MEDIA TECHNOLOGY SYSTEMS PERFORMER Manual

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PERFORMER

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Page 1 PERFORMER...
Page 2: Table Of Contents
Block Diagram Network Return Dante AES67 Control Panel Connector Panel Setup Examples Guitar 1 Guitar 2 Mall Function Room ADR Example Case Specifications 24-25 Warranty CE & FCC Approvals 27, 28 Settings History Log: Owner/User Manual MTS Performer rev. 01...
Page 3: Safety Instructions
This product complies with Part 15 of the FCC Rules. Operational conditions: 1. This device may not cause harmful interference. 2. This device must be able to receive interference and operate normally. Owner/User Manual MTS Performer rev. 01 Page 1...
Page 4: Introduction & Overview
Operating manuals are generally not a source for a satisfying literary experience. Many can be sparse and uninformative or downright painful. With this manual, we have tried to make the introduction to the Performer an enjoyable and informative experience. For the novice user, we try to communicate useful technical information, advice, and history to make your use of the product more effective.
Page 5: Quick Start Guide
Again, always try to get the performer to give you levels that will apply during the gig/performance. You do not want any nasty surprises when you are out at the house console! Note: In the event of a hum or buzz from a ground loop, chase down the problem thoroughly before resorting to using any ground lift switch or plug.
Page 6 When you are using this device in a networked system, check that the Dante output is passing signal to the network. To use the Line Level Return from the Dante ‘network assign/address the Performer as needed. When you have an audio signal returning from the Network, the “Return Sig Present” LED will fire.
Page 7 Mic’ing the amp, taking the direct input and mixing them can give great results. The Performer provides another option, in that it can take a feed directly from the amp’s output terminal/connectors. See the examples section of this manual.
Page 8: Features & Functions
You have already, or will gain experience like this. It is a huge part of the skill and artistry you bring to the game. Page 6 Owner/User Manual MTS Performer rev. 01...
Page 9 It’s important to understand the LED is labelled PEAK not CLIP. Typically in the Performer, and depending on the signal type, there’s 6dB or more usable headroom above the Peak LED firing to the onset of Clip. As you set up the gain, nudge into the PEAK and occasionally into clip so you can judge the best setting.
Page 10 Again, as with all sound, understanding your goals, the choices you have to make and what compromises are acceptable to get a great sound is a huge part of the “art”. Page 8 Owner/User Manual MTS Performer rev. 01...
Page 11 It’s PEAK not CLIP which is important. Typically and depending on the signal there’s 6dB or so above the Peak to the Clip. So you have an indication of headroom there too. Owner/User Manual MTS Performer rev. 01 Page 9...
Page 12 PERFORMER Features & Functions: continued Phantom Power: Your Performer has professional spec +48V phantom power so can support a wide range of professional microphones and in particular large element condenser mics such as a Neumann U47. The IEC (International Electrotechnical Commission) ‘standard’ IEC61938:2018 specifies microphone phantom power delivery in three ways: P12, P24 and P48, being 12Volt, 24Volt and 48Volt specs.
Page 13: Block Diagram
2 & 3 of the XL connector. You can also confirm that the Performer follows the accepted standard for Pin 2 High/Positive on an XL connection. The block diagram can be very useful in helping to trouble shoot system problems.
Page 14: Network Return
Network Return Output Selection STEREO UNBAL. Note: Take care to identify on the outside of your Performer that it is re-configured from the factory default setting to mono-balanced line out. Re-configuration of the Network Return internal routing should only be performed by qualified/authorized personnel.
Page 15: Dante
This excellent site has a wealth of readily accessible and valuable information on Dante and its use. Connect your MTSI Performer to the network and it will appear as an available transmit device within Dante Controller. Dante Controller allows you to personalize/give your device a specific name. It is advisable that you record your specific unit’s MAC address.
