Boss BR-1600CD Reference Manual

Boss BR-1600CD Reference Manual

Br-1600cd digital recording studio: reference guide
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Notes When Using Mics

Always be sure to switch the phantom power off except
when connecting condenser mics requiring a phantom
power supply. Supplying phantom power to dynamic
mics, audio playback equipment, and other devices that
do not use phantom power may cause damage to your
equipment.
For mic specifications, please refer to the owner's manual
for whatever model of mic you are using.
(BR-1600CD Phantom Power: +48 V DC, 7 mA Max.)
Phantom power is supplied to the eight XLR connectors
for INPUT 1/MIC 1 through INPUT8/MIC 8
simultaneously. The phantom power cannot be switched
on or off for each connector individually.
If simultaneously using mics that require phantom
power with those that don't, then connect any mic that
does not need phantom power to one of the standard
1/4" phone jacks. Phantom power is supplied only to the
XLR connectors, not to the standard jacks.
To connect mics to the standard jacks, use a commercially
available XLR-to-phone adapter cable or other form of
adapter.

Demo Song List

Song Name
Baby Calls
IF I FALL
WIDE STRETCH
Golden
Copyright © 2003 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION.
2003 ボス株式会社  本書の一部、または全部を無断で複写・転載することを禁じます。
©
Composer
Music by Jerry Barnes
Copyright © 2001 Jareese Music BMI, Licspiffy Music BMI
Music by Igor Len
Copyright © 2003 Igor Len/BMI and Bouy Music/BMI
Music by Gregg Lee Henry
Copyright © 2003 Gregg Lee Henry
Music by Linus Bernal and Dave Watkins Lyrics by Linus Bernal, Dustin Chavis, James Jenkins, and
Rhena Santos
Copyright © 2003 Linus Bernal
/マイク使用時のご注意
ファンタム電源供給の必要なコンデンサー・マイクを接
続しているとき以外は、ファンタム電源を必ずオフにし
てください。ダイナミック・マイクやオーディオ再生装
置など にフ ァンタ ム電 源を供 給す ると故 障の 原因 にな
ります。
マイクの仕様については、お使いのマイクの取扱説明書
をお読みください。
(本機のファンタム電源:DC +48 V、7 mA Max )
ファンタム電源は、 INPUT 1/MIC 1 ∼ INPUT 8/MIC 8
の XLR コネクターにいっせいに供給されます。それぞ
れのコ ネク ターご とに 個別に オン /オフ する こと はで
きません。ファンタム電源の必要なマイクと、ファンタ
ム電源の不要なマイクを同時に使用する場合は、ファン
タム電源の不要なマイクを INPUT 1/MIC 1 ∼INPUT 8/
MIC 8 の標準ジャックに接続してください。ファンタム
電源は、XLR コネクターのみに供給され、標準ジャック
には供給されません。
マイクを標準ジャックに接続するには、市販の XLR →
標準ジャック変換ケーブルなどをご使用ください。
デモ・ソング一覧
1

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Summary of Contents for Boss BR-1600CD

  • Page 1: Notes When Using Mics

    For mic specifications, please refer to the owner’s manual for whatever model of mic you are using. (BR-1600CD Phantom Power: +48 V DC, 7 mA Max.) Phantom power is supplied to the eight XLR connectors for INPUT 1/MIC 1 through INPUT8/MIC 8 simultaneously.
  • Page 2: Insert Effect Patch List

    Insert Effect Patch List GUITAR Patch Name Algorithm P001 CLEAN JC-120 COSM OD GUITAR AMP P002 JAZZ TONE AM COSM OD GUITAR AMP P003 CLASIC DIST COSM OD GUITAR AMP P004 FAT CRNC AMB COSM OD GUITAR AMP P005 FUZZ+MS1959 COSM OD GUITAR AMP P006 R-FIER METAL COSM OD GUITAR AMP...
  • Page 3 Patch Name Algorithm P001 VOCAL COMP 1 COSM VOCAL COMP P002 VOCAL COMP 2 COSM VOCAL COMP P003 KICK COMP COSM VOCAL COMP P004 SNARE COMP COSM VOCAL COMP P005 BRASS COMP COSM VOCAL COMP P006 VOCAL EFX 1 VOCAL MULTI P007 VOCAL EFX 2 VOCAL MULTI P008 VOCAL EFX 3...
  • Page 4 Insert Effect Patch List SIMUL Patch Name Algorithm P001 EQ + JC120 VO+GT.AMP P002 DELAY+ JC120 VO+GT.AMP P003 COMP +CLN TW VO+GT.AMP P004 EQ + DRV TW VO+GT.AMP P005 COMP +SM AMP VO+GT.AMP P006 EQ + CRUNCH VO+GT.AMP P007 EQ + MATCH VO+GT.AMP P008 DELAY+ match VO+GT.AMP...
  • Page 5: Multi-Channel

