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LATERAL PHONICS SEAMARK REVERB MK2 Manual

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LATERAL PHONICS
S E A M A R K R E V E R B M K 2
T
he Seamark is a fully analog true spring reverb. Here you can feel a
real nonlinear physics characteristics of reverbs. Every your action will
respond well in a real springs. Seamark Reverb pedal can produce a
wide variety of reverb sounds. From experimental and noise to ambient
sounds and classic clean reverb. You can get almost any spring reverb sound.
When developing and planning, we decided to take the classic Surf–tinted
spring reverb and turned it all inside out. Converting the beach surf life into a
viscous and dark storm with noir shade and metallic touch.
Seamark is also one of the most compact true spring reverb units. Its
dimensions are only 143x95x45mm.
Seamark has a four controls and additional momentary button:
1. Level – overall volume of output signal
2. Amount or Saturation – difference between a clean signal and a reverb
Depending on position of Impact knob, it is also can be a Saturation
regulator knob
3. Impact – value of signal applied to input of spring coil
4. Tone – cut off high frequencies of processed reverb signal
5. Splash button – sets Impact to maximum

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Summary of Contents for LATERAL PHONICS SEAMARK REVERB MK2

  • Page 1 LATERAL PHONICS S E A M A R K R E V E R B M K 2 he Seamark is a fully analog true spring reverb. Here you can feel a real nonlinear physics characteristics of reverbs. Every your action will respond well in a real springs.
  • Page 2 MAIN OPERATION MODES sing only these 4 controls (no additional toggle switches) and various combinations of their settings, Seamark is able to create two modes of operation: Classic and Graininess modes. In Classic mode pedal produces In Graininess mode it can a clean classic spring reverb, distort and saturate final mix, without unnecessary distortion,...
  • Page 3 LED brightness will increase. UPDATES IN MK2 VERSION he Seamark Reverb MK2 version had improved power circuit and its filtering, redesigned Splash button circuit, added to Splash buttons two operating modes(Classic and Hold), moved the In/Out/Power jacks to the top of the enclosure and various additional schematic improvements.
  • Page 4 SOME EXAMPLES o help understand more clearly everything we write above, we decided to add some of our favorite settings. Please note that all settings indicated in this documentation are approximate and depend on many factors such as the type of guitar, type of amplification, radio setting, etc.