Mooer GS1000 Owner's Manual
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Mooer GS1000 Owner's Manual

Mooer GS1000 Owner's Manual

Intelligent amp profiling processor
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GS1000 / GS1000 Li
Intelligent
Amp Profiling Processor
Owner's Manual

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Summary of Contents for Mooer GS1000

  • Page 1 GS1000 / GS1000 Li Intelligent Amp Profiling Processor Owner’s Manual...

  • Page 2: Table Of Contents

    CONTENT PRECAUTIONS ............................2 FEATURES ..............................2 CONTROLS ............................... 3 CONNECTIONS ............................5 TERMINOLOGY ............................6 CONNECTION DIAGRAM .......................... 7 QUICK START ............................7 Start up ..............................7 Main user interface ..........................7 Stage View ............................7 Edit View ............................9 Preset selection ...........................
  • Page 3 Stompbox mode ........................25 Tap mode ..........................25 Single mode ........................... 25 Multiple mode ........................26 A/B Mode ..........................26 SubPatch mode .......................... 27 1. Mapping a parameter to a SubPatch ................27 2. Configuring the effect module switching status for a SubPatch ........28 3.
  • Page 4 Normal mode ..........................50 Re-Amp mode ..........................51 BLUETOOTH AUDIO ..........................52 MIDI CONFIGURATION .......................... 52 Supported MIDI commands ......................52 GS1000 as controlled device ......................53 MIDI Channel ..........................53 CC Mapping ........................... 53 PC mapping ............................ 55 Other settings ..........................56 GS1000 as controlling device ......................
  • Page 5 MOOER STUDIO SOFTWARE & MOOER CLOUD APP................69 MOOER STUDIO Software ......................... 69 Data Manager interface ........................ 69 Firmware update ........................69 Third party IR import ......................... 70 MNRS sampling file management ..................... 70 Data backup ..........................72 Preset Editor interface........................72 Preset management ........................

  • Page 6: Precautions

    Connections Always turn off / disconnect the power to the GS1000 and any other equipment before connecting or disconnecting signal cables. This will help prevent malfunctions and / or damage to other devices. Also make sure to disconnect all connection cables and the power supply before moving the device.

  • Page 7: Features

    "gear bag"  Choice between GS1000 (traditional version with power adaptor) and GS1000 Li (version with integrated 7.4 V / 4750 mAh lithium-ion battery for hassle-free operation without external power supply ) ...

  • Page 8: Controls

    CONTROLS 1. Power switch: Press to turn the device on and hold it for about 3 seconds to switch it off. 2. 5" Touch screen: Displays status and information about presets and operating modes. 3. Home button: Press to return to the main user interface or to switch between Stage View and Edit View.
  • Page 9 10. Footswitches A + B simultaneously: Press both footswitches to open Bank selection mode and scroll down through the banks (see BANKS). Hold both footswitches to open Tuner mode (see TUNER). 11. Footswitch B: - in Preset Mode: switches to Preset B in the selected bank - press again to enter CTRL mode - in CTRL mode: executes pre-programmed control function (see CTRL MODE).

  • Page 10: Connections

    11. USB Type C interface: Connection to a computer for USB audio functions or to use supported software for parameter editing or firmware updates (see USB Audio, see MOOER Studio). 12. 9 VDC power input: Connect the supplied power supply adaptor.

  • Page 11: Terminology

    (A-D). The 4 presets in each bank can be selected with the A, B, C or D footswitches. Effects chain:  The sequence of effects a signal has to pass through within the GS1000 to get from the inputs to the outputs Effect module: ...

  • Page 12: Connection Diagram

    MASTER volume knob Power switch Main user interface The GS1000 comes with two types of main interfaces: the STAGE VIEW and the EDIT VIEW. You can use the HOME button to switch between the two views. Stage View This interface highlights number and name of the selected preset, making it easy for players to keep track of the currently selected sound during live performances.
  • Page 13 BPM tempo used Status indicator Battery status in this Preset for external (GS1000 Li only) expression pedal Preset-specific Calculated current volume for the utilization of DSP selected preset processing power 该预设的音量值显示。 Number and name of the current preset. Click the left/right arrows to switch presets.

  • Page 14: Edit View

    Edit View Almost all control functions of the GS1000 are concentrated in the EDIT VIEW user interface screen. This is where you access effect parameters for editing, bring up a list of presets, save presets, adjust global inputs and outputs, and open the Groove Station or the Tuner, or access system settings and other features.

