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Kurzweil K2500 - PERFORMANCE GUIDE REV F PART NUMBER 910251 CHAP Manual page 9

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Waveforms Combined with Non-linear Functions ..................................................... 14-48
Mixers with Non-linear Inputs .................................................................................... 14-50
Hard Sync Functions ................................................................................................... 14-51
Sampling and Sample Editing ........................................................................................................... 15-1
Setting Up For Sampling .............................................................................................. 15-1
Entering The Sampler - Two Different Ways ............................................................... 15-2
Sampling Analog Signals .............................................................................................. 15-2
Sampling the K2500's Output ...................................................................................... 15-8
Using the Sampler to Create Overdubs ......................................................................... 15-8
Sampling Digital Signals ............................................................................................ 15-10
Using the Digital Outputs ........................................................................................... 15-11
Editing Samples .......................................................................................................... 15-12
Reading Samples ......................................................................................................... 15-34
The Keymap Editor ..................................................................................................... 15-36
Building a Keymap ..................................................................................................... 15-41
Using the Analog Inputs to Trigger Samples .............................................................. 15-42
FUNS .................................................................................................................................................... 16-1
The Mechanics of Control Sources ............................................................................... 16-1
Programming the FUNs ................................................................................................ 16-2
The FUN Equations ...................................................................................................... 16-3
The Order of Evaluation for FUNs ............................................................................. 16-16
Other Editors ....................................................................................................................................... 17-1
The Intonation Table Editor .......................................................................................... 17-1
The Velocity Map Editor .............................................................................................. 17-3
Using the Velocity Map Editor ..................................................................................... 17-3
The Pressure Map Editor .............................................................................................. 17-6
Audio Outputs ..................................................................................................................................... 18-1
Audio Configurations .................................................................................................... 18-1
Using the MIX Outputs ................................................................................................. 18-1
Using the Separate Outputs ........................................................................................... 18-2
Output Groups and MIDI Channels .............................................................................. 18-4
Programming Examples ..................................................................................................................... 19-1
Example 1 - Trumpet with Delayed Vibrato and Velocity-triggered Fall-offs ............ 19-1
Example 2 - Lowpass Filter, Envelopes ....................................................................... 19-4
Example 3 - Sample and Hold; Using a FUN ............................................................... 19-6
Example 4 - SHAPER and PANNER ........................................................................... 19-7
Example 5 - Building a Drum Program; Using the Keymap Editor ............................. 19-9
Cables and Input Jacks ...................................................................................... 15-1
Recording Samples ........................................................................................... 15-6
Crossfade and Volume Adjust Curves ............................................................ 15-33
The List of Equations ........................................................................................ 16-4
Warp Equations ............................................................................................... 16-10
Sawtooth LFOs ............................................................................................... 16-13
Chaotic LFOs .................................................................................................. 16-13
Diode Equations .............................................................................................. 16-14
ix

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