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Camera Setup Guide:
Sony A Series
Based On:
Sony A7III (firmware 3.10)
Target Colour Space:
Rec709 gamma 2.4
Target Exposure:
ETTR
LUT Version:
Pro II & Athena
LUT Release Date:
2020.07.01
Guide Version:
2020.09.25
©2020 Visceral Psyche Films
www.visceralpsyche.com
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Table of Contents
Related Manuals for Visceral Psyche Films Leeming LUT Pro
Summary of Contents for Visceral Psyche Films Leeming LUT Pro
- Page 1 Camera Setup Guide: Sony A Series Based On: Sony A7III (firmware 3.10) Target Colour Space: Rec709 gamma 2.4 Target Exposure: ETTR LUT Version: Pro II & Athena LUT Release Date: 2020.07.01 Guide Version: 2020.09.25 ©2020 Visceral Psyche Films www.visceralpsyche.com 1 of 6...
- Page 2 LICENCE You are granted a personal licence to use Leeming LUT Pro™ on two computers. For use with more computers, please contact Visceral Psyche Films for bulk discount pricing. You may not upload the LUTs anywhere, share them with other people or incorporate them into other LUTs for derivative use (i.e.
- Page 3 QUICK REFERENCE OF IMPORTANT CAMERA SETTINGS The settings below are recommended for the LUTs to work properly, in conjunction with an accurate white balance and using the ETTR zebras to show where the highlights of an image are clipping. If you deviate from these settings, your colorimetry and luma curves won’t match precisely to Rec709 and you may get other errors in your footage.
- Page 4 Be sure to visit the website to read up on how to use ETTR (Expose To The Right) principles to get the most dynamic range out of your sensor, as well as the associated Leeming LUT Pro™ LUT Installation Manual on how to apply the LUTs to your footage in post-production: www.LeemingLUTPro.com...
- Page 5 HARDWARE / SOFTWARE QUIRKS AND BUGS Be careful with S-Log2 and S-Log3 for 8bit 4:2:0 shooting as they have an increased risk of banding due to the lack of tonal precision in 8 bits (this is NOT the fault of the LUTs). I advise using one of the linear profiles for better image quality. To Custom White Balance [rotate the TOP DIAL to M - not needed with newer cameras], press the C1 button (set earlier to Custom White Balance), choose Custom Setup and aim the target circle in the middle of the white balance card.
- Page 6 DAVINCI RESOLVE CLIP ATTRIBUTES FOR ATOMOS NINJA V FOOTAGE When importing clips into Davinci Resolve and NOT using the Legalize ON option in the recorder, there exists the ability to adjust the Data Levels of the externally recorded footage between Full and Video using Clip Attributes. The following table lists what should be set for each profile to have the LUT work properly.
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