  • Page 15: Shut Down

    Press the Power button for about 3 seconds until the message "Are you sure to Shut Down?" appears on the screen. Confirm the shutdown (YES) or cancel it (NO). Note for the GS1000 Li: If the power cable is still connected after shutdown, the screen will show a dimmed graphic to indicate the battery charging status.

  • Page 16: Dsp Resources

    Note: The GS1000 effect chain is divided into two lines: A (top line) and B (bottom line). Each line has seven positions for effect modules, for a total of 14 effect modules. The effect chain supports the addition of several instances of the same effect module (with the exception of the FX LOOP module).

  • Page 17: Chain Types

    A set of routing templates is opened to allow you to quickly select the type of effect chain that is closest to your needs. Select one and close the selection screen with the X in the upper right corner. The effect chain will now show nodes according to the template you have selected. You can then move the node positions in the chain by dragging them in the touch screen.
  • Page 18 Serial mode: The most conventional form of effect chain, suitable for most needs and without complex separation, mixing or parallel processing. Players who are new to effect chains should start from this type. Serial mode Dual chain mode: Two completely independent effect chains, with separate input and output interface settings.
  • Page 19 Split mode - A/B switcher - A chain Mix Mode: This mode can be used to combine partially independent effect chains into one chain, which is then routed to common effects and the same output. Example: Guitar and vocal signals are processed through their own independent preamp and equalization, and then mixed and have the same spatial effects applied to ensure the consistency of the spatial sense.

  • Page 20: Parameter Settings For Nodes / Inputs / Outputs

    Parameter settings for nodes / inputs / outputs As described above, nodes can be dragged to move them in the effect chain and create different configurations. In-line nodes, as well as the input and output nodes, are also designed with corresponding parameters that can be adjusted to meet different needs.

  • Page 21: Split Node

    Split node The split node has several modes to accommodate different scenarios. In Normal mode, the signal is split into two, and routed to two effect chains A (top) and B (bottom) at the same time. The signals are then processed separately. The Normal mode has the following parameters: Parameter Description...

  • Page 22: Mix Node

    Mix node The mix node has the following adjustable Parameters: Parameter Description Possible selections Note A Level Chain A volume level. 0 - 100 Default is 100, below 100 is attenuation. A Pan Position of the A chain L100 - Center - R100 Centered for L/R balance, signal in the stereo L100 is extreme left, R100 is...

  • Page 23: Removing Effects

    Removing effects If you need to remove an effect module from the effect chain of the current preset, long press the target module on the touch screen until the delete symbol (-) appears in the upper right corner of the module icon. Then click the delete symbol to remove the effect module from the chain. Touch the blank area above the effect chain on the touch screen to return to the normal state (the deletion icon disappears).

  • Page 24: Changing The Effect Model/Type

    Should the effect have more parameters than fit on one screen page, click the page number below the parameter dials to access the next page. Click the "X" in the parameter editing screen to return to the main Edit View. See ANNEX 1: EFFECT DESCRIPTIONS for parameter descriptions.

  • Page 25: Bpm Tempo

    Use the MASTER knob to control the output level of all presets simultaneously. BPM tempo Some effects of the GS1000 such as DELAY and MOD modules have a time / rate parameter value that can be controlled by adjusting the BPM (Beats per Minute) value.
  • Page 26 If PRESET is selected, the tempo change is only effective for the current preset, and other presets can have different tempos. You need to save your preset before switching to another preset. If GLOBAL is selected, the tempo value change is effective for all presets, and all other presets will be set to the currently displayed value.

  • Page 27: Saving Presets

    You can use any of these four methods, or a combination of them, to quickly adjust the desired BPM tempo. Note: The tempo range of the GS1000 is 40 - 260 BPM. Tap the "X" in the upper right corner to return to the main Edit View.

  • Page 28: Ai Equalizer

    Cancel: Click the "X" in the upper right corner or press the HOME or SETTING buttons to exit the saving process without saving. AI Equalizer The AI EQ MASTER is a self-learning graphic equalizer. The built-in self-learning algorithm can automatically adjust the master tone frequency response curve based on a selected sound type and style of music.

  • Page 29: Ctrl Mode

    CTRL Mode The CTRL (control) mode is a footswitch mode based on the currently selected preset. In CTRL mode, the B/C/D footswitches can be used to control modules in the effect chain of the current preset the same way you would control stompboxes on a physical pedal board by using the ON/OFF footswitches of individual pedals.

