Summary of Contents for Pro8mm MAX 8
- Page 1 Pro8mm 2805 W. Magnolia Blvd, CA 91505 Ph:(818)848-5522 Fax:(818)848-5956 www.Pro8mm.com...
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Page 2: Table Of Contents
Table of Contents PAGE # Table of Contents Table of Contents Cont. a. Introduction to Max 8 b. C-cell power pouch specifications c. C-cell power pouch charging instructions for trickle charger a. Lens specs and packages available b. Mounting the lens “Getting familiar with the Classic Camera”... - Page 3 2. Semi-automatic mode 3. Manual Control mode <Classic Only> b. Filters a. Remote control b. Focusing (best method) a. Exposed film b. Special Effects a. Metaspeed film to video transfer b. Camera Care 14. Pro8mm support 15. Special Instructions for Max8...
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Page 4: Introduction To Max
4 x 3 frame. The ground glass has 1:78 frame lines to guide the cinematographer as well as the full 4 x 3 frame. Max 8 negative uses a ratio of 1:58, whereas traditional 8mm film uses a frame ration of 1:33. -
Page 5: Lens Specs And Packages Available
Accessory adapter for the 8-64 lens system to adapt to 4-32mm focal length. b. MOUNTING THE LENS Pro8mm zoom lenses fitted with lens control units may be used in addition to standard “C” mount lenses. A variety of other lenses may be used with an appropriate “C” mount adapter. -
Page 6: Getting Familiar With The Classic Camera
(This switch is removed in crystal sync. modified cameras) “Auto” This position is to be used if the camera is fitted with a Pro8mm power lens. “Manual” To be used when it is desired to uncouple the automatic diaphragm control, and then set the exposure manually. -
Page 7: Emulsion-Speed Selector
5c. EMULSION-SPEED SELECTOR This dial allows you to select the ASA/ISO setting for the internal exposure meter. Note: The 400 ASA setting should be used for 500 ASA films. 5d. FILMING-SPEED SELECTOR This dial makes it possible to set the camera at the desired filming speed between 2 and 70 fps. -
Page 8: Footage Counter
6a. FOOTAGE COUNTER This indicates the footage still available, both in frames and in feet. The counter automatically resets to zero when the film is unloaded. 6b. GROUND-GLASS FOCUSING KNOB This makes it possible to interpose or to retract a ground glass screen between the eye and the lens. -
Page 9: Remote Control Release Socket (Electronic)
6c. REMOTE CONTROL RELEASE SOCKET (ELECTRONIC) Located to right (right-rear) of the viewfinder, this socket takes a special electronic remote control lead plug, which is included in all rental packages. You must use this remote release cable in the socket for any frame rate above 24, (slow-motion). -
Page 10: Single-Frame Release Socket
7a. CRYSTAL SPEED MODULE (accessory) The crystal speed module is located below the eyepiece. It will govern the camera’s running speed assuring a constant speed, allowing sound to be recorded on a separate sound recorder. You may switch to variable speeds: 2 –... - Page 11 7c. SHUTTER LEVER, (TO CLOSE & OPEN SHUTTER) The shutter allows the filmmaker to modify the film exposure time, making it possible to perform in-camera fade-ins and fade-outs. Shutter aperture variations are controlled by means of the lever located on top of the camera.
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Page 12: Eyepiece Focusing Ring
3) Close the film compartment door, pressing down on it and sliding the latch closed. To remove the film cartridge, reverse procedure. 8e. BATTERY CHECK <for Classic ONLY! Not available on Max 8 or Crystal sync models. Set the master switch to “Test”. Press the power supply switch (trigger) and look at the pointer in the viewfinder. -
Page 13: Setting The Emulsion Speed Values
9a. SETTING THE EMULSION SPEED VALUES You can set the value (ASA/ISO) of your film by using the ASA/ISO dial and setting it opposite the dot located above the dial. The center dot is used to set the exact emulsion speed value (ASA/ISO) located on your film (i.e. -
Page 14: Exposure Control
10a. EXPOSURE CONTROL 1) Automatic mode (Only with the Power lens upgrade) With your Classic Camera and the power zoom lens, you can choose to control the aperture automatically. All you have to do is turn the exposure mode to the “auto” setting. Taking into account the scene brightness, the film sensitivity and the filming speed, the diaphragm servomotor instantly and constantly sets the aperture to give the correct exposure. -
Page 15: Remote Control
In relation to using an external light meter, make sure to calculate for the shutter, film speed, and use of any filter. We have also found through experience that Pro8mm (Negative Super8 Film) will usually look much cleaner and have more room to work with in Digital Transfer if it is overexposed by 1 F Stops. -
Page 16: Special Effects
-Listen to the sound of the film running, it will make a distinctive sound when the cartridge is completely exposed. -Look at the film in the cartridge. In Pro8mm cartridges, the film will physically pull through. The film in Kodak’s cartridges will say, “exposed”... -
Page 17: Metaspeed Film To Video Transfer
there has been a change of location or mood, or even a lapse of time between two consecutive scenes. To fade out: Shoot your scene as usual, then a few seconds before the end, slowly push the variable shutter lever towards the front of the camera (its closed position) as far as it will go. -
Page 18: Pro8Mm Support
2805 West Magnolia Blvd Burbank, CA 91505 U.S.A. For inquires about our award-winning Pro8mm film stocks, Pro8mm transfers (in-house digital telecine with Digibeta and Meta-speed capability), in-house processing, or sales of camera equipment, accessories and rentals, you can look us up on the web at:... - Page 19 15. Max8 Modification: Special Instructions for working in Max8 The Max8 modification pushes the optical system in the Classic camera to its limits. To take full advantage of this system you should remove all filters, even the step up adapter on the front of the 8-64mm lens.
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