Behringer EURORACK UB1222FX-PRO User Manual page 7

Ultra-low noise design 16-input 2/2-bus mic/line mixer with premium mic preamplifiers and multi-fx processor
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EURORACK UB1222FX-PRO User Manual
LOW CUT
The mono channels of the mixing consoles have a high-slope LOW CUT filter for
eliminating unwanted, low-frequency signal components (80 Hz, 18 dB/octave).
TRIM
Use the TRIM control to adjust the input gain. This control should always be
turned fully counter-clockwise whenever you connect or disconnect a signal
source to one of the inputs.
The scale has 2 different value ranges: the first value range (+10 to +60 dB)
refers to the MIC input and shows the amplification for the signals fed in there.
The second value range (+10 to -40 dBu) refers to the line input and shows its
sensitivity. The settings for equipment with standard line-level signals (-10 dBV
or +4 dBu) look like this: While the TRIM control is turned all the way down,
connect your equipment. Set the TRIM control to the external devices' standard
output level. If that unit has an output signal level display, it should show 0 dB
during signal peaks. For +4 dBu, turn up TRIM slightly, for -10 dBV a bit more.
Tweaking is done using the LEVEL SET LED.
LEVEL SET
This LED lights up when the optimum operating signal level is achieved.
During normal use, this LED should only light up during signal peaks.
2.1.2 Equalizer
All mono input channels include a 3-band equalizer. All bands provide boost or
cut of up to 15 dB. In the central position, the equalizer is inactive.
Fig. 2.2: The equalizer of the input channels
The upper (HIGH) and the lower band (LOW) are shelving filters that increase
or decrease all frequencies above or below their cut-off frequency. The cut-off
frequencies of the upper and lower band are 12 kHz and 80 Hz respectively.
The mid band is configured as a peak filter with a center frequency of 2.5 kHz.
Unlike shelving filters, the peak filter processes a frequency range that extends
upwards and downwards around its middle frequency.
2.1.3 Aux sends (MON and FX)
Fig. 2.3: The AUX SEND controls in the channel strips
Aux sends take signals via a control from one or more channels and sum these
signals to a so-called bus. This bus signal is sent to an aux send connector and
then routed, for example, to an active monitor speaker or an external effects
device. The return from an external effects device can then be brought back into
the console via the aux return connectors.
For situations that require effects processing, the aux sends are usually switched
post-fader so that the effects volume in a channel corresponds to the position
of the channel fader. If this were not the case, the effects signal of the channel
would remain audible even when the fader is turned to zero.
When setting up a monitor mix, the aux sends are generally switched to
pre-fader; i.e. they operate independently of the position of the channel fader.
Both aux sends are mono, are sourced after the equalizer and offer up to
+15 dB gain.
If you press the MUTE switch of the respective channel, aux sends and
returns (MON and FX) are not being muted.
MON
In the UB1222FX-PRO, aux send 1 (MON) is wired pre-fader and is thus
particularly suitable for setting up monitor mixes.
FX
The aux send labeled FX is for feeding external effects devices and is thus set up
to be post-fader.
In the UB1222FX-PRO, the FX send is routed directly to the built-in effects
processor. To make sure that the effects processor receives an input signal,
you shouldn't turn this control all the way to the left (-∞). Don't have the
FX MUTE switch pressed, and you should also not have the FX SEND fader
pulled down.
2.1.4 Pan, mute switch and channel fader
Fig. 2.4: Channel fader and additional control elements
PAN
The PAN control determines the position of the channel signal within the stereo
image. This control features a constant-power characteristic, which means the
signal is always maintained at a constant level, irrespective of position in the
stereo panorama.
MUTE
Use the MUTE switch to mute the channel. This means that the channel signal
is no longer present in the main mix. However, the aux sends (MON and FX)
remain active.

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