  • Page 30: Assigning Ctrl Functions

    If you step on a footswitch to perform a SUBPATCH function without a SubPatch being assigned, the current preset effect chain configuration will remain unaffected. Summary:  Use the B/C/D footswitches to execute the assigned functions as indicated in the fields on the screen.

  • Page 31: Multiple Mode

    Sub menu in Single mode Multiple mode If set to STOMPBOX (MULTIPLE), a sub-menu showing all effect modules in the current effect chain will be displayed. You can select several of them by clicking on them. These modules will then be directly and simultaneously toggled ON/OFF by stepping on the respective footswitch in CTRL Mode.

  • Page 32: Subpatch Mode

    CTRL screen examples, showing properly configured footswitches in STOMPBOX mode SubPatch mode The SubPatch function allows you to change the on/off status of a module in the effect chain and at the same time also change the status of parameters with the same footswitch action. This way you can realize pretty dramatic changes in sound.

  • Page 33: Configuring The Effect Module Switching Status For A Subpatch

    Method 2:  Click the SubPatch icon in Edit View. A selection box for S0 - S3 will pop up (with S0 standing for "no SubPatch active").  Select the SubPatch you want adjust. The parameter editing view will be opened. ...

  • Page 34: Modifying / Deleting Parameter Settings In A Subpatch

    3. Modifying / deleting parameter settings in a SubPatch method:  Find the corresponding parameter in the parameter editing view.  Long-press the parameter icon.  Select SubPatches in the pop-up box.  Set different parameter values for this parameter for the three SubPatches (Sub1 … Sub3) or click the delete icon (-) on the right side of the parameter value to delete the mapping of this parameter for this SubPatch.

  • Page 35: Ctrl Priority Setting

    Next to the Rename function you will find a Clear button. Use this to clear all mappings to this SubPatch. Expression Pedal The GS1000 can be connected to an external TRS expression pedal (EXP connector on the back panel). The pedal can be used as volume pedal or as an expression pedal to control multiple modules and parameters.

  • Page 36: Pedal Calibration

    All settings such as the parameter assignments or the use as volume/expression pedal are different for each preset and must be saved with the preset. Pedal calibration You need to calibrate pedal before you use it for the first time. Calibration also needs to be carried out when you switch external pedals or if you experience erratic pedal function.

  • Page 37: Configuration As Master Volume Pedal

    Configuration as master volume pedal If an external pedal is connected correctly, the pedal icon in the main view will be lit. Click on the pedal icon and then click "Setting to Volume" in the pop-up menu. In System Settings - Preferences, you can set the volume pedal globally to Pre or Post. A "Pre" volume pedal controls the input volume of the effect chain, which also affects the gain of distortion modules.

  • Page 38: Remove Expression Mappings

    The parameters mapped to the expression pedal will have their name highlighted in blue to distinguish them from regular parameters. You can still adjust them manually, but as soon as you use the expression pedal, the manual setting will be overwritten by the expression pedal input. All mapped parameters can be modified individually in the EXPRESSION PEDAL SETTINGS –...

  • Page 39: Volume Pedal Settings

    Volume Pedal Settings Select VOLUME on the left side of the EXP pedal settings view to set maximum and minimum volume for the EXP pedal when it is used in volume mode. If you switch the volume pedal OFF in this view, the pedal can no longer be used as a Volume pedal, even if this is indicated by the symbol in the Main view.

  • Page 40: Using Effect Loops

    USING EFFECT LOOPS The GS1000 is equipped with jacks for a single-port stereo effect loop. This means that the SEND and RETURN jacks of the FX LOOP not only support the connection of mono devices, but can also be used to connect to external stereo devices using Y-format audio cable adapters.
  • Page 41 "FX LOOP" with type "FX LOOP". This setting is suitable for most external effects that can be embedded in the GS1000 effect chain. The actual signal flow is shown in the figure below:...

  • Page 42: 4-Wire Connection Method

    (i.e. in the effects loop of the amplifier = post-effects). You can achieve this scenario with the following setup in the GS1000's FX LOOP:  Connect the GS1000 and the amplifier as shown in the connection diagram above.
  • Page 43 Speaker Cabinet Power Preamp Scenario 2: A/B switching between the preamp simulation within the GS1000 and the physical preamp of the actual amplifier. The same four-wire connection method can be used to realize A/B switching between internal preamp modules and a physical external preamp with the help of the FX LOOP module and a corresponding footswitch setting in CTRL mode.