Page 16: Aes67
16, 64 or more channels. AES67 further defines timing of packets to maintain minimum latency. AES67 does not replace Dante or any other audio over IP technologies. It was designed as a bridge facilitating communication between different systems. Page 14 Owner/User Manual MTS Performer rev. 01...
Page 17: Control Panel
XL connection. Network Return: Dante Networked audio return, single ch Balanced Line or 2 ch “stereo”output. User Selectable via PCB Jumper. See block diagram. Factory default set to 2 channel/Stereo -2dBu output. Owner/User Manual MTS Performer rev. 01 Page 15...
Page 18: Connector Panel
“IN” connector an input to the circuit. Mic/Line XL Input: Combi Connector, XL for Mic, plus 1/4”-TRS Balanced input, Line level. Note: +48V Phantom Power is only applied to XL pins 2 and 3. Page 16 Owner/User Manual MTS Performer rev. 01...
Page 19 INSTRUMENT MIC PoE SWITCH The Performer, in this simplifed example setup, lets you mix the real sound of the guitar rig, i.e. the overall combined tone of the guitar, effects pedal, amplifier and speakers by mic’ing the amp. At the same time connecting the post effects pedal signal to the Performer’s Hi-Z Input, the through-out...
Page 20: Guitar
In addition it is always a good idea to limit the number of open mics on a stage. Page 18 Owner/User Manual MTS Performer rev. 01...
Page 21 We’d love you to own more Performers, but if you can get your gig done more economically, that’s great for your business and worth trying. Owner/User Manual MTS Performer rev. 01 Page 19...
Page 22: Mall
Music TYPICAL SIMPLE STORE This application makes use of the unique and valuable ability of the Performer to use high level 70 Volt speaker feeds as an input source. The diagram shows two example set-ups in a simplified Shopping Mall application. The Public Space...
Page 23: Function Room
Hotel and Convention Centre function rooms with installed sound systems, projectors/large screen displays etc., for business and other presentation purposes. The Performer installed in such systems gives users a high quality, simple interface for both presentation live mic’ or pre-recorded audio in PowerPoint/video or other visual presentations.
Page 24: Adr Example
It is critical these audio cues are in sync and without delay/latency. In this example, the Performer mic pre’ is used to capture the audio and route it via the Dante network to the mixer. It is impressive to watch experienced actors performing this function.
Page 25: Case
PERFORMER Performer Case: The Performer case is designed with a number of useful features. Under the front panel/control section a threaded hole facilitates stand mounting the unit. This is a standard camera 1/4-20 tripod thread. For use on a mic stand you will need a 1/4-20 to mic stand adaptor.
Page 26: Specifications
1 MΩ Frequency Response 20Hz - 20kHz, -1 to +5dB Dynamic Range 114 dB S/N Ratio 90dB A weighted THD+N 0.004% MTS retains the right to improve or alter speci cations without notice. Page 24 Owner/User Manual MTS Performer rev. 01...
Page 27 Dimensions: H x W x D (extrusion dim) 40 x 143 x 167mm/1.6 x 5.7 x 6.6” Weight: Kgs/lbs 770g/1lb 11oz Shipping Weight: Kgs/lbs 850g/1lb 14oz MTS retains the right to improve or alter speci cations without notice. Owner/User Manual MTS Performer rev. 01 Page 25...
Page 28: Warranty
Use proper care when handling, refer and conform to local government regulations before use or when discarding. For Product Warranty & Other Returns, see Website. Page 26 Owner/User Manual MTS Performer rev. 01...
Page 29: Ce & Fcc Approvals
PERFORMER CE Declaration of Conformity: Page 27 Owner/User Manual MTS Performer rev. 01...
Page 30 PERFORMER FCC Declaration of Conformity: Page 28 Owner/User Manual MTS Performer rev. 01...
Page 31: Settings History Log
PERFORMER Settings History Log: Input Detent Connector Di-Out Date Note 4/15 Gilmore, WEM, C414, +48V Hi-Z 1/4” Hi-z 4/15 Red Strat Direct Owner/User Manual MTS Performer rev. 01 Page 29...