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The information in this document is subject to change without notice and does not represent a commitment on the part of Propellerhead Software AB. The software described herein is subject to a License Agreement and may not be copied to any other media expect as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Propellerhead Software AB.
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(or even audible) in the original electric piano instruments. However, since the effect brings completely new dimensions to the sound, we thought it would be nice to include this feature also in Radical Keys. There are also a number of other controls for further shaping the sound the way you want it.
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Key ranges The key range in Radical Keys is E0 to E6 (73 notes) for all sounds. However, since the key ranges of the original Wurlitzer and Pianiet T are more restricted, we have pitched/modelled the notes that exceed the original ranges. The...
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This signal is taken straight from the built-in outputs of the electric pianos. This clean signal is best suited for further processing in Radical Keys and/or in external effects devices. You could also combine the line signal with the Amp or Room signals to achieve great results.
Selecting piano sound sets A patch in Radical Keys can consist of a mix between two piano sound sets. The mix could be between two sound sets from the same piano, or from different pianos. You could, for example, blend a Line’d Rhodes with the Room microphones from the Wurlitzer to create your own custom piano sound.
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This can make the velocity response feel and sound unnatural. Thanks to the combination of samples and physical modelling in Radical Keys, all sound sets feature very wide and completely seamless velocity ranges.
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Release Time Set the time it should take for the sympathetic resonance to fade to silence. Envelope Radical Keys features a special type of envelope generator which is used for shaping the character of the electric piano sound. RADICAL KEYS...
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Note that the original Pianet T does not feature any sustain pedal. The only way to achieve sustaining notes in the original instrument is to hold down the desired keys. However, the Pianet sound in Radical Keys can be controlled from a connected Sustain Pedal, and therefore also feature a faked mechanics noise.
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The sinewave represents the character of the Vibrato effect in Wurlitzer, whereas the rounded squarewave represents the character of the Rhodes tremolo effect. Stereo Width The Stereo Width control can be used for creating a stereo tremolo effect. Stereo tremolo is typical for Rhodes suitcase pianos. RADICAL KEYS...
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The Presence effect is routed before the Overdrive effect in the signal chain and adds more high mid and treble to the sound. The Overdrive effect can be switched on/off by clicking the LED button at the top. RADICAL KEYS...
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With the Color switch you can change the Phaser feedback amount to achieve two different sound characters. The Color 2 setting adds more feedback. Stereo Click the Stereo switch to activate stereo processing. The Phaser can be switched on/off by clicking the LED button at the top. RADICAL KEYS...
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This simulates the acoustic reflections in a medium size hall. • Theater This simulates the acoustic reflections in a large hall/theater. • Spring This simulates a classic spring reverb. The Ambience section can be switched on/off by clicking the LED button at the top. RADICAL KEYS...
• Master Volume • Pitch • Tremolo Depth Audio Out These are the main audio outputs. When you create a new Radical Keys device, these outputs are auto-routed to the first available channel in the main mixer in Reason. RADICAL KEYS...
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0-127. Note that this might also affect the Pedal mechanics noise, see “Pedal”. Note that the original Pianet T does not feature any sustain pedal. However, the Pianet sound in Radical Keys can be controlled from a connected Sustain Pedal, just like the other sounds.
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