neuzeit instruments WarpEx Getting Started

Modulation
ENV1
Drone option
Constant minimum
volume level possible
(oscillator mode)
ADSR, fixed routing to
volume, post-filter.
Map amount
+-100%
SPD
Poten-
tiometer
SPD
CV input
LFO1
LFO2
Both LFOs are identical.
Mod
Map amount
Matrix
+-100%
SPD
Frequency
Poten-
Waveform
tiometer
Trigger mode
SPD
CV input
ENV2
ADSR, can be routed to all
targets in modulation matrix.
Attack time Attack curve
Drone (ENV1 only)
Decay time Decay curve
Loop (ENV2 only)
Release time Release curve
Sustain level
OMNI
High performance CV
input, flexible routing
in modulation matrix
KEY
The voice's
current pitch
MIDI (with WarpEx Expander)
Aftertouch, tilt, pitchbend slew rate
Pitchbend amount
Master MIDI channel
MPE MIDI channels
ModWheel CC number
Legato On/Off
Getting Started
Read Safety instructions and the full manual on
Loop option
www.neuzeit-instruments.com/warp
Turns into
1. While your rack is powered down,
Attack-Hold-
mount Warp and eventually the WarpEx expander
Release then
and then power the rack back on.
2. Patch Warp's OUT1 and OUT2 jacks to your speakers.
3. Send a gate CV to Warp's TRIG input and a pitch voltage to its V/Oct input.
4. Experiment with the presets available on the SD-card and adjust the potentiometers to
explore different sounds.
NOTE: Presets contain all internal parameters, but not the position of the potentiometers.
5. If you wish to use Warp as an oscillator rather than a synth voice, navigate to
VELO
Settings > Global and activate oscillator mode. This ensures that Envelope 1 (volume)
MIDI note
maintains a consistent minimum output level whenever a new preset is loaded, allowing
velocity
Warp to produce output even without a TRIG signal.
TILT
Any MIDI CC,
e.g. MPE Tilt
GalaXY
AFTR
Pool of
MIDI
harmonic
Aftertouch
spectra
Modulation sources
Internal: 2 x ADSR, 2x LFO, Key
External: OMNI CV input
MIDI & MPE: Velocity, After-
touch, Tilt or Modwheel (CC)
Voices 1-4
Spec Warp Osc
calculates
complex a single- wave- dual
spectral cycle table oscillator
filter waveform effects with FX
Modulation matrix
Route sources
to many
targets in the
signal chain
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Warp
lowpass
highpass
filter
Mix
OUT1
Volume levels
OUT2
and panning