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8
sustain, close to a typical distorsion tone but with that
fuzzy character. This ideal for riffs and will be quite
suitable for palm mute playing. This is the tone the VOX
UL series had when they got out of the production line
in 1966.
As you keep turning the knob until you turn it all the
way up, sound will become more compressed and with
a sort of PWM component, ideal for high gain solos
and lead parts. This is also a new terrain for this circuit
since it wasn't meant to sound like this, it will let you
explore new sonic registers no one at that time knew
where possible with the UL internal fuzz!
You may hear some crackle turning the Bias knob. This
is completely normal since it sets the circuit's DC bias
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6
4
15
5
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