  • Page 44: Extended Input And Output Options

    Scenario 1: Auxiliary Audio Input (AUX IN)  Add the FX RETURN module to the GS1000 effect chain.  Move it to the appropriate position or to the very end of the effects chain if you don't want the incoming audio to pass through any internal effect modules.

  • Page 45: Mnrs Profiling

    This section explains how to capture the sound of these devices. Press the "PROFILING" button on the GS1000 to open the capture interface. If you use the feature for the first time, please read the disclaimer statement, check the "I have read …" radio button and click on NEXT.

  • Page 46: Full Amplifier Sampling

    Caution: During the acquisition process of an entire amplifier or a speaker cabinet, a series of loud sampling signals will be played through the physical equipment. Make sure to provide sound insulation and volume protection. Full amplifier sampling Select the "ENTIRE" icon. Connect the equipment according to the connection diagram on the screen and click NEXT.
  • Page 47 At this point, the sampling is completed. If you wish to further correct the results you can continue to make adjustments as follows: Volume and gain level fine tuning: If the sampling result needs to be adjusted in terms of volume or gain, use the Gain and Model Volume knobs in the interface adjust the parameters.

  • Page 48: Speaker Cabinet Sampling

    Save sampling results Click the SAVE button to save the profile. The current file type is shown at the top of the screen. Click on the slot selection box to select the storage location where you want to save the file. Enter a name using the keyboard and click SAVE.

  • Page 49: Tuner

    After confirming the sound, click SAMPLE to start the acquisition process. If the volume is too high or too low during the sampling process, please adjust the acquisition target (the output volume of the power amp) according to the situation. Once the sampling progress on the interface reaches 100%, the sampling is completed, and you can click on the TARGET tone and the sampling MODEL to switch between them and listen to them for comparison.

  • Page 50: Tuner Screen

    Tuner screen Click the field in the lower left corner or press the SELECT knob to switch between BYPASS tuning mode or MUTE tuning mode. BYPASS tuning disables the internal effects and sends a clean signal to the outputs for as long as the tuning mode is active.

  • Page 51: Groove Station

    GROOVE STATION The Groove Station combines drum machine and phrase Looper functions. You can use these features independently or in combination. Synchronization is supported, when Drum Machine and Looper are used at the same time. Open the Groove Station There are two ways to open the Groove Station mode: ...

  • Page 52: Drum Machine

    Press D to start / stop the Drum Machine. Looper The GS1000 features a Looper with up to 480 seconds / 8 minutes of recording time, overdubbing function and independent level control. Footswitch A: REC / PLAY / DUB / UNDO / REDO ...

  • Page 53: Close The Groove Station

     Recording will begin after the count-in, and the Drum Machine will start playing in sync with the Looper recording. To ensure proper synchronization between the two features, at the end of the first layer of recording (in "Play" mode) and after the Looper has reached an integer number of measures, the remaining part of the phrase loop that is less than one measure will be processed in 1/2 measures: less than 1/2 measure will be trimmed, and if it exceeds 1/2 measure, playback will be delayed until it reaches a full measure.

  • Page 54: Usb Digital Audio

    Normal mode: You can use the GS1000 like an external sound card. The input will be automatically taken from the input jack of GS1000 (your guitar), and the output will be sent to the USB output port (digital signal) from the GS1000 to your computer.

  • Page 55: Mode Descriptions

    A setting all the way to the left means that 100 % of the signal is coming from the GS1000 (hard monitoring). All the way to the right means that the 100 % of the signal comes from the computer/DAW/plug-in, etc. (soft monitoring). With a center setting of 50:50, the ratio of hardware output to USB digital input is 1:1.

  • Page 56: Re-Amp Mode

    The Re-Amp recording mode is a digital audio signal reprocessing method, which can be used to run a dry signal track from a computer through the effect modules of GS1000, and then record it as a new "wet" track. The signal path of this mode is shown below:...

  • Page 57: Bluetooth Audio

    GS1000. MIDI CONFIGURATION The GS1000 is equipped with a 3.5 mm TRS-type MIDI interface, and can be configured to send MIDI commands (MIDI OUT) or to receive them (MIDI IN). MIDI settings are global settings and apply to all presets.

