JVC DLA-RS66 Specifications page 8

Cinema-like Quality Realised by D-ILA
Native Contrast Ratio
Further performance improvements for our optical engine utilising JVC's
original D-ILA device and a wire grid have resulted in a high native contrast
ratio. Over a broad dynamic range from peak whites to deep blacks, the
image conveys powerful presence as a result of high native contrast.
Moreover, the DLA-RS66 is capable of achieving industry's highest native
contrast ratio of 130,000:1* with the adoption of high-grade parts and
optimised optical engine.
JVC's Unique Real Colour Imaging Technology
JVC's original Real Colour Imaging Technology precisely interprets the fine colour reproduction information in the
image to dramatically improve colour rendition in a way that is true to the original image source.
• Dedicated Colour Profile
JVC was able to create a dedicated colour profile by focusing on the colour
space information that characterises an image, and accurately understanding
the fine colour expression information that an image has. This time, we have
added a new colour profile for Film, as well as three* profiles exclusively for
3D. Combined use of picture quality modes and dedicated colour profiles
results in 19* different ways to enjoy high quality images.
*RS48 offers two 3D colour profiles, resulting in 12 different ways.
• Colour Space Wider than Adobe RGB
(DLA-RS66/RS56)
Real Colour Imaging Technology features a
colour space wider than that of Adobe RGB
to vividly reproduce a fuller spectrum of
colours such as the green of trees, the blue
of oceans, etc., which was difficult to recreate
accurately up until now.
Colour Management System with 7-axis Matrix
(DLA-RS66/RS56/RS48)
A 7-axis matrix of red, green, blue, cyan, magenta, yellow, and orange
ensures the precise adjustment of hue, saturation, and intensity. The last
axis of orange helps in enhancing the selection of the colour spectrum for
skin tones. And for improved operability, only the colour being adjusted will
be shown on the screen while the others are displayed in black and white.
DLA-RS66/RS56
The colour being adjusted is
shown in colour.
Conventional projector
(DLA-RS66/RS56/RS48)
• Xenon-lamp Colour Temperature Setting
(DLA-RS66/RS56)
Real Colour Imaging Technology also incorporates a Xenon-mode colour
temperature setting equivalent to that of a Xenon lamp, a popular light
source used in cinemas. This setting allows for the authentic reproduction
of colours similar to those of film in cinemas, while using highly efficient
and economical ultra-high pressure mercury lamps.
Conventional
colour temperature setting
Screen Adjustment Modes*
Reflective characteristics that differ from screen to screen are precisely
analysed and the projector selects the best mode to match the screen
being used. With the appropriate mode* selected, the picture displayed
will always be precisely adjusted to ensure excellent image reproduction
with natural colour balance.
*Three modes for the DLA-RS48/RS46. The DLA-RS66/RS56 offers 105 modes
but with a firmware update, it provides a maximum of 255 modes. Please
refer to our corporate website for a comparison table of primary screens and
adjustment modes.
Screen adjustment mode Off
DLA-RS66
*As of November 2012.
Xenon-mode
colour temperature setting
Screen adjustment mode On