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BALANCED LOW-IMPEDANCE INPUT (1)
For use with low-impedance microphones or low-level sources equipped with an XLR connector.
LINE INPUT ЈАСКО)
For use with line-level signal or compatible high-Z microphones equipped with a 1/4" phone plug.
NOTE: It is possible to use both the mic and line inputs on a single channel simultaneously.
It is, however,
unlikely that the gain matching of the mic and line will allow this hookup to be useful. This practice is not
recommended.
LEVEL (3)
Controls the channel output level. Maximum output level is obtained by rotating this control fully clockwise.
Minimum output level is obtained by rotating this control fully counterclockwise.
PAN (4)
Provides an individual channel pan L-to-R fa
lity. Center position delivers equal L & R stereo image balance.
MONITOR
(5)
Controls the channel monitor mix level. This is independent of all other channel controls. Maximum channel
monitor mix level is obtained by rotating this control fully clockwise. Minimum channel monitor mix level is
obtained by rotating this control fully counterclockwise.
LOW EQ (6)
Controls the channel low-EQ level. An active tone control (shelving type. +15 dB) that varies the low-frequency
range. Maximum low-EQ boost i s obtained by rotating this control fully clockwise.
Maximum low-EQ cut is
obtained by rotating this control fully counterclockwise.
MID EQ (7)
Controls the channel mid-EQ level. An active tone control (peak/notch,
В) that adjusts the mid frequency
range. Maximum mid-EQ boost is obtained by rotating this control fully clockwise. Maximum mid-EQ cut is
obtained by rotating this control fully counterclockwise.
HIGH EQ (8)
Controls the channel high-EQ level. An active tone control (shelving type, +15 dB) that varies the high-fre-
quency range. Maximum high-EQ boost is obtained by rotating this control fully clockwise.
^
cut is obtained by rotating this control fully clockwise.
EFFECTS
SEND (9)
Controls the channel effects drive level. Maximum effects signal is obtained by rotating the control fully clock-
wise. Minimum signal-level is obtained by rotating this control fully counterclockwise.
MASTER SECT!
EFFECT LED (10)
When blinking, this LED indicates that the effects system is within 6 dB of clipping: when fully illuminated.
indicates that the effects system's sound will be distorted, as clipping will be taking place. If the EFFECT LED
becomes fully illuminated, use the EFFECTS MASTER control (15) to reduce the effects
system operating level
so the EFFECT
LED is no longer illuminated or only blinks occasionally. A decrease in the effects level in the
main mix can be compensated for by inereasing the gain of the EFFECTS RETURN (16).
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