  • Page 58: Gs1000 As Controlled Device

    GS1000 as controlled device To configure the GS1000 as a controlled device, click the Settings icon, scroll down to MIDI, select "Slave" and click "Settings" to enter the configuration page. The following options are provided: MIDI Channel Click CHANNEL and select the MIDI command channel that the GS1000 is supposed to respond to.
  • Page 59 This corresponds to controlling the PATCH LEVEL (preset volume) in the Edit View. Tap Tempo 0 - 127 This command is sent to the GS1000 continuously, and the interval is used as the value for the tempo setting. Guitar input level 0 - 127 Controls the Guitar input volume in the Global Input settings.

  • Page 60: Pc Mapping

    PC mapping This list corresponds to the preset numbers that can be controlled by PC codes from two MIDI banks (0 and 1). The individual settings can be changed by the user. List of default factory settings: MIDI Preset MIDI Preset MIDI Preset...

  • Page 61: Other Settings

    MIDI Preset MIDI Preset MIDI Preset MIDI Preset PC code PC code PC code PC code bank bank bank bank Other settings Use this page to activate/disable MIDI CLOCK SYNC for incoming MIDI commands and to activate/disable USB MIDI. MIDI Clock: When active, tempo-based features of the main Edit View will be synchronized to the MIDI clock commands sent by the external device.

  • Page 62: Gs1000 As Controlling Device

    Channel 1. PC mapping This list corresponds to the PC codes in two MIDI banks (0 and 1) that the GS1000 can send. The individual settings can be changed by the user. After switching to a preset, the GS1000 will send CC0 (MIDI bank information) + the PC command to the receiving device.

  • Page 63: Other Settings

    Use this page to activate/disable MIDI CLOCK SYNC for outgoing MIDI commands and to activate/disable USB MIDI and the transmission of the MIDI BANK command. MIDI BANK MIDI Clock: When active, MIDI clock commands are sent out based on the GS1000's current BPM tempo.

  • Page 64: F4 Wireless Footswitch

    USB MIDI: Enable this feature to send MIDI commands through the USB-C interface. MIDI BANK: When the GS1000 is set up as a controller and this option is turned on, a MIDI BANK CC code will be sent along with the PC code. When you are using the GS1000's PC code to control other devices, you can try to turn off this switch if you encounter a situation in which the controlled device fails to respond.

  • Page 65: Available Functions For The Wireless Footswitch

    Available functions for the wireless footswitch The following functions can be assigned to each footswitch of the F4: Num. Function Description Empty no function Preset A Switch to preset A of the current bank. Preset B Switch to preset B of the current bank. Preset C Switch to preset C of the current bank.

  • Page 66: Other Global Settings

    Use it to compensate for strong signals from instrument pickups with different output characteristics or from signal amplifying pedals (boost, overdrive, distortion …) in front of the GS1000. You can get visual confirmation of the input level by watching the input level indication bars on the screen.

  • Page 67: Global Output Levels

    1. Global output levels You can use this page to set the output volume for each output interface individually, including the 1/4" output ports, the headphone jack and the USB digital recording output. Use these settings to establish the relative volume ratio between the different outputs. The MASTER knob on the pedal will increase/decrease all outputs at the same time, but will maintain the ratios established here.

  • Page 68: Other Function Switches

    3. Other function switches Click the third page to set global function switches. GLOBAL CAB BYPASS: Global bypass for all cab simulation effects for the outputs. GLOBAL POWER AMP BYPASS: Global bypass for all power amp simulation effects for the outputs. These settings are applied to all presets and may be necessary for certain connection scenarios where different outputs with or without cabinet simulation (or amp simulation) are used.

  • Page 69: Lighting

    If Values is selected, the top light bar will temporarily display the percentage of the value while a parameter is adjusted. With Charging selected (GS1000 Li only), the top light bar will show a dynamic effect when the power is off and charging.

  • Page 70: Preference Section

    Large display TAP TEMPO This setting controls how the tap tempo input is used within the GS1000. When set to "Global", all presets are effected by a tap tempo input, when set to "Preset" every individual preset can have its own tap tempo input.

  • Page 71: Bank Switch Mode

    MIDI See MIDI CONFIGURATION. Bluetooth Turn Bluetooth on/off in order to use the GS1000 with the Mooer GE Cloud App or to play audio from a mobile device through the GS1000. See BLUETOOTH AUDIO. F4 Wireless Footswitch Turn the F4 Wireless Footswitch on/off and open the footswitch settings view. (See F4 WIRELESS...

