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(5)
Throw the °LINE-OUT" switch to the "REG" position at the moment when the microphone is to
go on the air.
(The cue signal
is removed from the studio speaker when this switch is
thrown).
Adjust the mixer control to the previously determined setting.
(6)
Press the monitor push -key which is marked °M",
and adjust the monitor volume control as
may be necessary.
If any other input
is to be used, the above procedure should be followed except
that the switches and mixers to be operated are changed as noted in the tabulation below:
INPUT
Microphone 1, Studio "A"
Microphone 2, Studio "A"
Microphone 1, Studio '8°
Microphone 2, Studio "B"
Remote Lines
Transcription TT -1
Transcription TT -2
SWITCH
MIXER
Mic.
"A -P" #1 to P
Mic.
"A -P" #2 to P
Mic.
0A -P" #3 to P
Mic. "A -P" #4 to P
and "ANNOUNCE" switch to normal
Mic. "A -P" #5 or #6 to P, and cor-
responding input PK-1 or PK-2
SW -5 or SW -6 to P, and TT -1
SW -5 or SW -6 to P, and TT -2
(B)
TO AUDITION STUDIO "B" MLR STUDIO "A" IS 01 TIN AIR:
(1)
With the talk -back and the monitor push keys in the normal
(off) positions,
"AUD" push -key and throw the microphone switch "A -P" #3 to the "A" position.
1
2
3
5 or 6
5 or 6
5 or 6
press the
(2)
Adjust mixer #3 and the monitor volume control to obtain suitable output from the control
room loudspeaker.
(C)
TO CON STUDIO "B" IRON STUDIO "A" AND TINS PLACE STUDIO "B" ON THE AIR:
(Assume that microphone #1 in Studio "A"
Studio "B").
(1)
Since the Studio "B"
only to perform the
air:
(a)
(b)
(c)
is in use and
it
is desired to use microphone
#1 in
loudspeaker is receiving the signal from Studio "A",
it
is necessary
following operations at the moment when Studio "8" is to go on the
Close mixer #1.
Throw microphone switch "A -P" #3 to the "P" position.
Adjust mixer #3 to the proper level as indicated by the VI meter.
(D)
TO CUE STUDIO "B" FROM A CUE LINK AID THY PLACE STUDIO "B" ON TIE AIR:
(Assume that microphone #1
is
in use
in Studio "A" and that Studio "A" is on the air).
(1)
Press the proper "CUE" line push -key and regulate the monitor volume control to give
the desired volume from the Studio "B" speaker.
The cue line may be monitored by the
control room speaker.
(2)
At the moment when Studio
"B"
is to go on the air, perform the following operations in
quick succession:
(a)
(b)
Close mixer #1.
Throw the microphone switch "A -P" #3 to the "P" position.
(Assuming microphone 01in
Studio "8" is to go on the air).
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