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MIXING
Input
signals
supplied
to
the
MIC
and
INPUT
(KKC)
terminals,
or
to
the
REC/PB
connector and
INPUT
(REC)
terminals
can he
mixed
on
a
recording.
Microphone
Signal
+
INPUT
(REC)
Signal
1.
Connect microphones
to
MIC
jacks,
supply
signal
from
Stereo amplifier to
INPUT
(REC)
terminals
(Fig.
18).
2.
Adjust
MIC
and
LINE
recording
level
controls to
obtain proper balance
and
total
recording
level.
3.
Make
recording
as
described
on
page
13.
REC/PB
Signal
+
INPUT
(REC)
Signal
1.
Connect two
signal
sources
to
REC/PB
connector and
INPUT
(REC)
terminals.
2.
Adjust
level
of
REC/PB
signal
with
MIC
recording
level
controls.
Adjust
level
of
INPUT
(REC)
signal
with
LINE
recording
level
controls.
3.
Make
recording
as
described
on page
13.
RT-1020L/H
MICROPHONES
RT-1020L/H
INPUT
HfC
STEREO
AMPLIFIER
QoOOo O
.
•
9
•
v v
O.
J
Fig.
48
NOTE:
In
MIC
+
LINE
mixing,
it
is
advisable
to
use
a
somewhat
lower
LINE
recording
level
than
in
single
source recordings
SOUND-ON-SOUND RECORDING
Sound-on-sound
is
a
method
in
which
two
(or
more)
consecutive
monophonic
recordings can be
mixed onto
one
tape
track.
Common
applications of
this
technique
include dual or
triple
recordings of
a singer
to obtain
a
chorus
effect,
or
consecutive recordings
of various
instruments adding
up
to
the
sound
of
a
band.
The
process
is
quite simple
-
the
first
recording
is
made
on
one
tape track
as
usual.
Then,
the tape
is
rewound
to the
start.
The
second
recording
is
made
on
the other tape
track
while the
first
recording
is
monitored and copied
onto
the
other
track.
This
process
can
lx>
repeated
several
times,
but each
time
the
total
mix
of
all
previous
recordings
must
be
transferred to the
other tape
track
Refer
to
Fig.
-19.
Step-by-step
procedure
is
as follows:
FIRST
RECORDING ALREADY
MADE ON
LEFT
CHANNEL
1.
Connect
FRONT
LEFT
OUTPUT
(MON)
terminal to
RIGHT
INPUT
REC
terminal
(Fig.
50).
Connect
microphone
to
RIGHT MIC
input
jack.
2.
Set
REC
switch
L
at
OFF,
REC
switch
R
at
ON.
3.
Adjust recording
levels
with
MIC
and
LINE
recording
level
controls to obtain
proper
sound
balance.
Table
2
shows
the influence of the
MONITOR
switches
upon
LEVEL
meter
indication
and output
signals
in
sound-on-sound
recording
mode.
4.
Make
recording,
then rewind tape and confirm
record-
ing quality.
If
unsatisfactory, repeat
procedure.
The
original
recording
is
still
there
on
the
left
channel.
Track
1
Lj
Track 2
R
2
Track
3
Rj
Track 4
l_2
Example
of
sound on sound
recording
duet
accompaniment
111 First
record
accompaniment
-
(21
Add
voice
to
accompaniment
recorded
in
step
(1).
*(3)
Add
voice
to
recording
made
in
step
(2)
Follow
steps
(1).
(2).
(3)
in
that
order
Y
•
Fig.
49
\
OU
T
Pi#
1
MON
Connect
to
RIGHT
MIC
jack.
MICROPHONE
Connect
to
amplifier
for
monitoring.
Fig.
50
MONITOR
SWI
TCHES
CM
ANNLLS
LEVEL
METERS
SIGNAL
A! OUT-
PUT IACKS
1
APE/
LEFT
INDICAT
ES
ORIGINAL
RLCORDING
PLAY
RIGHT
INDICATES
RECORDING
IUS
T
MADE
LEFT
SOURCE
'
—
—
'4
RIGHT
INDICATES
SIGNAL
NOW
BEING
RECORDED
Table
2
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