  • Page 72: Language Selection

    Note: The trails feature does not support switching between two different effect chains or selecting different delay and reverb effect models. Language Selection The GS1000 supports menus in Chinese and in English.

  • Page 73: Factory Reset

    Click RESET to confirm.  Presets: Only the preset data will be restored to factory settings. All sounds you may have created or imported after purchasing the GS1000 will be deleted.  Global Settings: Personalized settings such as screen brightness, preference settings, MIDI mappings, USB audio settings, trails and language settings will be restored to factory defaults.

  • Page 74: Mooer Studio Software & Mooer Cloud App

    Mac OS-10.11 or above Establishing the connection After the installation is complete, please use the supplied USB cable to connect your GS1000 to the computer, open the MOOER STUDIO software, and click on the CONNECT button to establish the connection between the software and the device.

  • Page 75: Third Party Ir Import

    Speaker cabinet sample (GIR) The CAB cabinet sample is in 'GIR' format, the other three are in 'GNR' format. You can use the MOOER STUDIO software to manage the data on your device or download user- shared samples from the cloud.
  • Page 76 Note: To save sample files locally, you can register and download files at www.mooerstudio.com. Data download from the cloud The GS1000 editing software supports download of files from the MOOER data cloud. To use the cloud data function, please register and log in first.

  • Page 77: Data Backup

    GNR/GIR/IR files and global settings. You can use this feature to quickly recall settings for different usage situations and venues.  Select Backup on the left side of the MOOER Studio software interface to open a list of previous backups. ...

  • Page 78: Effect Chain Editing

    Effect chain editing Click the effect chain type icon in the upper right corner of the software window to quickly change chain type settings. Drag a node to move it and change the configuration of the effect chain. Click on the node icons (including input/output nodes and split/mix nodes) to adjust the parameters for the node.

  • Page 79: Global Settings

    Selecting a preset shows its effect chain configuration. You can then tap on "Download", select a storage slot on your device and load it directly into your GS1000. The downloaded preset will then be opened on your device for immediate testing.

  • Page 80: Troubleshooting

     Ensure that the original power adapter is connected.  GS1000 Li (battery-powered version): Make sure the battery still has sufficient charge to meet the power demands during boot-up. Connect the original adapter before trying to start the device. No sound after startup ...

  • Page 81: Specifications

    SPECIFICATIONS Effects Number of module types Total number of effect models Preset storage slots Impulse response Supported formats Sampling rate 44.1 kHz Sampling accuracy 24 bit Number of sample points Up to 2048 sampling points EXP jack Interface type 1 x 1/4'' TRS stereo connector Input impedance supports 10 - 100 kOhm expression pedals Inputs...
  • Page 82 (for 10 - 100 kOhm TRS expression pedals) General Power Supply GS1000: DC 9 V, 2 A, negative center GS1000 Li: DC 9 V, 3 A, negative center Battery (GS1000 Li) Li-ion, rechargeable, 4750 mAh, 35.15 Wh, 7.4 V Battery life (GS1000 Li) Approx.

  • Page 83: Annex 1: Effect Descriptions

    Blood Comp Three parameter compressor with adjustable blend ratio. Noise Killer Hard noise gate based on the Mooer® Micro Noise Killer. The effect solves noise issues quickly and efficiently with simple threshold adjustments. Intel Reducer Unlike conventional noise gates, this works by separating the conventional signal from the white noise in the signal and eliminating the white noise to achieve noise reduction while maintaining natural decay.

  • Page 84: Filter Modules

    Modulated automatic sweeping Wah. Touch Wah Dynamic envelope filter auto Wah. Talk Wah Ah Talking Wah algorithm from the MOOER® Red Kid. Talk Wah Oh Talking Wah algorithm from the MOOER® Red Kid. Low Pass Filter Static low frequency pass filter.

  • Page 85: Overdrive Modules

    Overdrive modules Effect Description Model name Description Pure Boost Based on MOOER® Pure Boost Flex Boost Based on MOOER® Flex Boost Tube DR Based on B.K. Butler® Tubedrive Based on IBANEZ® TS808 OD250 Based on DOD® OD250 D-Drive Based on Barber® Direct Drive Black Rat Based on ProCo®...

