-Ball. Here at Blue, we are known for designing and building the finest microphones available for studio, stage, film and broadcast use. Our microphones represent the next step in leading-edge technology, innovative engineering and inimitable styling.
- Page 4 We know you hate to read manuals. So do we! But because The 8-Ball is such a unique recording and sound-reinforcement tool, we really hope you take the time to familiarize yourself with its features. And be sure to try the suggested application tips that are designed to help you get the most out of The 8-Ball.
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Page 5: Frequency Response
8-Ball Frequency Response This frequency chart is only a start. It gives the recordist a basis of the sound provided. How the microphone reacts in a particular application will differ greatly because of many variables. Room acoustics, distance from sound source (proximity), tuning of the instrument and mic cabling are only a few of the interacting issues. - Page 6 Once The 8-Ball is on the stand and powered up, make sure that the active, on-axis side of the diaphragm (the side with the BLUE logo) is facing the desired source. “Ok, so how do I get the most out of my 8-Ball?” The following application hints are intended to give you a good starting point to get the most out of this unique audio tool both in the studio and on stage.
- Page 7 The 8-Ball is the result of and intelligibility, or down toward countless hours of intense scientific research the chest for more robust full lows and smoother highs. For background vocals, position The 8-Ball 2 – 4 inches from the vocalist for an airier sound.
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Page 8: Acoustic Guitar
Acoustic Guitar Condenser mics require careful placement when used on acoustic guitar, and The 8-Ball’s rich tone and detail are well-suited to this task. For a balanced sound with plenty of sparkling high end, position the diaphragm facing the neck where it joins the body (usually between the 12th and 14th frets.) Initially, keep the mic as close to the instrument as possible, tilting the diaphragm toward the soundhole to capture a blend of low frequencies and pick... - Page 9 The world famous Giant 8-Ball, Route 60 south of Zanesville, Ohio...
- Page 10 Angle the mic toward the player’s stick or hand to pick up more attack and defi- nition. Orienting the diaphragm toward the shell will soften the sharp attack of a hand drum, or pick up more of the bright, crackling buzz from a snare drum. Moving the microphone closer to a drum generally increases the low end, shell resonance, and separation from other sound sources, while more distant place- ment emphasizes the interaction of the drum and the environment, producing a...
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Page 11: Specifications
Cranberry (CB) or Kiwi (KB) high definition mic cable The Ringer — Custom shockmount for The 8-Ball and The Ball For more information on Blue Microphones and our complete line of award-winning mics, visit us on the web at www.bluemic.com... - Page 12 ©2004 Blue Microphones 5706 Corsa Avenue, Suite 102 Westlake Village, CA 91362 In keeping with our policy of continued product improvement, Baltic Latvian Universal Electronics (BLUE) reserves the right to alter specifications without prior notice. Any attempt to sink The 8-Ball prematurely is not recommended and will result in loss of game.
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