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INSTRUCTION
MANUAL

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Summary of Contents for Stone Deaf Effects SYNCOPY

  • Page 1 INSTRUCTION MANUAL...
  • Page 3: Table Of Contents

    MIDI CONTROL ............8 - 17 FACTORY PRESETS......... 18, 19, 20, 21 SPECIFICATIONS ............. 22 WARRANTY ..............22 DO US A FAVOUR ............23 ADVANCED SETTINGS ..........24 - 27 Stone Deaf Effects and Amplification LTD. 35 Pennine Vale Shaw, Oldham OL2 8DH United Kingdom www.stonedeaffx.com...
  • Page 4: Introduction

    From short classic delays to long and lush, lo-fi modulated echoes and all the way to otherworldly special FX, such as Chorus and Vibe effects, Syncopy does it all without flinching, while providing the deep and ultra-precise control required by...
  • Page 5 Syncopy Main Features • Analog bucket-brigade delay pedal from 50mS to 1 second of delay time • Built-in Analog Modulation adds lush movement or crazy special FX to trails • Tap Tempo and 4 sub-divisions get your delays in sync or hold tap for wild self-oscillation ramping of the feedback •...
  • Page 6: Getting Started: Primary Functions

    Getting Started: Primary Functions When Syncopy is powered up, you will be presented with the following configuration with the LEDs in ORANGE. This means Syncopy is bypassed or in bypass mode. Digitally Controlled Time / Mod Rate; 50mS - 1 sec...
  • Page 7: Secondary Functions

    Modulation: Secondary Functions The Modulation and Delay tones are separate and use the same interface. To activate Analog Modulation on the delay repeats, press the Time, Feedback or Mix control knobs. This Mode is indicated by a red dot around the control knob turning from GREEN to RED. •...
  • Page 8: Expression Control

    Expression control: Expression control is available using any Standard Expression Pedal. You can use expression to control single or multiple parameters simultaneously. Press & Hold to control Time with expression. Press & Hold to control Press & Hold Feedback to control with expres- MIX with sion.
  • Page 9 • Press and hold again to deactivate the expression control on either TIME, FEEDBACK or MIX modes. Expression activation is Preset ASSIGNABLE! • • When the modulation is activated, press and hold. Expression control is applied to the modulation parameter. Example: if you are adjusting the Modulation Depth using the control knob, you can press and hold, then the expression control will be assigned to Modulation Depth,...
  • Page 10: Midi Control

    MIDI Control: To access the MIDI settings, press and hold the bypass foot- switch for 5 seconds while Syncopy is bypassed. Press and hold the switch again to store MIDI settings. This allows you to change MIDI channel & activate MIDI clock.
  • Page 11 9-12 using the foot-switches. Selecting channel 7 with MIDI sets the current bank to 5 to 8, etc. • All Syncopy parameters can be controlled using MIDI CC (continuous controller) messages. The delay Preset number is selected using ‘Program Change’...
  • Page 12 Function Status Byte Value Date Byte Change Preset 1100nnnn (Program change on channel nnnn 0 -1 Control Delay Time 1011nnnn (Control Change on Channel nnnn) Control Feedback 1011nnnn (Control Change on Channel nnnn)
  • Page 13 e Value 1 Data Byte Value 2 Description Sending a “MIDI Program Change” on channel “n” will set the current- ly active Preset to the number sent in Data Byte 1. Allows Preset numbers between 0-127 to be accessed. - 20 0 -127 Control Number 20 - Delay Time.
  • Page 14 Function Status Byte Value Date Byte Control Mix 1011nnnn (Control Change on Channel nnnn) Modulation ON / OFF 1011nnnn (Control Change on Channel nnnn) Modulation Time 1011nnnn (Control Change on Channel nnnn) Modulation Depth 1011nnnn (Control Change on Channel nnnn)
  • Page 15 e Value 1 Data Byte Value 2 Description Control Number 22 - Mix: C-22 0 - 127 127 = Wet, 63 = 50/50, 0 = Dry. C-23 0 - 127 Control Number 20 - Delay Time. Value of Databyte 2 sets the Delay Time between its mini- mum and maximum value.
  • Page 16 Function Status Byte Value Date Byte Select Modulation Shape 1011nnnn (Control Change on Channel nnnn) Select Tap Division 1011nnnn (Control Change on Channel nnnn)
  • Page 17 e Value 1 Data Byte Value 2 Description Control Number 26 - Modulation Shape: Mod Shape 1 = 0 - 14 Mod Shape 2 = 15 - 28 Mod Shape 3 = 29 - 42 0 - 127 Mod Shape 4 = 43 - 56 Mod Shape 5 = 57 - 70 Mod Shape 6 = 71 - 84 Mod Shape 7 = 85 - 98...
  • Page 18 Function Status Byte Value Date Byte Bypass ON/OFF 1011nnnn (Control Change on Channel nnnn) 1011nnnn (Control MIDI BEAT CLOCK ON/ Change on Channel nnnn) REMOTE TAP 1011nnnn (Control Change on Channel nnnn)
  • Page 19 Contol Number 29 - By- pass ON/OFF. Any value below 64 will 0 - 127 BYPASS Syncopy. Any value above 63 will turn Syncopy OFF. C-30 0 - 127 Control Number 30 - MIDI BEAT CLOCK ON/ OFF. Any value below 64 will turn BEAT CLOCK OFF.
  • Page 20: Factory Presets

    Factory Preset 1: Basic Slap Back Delay...
  • Page 21 Factory Preset 2: Warble Long Delay...
  • Page 22 Factory Preset 3: 350ms - 500ms (Floydish)
  • Page 23 Factory Preset 4: Vibe Chorus...
  • Page 24: Specifications

    Alternatively get in touch via our website: www.stonedeaffx.com The Syncopy complies with the following regulations: This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions:(1) This device may...
  • Page 25: Do Us A Favour

    Do us a favour... If you enjoy this product and feel inspired to create, please share your experiences on our Facebook page, via a comment, picture or review. Alternatively follow us, like us or subscribe via Instagram, YouTube or Twitter. Please use the hashtags: #stonedeaffx, #stonedeaf If you can take some time out of your busy schedule to spread the word to fellow guitarists around the globe, it...
  • Page 26: Advanced Settings

    This is set at 50% and allows you to increase the amount of input signal going into the delay. From the factory, Syncopy has been calibrated using standard single-coil pickups. For example more input gain may be required for lower output single-coils and less input gain may be required for humbucking pickups or synths etc.
  • Page 27 How to set the feedback oscillation threshold: Being able to set Syncopy’s feedback threshold, allows you to set the amount of feedback that’s attainable before the feedback goes into self oscillation. Some people like this to come in earlier than others do, note that this can also depend on the signal strength going into the product.
  • Page 28 How to use the self-oscillation ramp function: The self oscillation ramp function allows you to ramp up the delay feedback to maximum and at a fixed speed using the Tap Tempo foot-switch. You can go from zero feedback to self-oscillation in a matter of mS/ seconds depending on how sensitive you have set the feedback oscillation threshold.
  • Page 29 Buffered and Non-Buffered (True Bypass) switching modes and even assign these to a Preset. But what does this mean when using the Syncopy in these modes? Buffered Bypass: allows you to play your delay lines with trails.
  • Page 32 Stone Deaf Effects and Amplification LTD 35 Pennine Vale Shaw, Oldham OL2 8DH United Kingdom www.stonedeaffx.com info@stonedeaffx.com...

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