  • Page 86: Amplifier Modules

    Amplifier modules Effect Description （ Classic ） Model name Description 65 US DLX Based on Fender® 65 Deluxe Reverb (preamp only) 65 US TW Based on Fender® 65 Twin Reverb (preamp only) 59 US BASS Based on Fender® 59 Bassman (preamp only) US Sonic Based on Fender®...
  • Page 87 Carol OD Based on Two Rock® Coral Overdrive Setting (preamp only) EV 5050 DS Based on EVH® 5150 Distortion Setting (preamp only) Ht Club DS Based on Blackstar® HT Stage 100 Distortion Setting (preamp only) Hugen OD Based on Diezel® Hagen Overdrive Setting (preamp only) Hugen DS Based on Diezel®...
  • Page 88 CAA OD100 CH1 Based on Custom Audio® OD100 Clean Setting CAA OD100 CH2 Based on Custom Audio® OD100 Crunch Setting CAA OD100 CH3 Based on Custom Audio® OD100 Distortion Setting Rock Vrb CL Based on Orange® Rockerverb Clean Setting Rock Vrb DS Based on Orange®...

  • Page 89: Poweramp Modules

    US DLX 6l6 Based on Fender® Blues Deluxe power tube. JJ el84 Based on JJ® EL84 power tube. Baby Bomb Based on Mooer® Baby Bomb. Parameter Description Parameter name Description Power Amp Input Adjusts the input level of the power amp.
  • Page 90 Effect Description (Boutique) Model name Description US DLX 112 Based on Fender® Deluxe 112 Cabinet US TWN 212 Based on Fender® Twin Reverb 212 Cabinet US Bass 410 Based on Fender® Bassman 410 Cabinet UK 212 Based on VOX® Silver Alnico 212 Cabinet Matchbox 30 112 Based on Matchless®...
  • Page 91 Based on Peavey® Invective 2x12 Cabinet (ChopTones active) CT-PvyIn212 Based on Peavey® 5150 4x12 Cabinet (ChopTones active) CT-Pvy50412 CT-River412 Based on Rivera® 4x12 Cabinet (ChopTones active) CT-Sold412 Based on Soldano® 4x12 Cabinet (ChopTones active) CT-VTH412 Based on VHT® 4x12 Cabinet (ChopTones active) CT-Win412 Based on Victory ®...

  • Page 92: Equalizer Modules

    Description 3 bands EQ Simple amp style 3-band EQ. 5 Bands EQ Simple amp style 5-band EQ. MOOER HM Stompbox style 5-band EQ for heavy guitar. MOOER B Stompbox style 6-band EQ for guitar. MOOER G6 Stompbox style 6-band EQ for guitar.

  • Page 93: Fx Loop Module

    Description Fx Loop Module that can be used to integrate your favorite external effects and preamps into the signal chain, or to integrate the GS1000 into creative and complex setups. Fx Send The normal Fx Loop module with only the "Send" function, you can use it to send the internal signal to an external device.
  • Page 94 Panner Pans through the left and right phase shift to achieve a different stereo effect. Vibrato Pitch modulation. Rotary Simulates a vintage Leslie rotary speaker. Modern Rotary Modern sounding rotary effect. Ana Chorus Stompbox style analog chorus. 70s Chorus 70s style sound analog chorus. Tri Chorus Rich multi-stage chorus.

  • Page 95: Time Delay Modules

    Upper Tone Adjusts the tone of the upper octave of the Octave effect. Adjusts the volume of the dry signal. Time delay modules Effect Description Model name Description Digital Recreates the crystal-clear repeats of the 80’s delay units. Analog Modeled after classic stompbox delays with BB chips. Real Echo Realistic and natural echoes.

  • Page 96: Reverb Modules

    S-Rate Adjusts the sampling rate of the delay repeats. Attack Adjusts the speed of the GALAXY sound. 100 is the fastest. Gain Adjusts amount of distortion of the fuzz. Fuzz Level Adjusts the mix level of the fuzz. Tone Adjusts the EQ of the fuzz. Adds tone compensation to the fuzz for output to full range rigs.
  • Page 97 Depth Adjusts the modulation width of the reverb trails. Mod Level Adjusts the modulation mix on the reverb trails. Peak Adjusts the frequency of the filter peak Filter bandwidth. High Q = narrow bandwidth. Filter Level Adjusts the volume level of the filter applied to the reverb trails. Feedback Adjusts the feedback intensity of the flanging.

This manual is also suitable for:

Gs1000 li

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