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Navitar Hi-Lite: Lighting for Digital Imaging
Studio Quality Lighting
"Lights, camera, action!" There's a reason why lights come
first in this famous expression. Professional photographers,
television engineers and motion picture studios will all
agree that lighting is a critical element in any imaging
application. In other words, the quality of the image is
directly proportional to the quality of the lighting. This rule
is consistent with all optical applications and is especially
true with digital imaging and high definition applications.
Compared to the human eye, the digital/video camera is less
tolerant of unfavorable lighting conditions. It detects and
processes unwanted information such as flicker and glare*
caused by conventional light sources. Digital imaging
further compounds this problem by compressing the image
before processing it. The best way to compensate for these
inherent problems is to feed the camera the proper amount
of high quality light.
Don't worry, there's no need to become a lighting expert.
Navitar can supply you with the tools and suggestions to
master the digital imaging challenges that arise due to poor
lighting conditions.
Compare the Difference
Before
A typical example of a video teleconference system
image with standard fluorescent lights.
Facial features are not distinct.
•
Skin tones and colors are inconsistent and lack detail.
•
Lighter color shades "flare-out" due to the lack of contrast.
•
Navitar, which has been in the audio visual and machine
vision industry for more than 25 years, knows the value of a
high quality light source. See for yourself the difference the
Navitar Hi-Lite makes to your digital imaging applications.
Contact your Navitar representative for a free demonstration.
Free, No Obligation
Hi-Lite Demonstration!
See the dramatic difference. . .
where it really counts!
Schedule a free, live Hi-Lite demonstration
via videoconference!
Call Navitar at. . .
1-800-828-6778 or 585-359-4000,
After
The same room with the addition of two Navitar Hi-Lite
video lights.
Shadows are removed and facial features now have detail.
•
True color appears and the skin tone becomes more natural
•
and flattering.
"Flaring" and "hot spots" are minimized and contrast is
•
increased between the subject and the background.
Ext. 2269
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