    MULTI-CHANNEL (Algorithm: 8CH COMP EQ) Recommended Connection Patch Name 推奨接続例 INPUT1: Guitar Amp (Mic) INPUT2: Vocal (Mic) INPUT3: Bass Amp (Mic) INPUT4: Guitar Effects (Line) P001 Rock Band INPUT5: Keyboard L (Line) INPUT6: Keyboard R (Line) INPUT7: Drums L (Mic) INPUT8: Drums R (Mic) INPUT1: Guitar Amp 1 (Mic) INPUT2: Vocal (Mic)
  • Page 6: Vocal Tool Box Patch List

    Vocal Tool Box Patch List ボーカル・ツール・ボックス・パッチ一覧 Patch Name Algorithm P001 Smooth Alto PITCH CORRECTION P002 Smooth Sop. PITCH CORRECTION P003 Smooth Tenor PITCH CORRECTION P004 Smooth Bari. PITCH CORRECTION P005 Machine Tune PITCH CORRECTION Speaker Modeling Patch List スピーカー・モデリング・パッチ一覧 Patch Name P001 SuperFlt 90 P002...
  • Page 7: Preset Rhythm Arrangement List

    Preset Rhythm Arrangement List Name Tempo Beat P001 ARG.ROCK 01 P002 ARG.ROCK 02 P003 ARG.ROCK 03 P004 ARG.ROCK 04 P005 ARG.ROCK 05 P006 ARG.ROCK 06 P007 ARG.ROCK 07 P008 ARG.ROCK 08 P009 ARG.ROCK 09 P010 ARG.ROCK 10 P011 ARG.ROCK 11 P012 ARG.ROCK 12 P013...
  • Page 8: Preset Drum Pattern List

    Preset Drum Pattern List Recom- Number of measures Pattern mended Beat Name Tempo 推奨テンポ ROCK 01 ROCK 02 ROCK 03 ROCK 04 ROCK 05 ROCK 06 ROCK 07 ROCK 08 ROCK 09 ROCK 10 ROCK 11 ROCK 12 ROCK 13 ROCK 14 ROCK 15 ROCK 16...
  • Page 9: Preset Bass Pattern List

    Preset Bass Pattern List Recom- Number of measures Pattern mended Beat Name Tempo 推奨テンポ ROCK 01 ROCK 02 ROCK 03 ROCK 04 ROCK 05 ROCK 06 ROCK 07 ROCK 08 ROCK 09 ROCK 10 ROCK 11 ROCK 12 ROCK 13 ROCK 14 ROCK 15 ROCK 16...
  • Page 10: User Loop Phrase List

    User Loop Phrase List WAV File Name A001 \\AIRBRUSH\B NOHAT.WAV A002 \\AIRBRUSH\BRSH BT.WAV A003 \\AIRBRUSH\CRASH.WAV A004 \\AIRBRUSH\VERSE.WAV A005 \\AIRBRUSH\VERSE2.WAV A006 \\BASH IT\BRIDGE.WAV A007 \\BASH IT\BRIDGE2.WAV A008 \\BASH IT\CHORFILL.WAV A009 \\BASH IT\CHORUS.WAV A010 \\BASH IT\CRASH.WAV A011 \\BASH IT\CRASH2.WAV A012 \\BASH IT\VERSE.WAV A013 \\BASH IT\VERSE2.WAV A014...
  • Page 11 WAV File Name C001 \\FLY\DR & PERC\END CRASH.WAV C002 \\FLY\DR & PERC\END CRASH2.WAV C003 \\FLY\DR & PERC\FILL.WAV C004 \\FLY\DR & PERC\FILL10.WAV C005 \\FLY\DR & PERC\FILL9.WAV C006 \\FLY\DR & PERC\HAT END.WAV C007 \\FLY\DR & PERC\INTRO5.WAV C008 \\FLY\DR & PERC\LIGHT.WAV C009 \\FLY\DR & PERC\SAMPLE2.WAV C010 \\FLY\DR &...
  • Page 12: Harmony Sequence Chord Note List

    Harmony Sequence Chord Note List ハーモニー・シーケンスのコード構成音一覧 Chord types that enable chord conversion (26 types and N.C.) consist of the following notes. The following shows chord types with the root C. fig.Chprd Type – – – (N.C) 7(13) * The 13th of the chord is not played. * Chords are automatically inverted such that each of the notes comprising the chord falls within one octave of the original solo vocal pitch.

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