Tone2 Nemesis Manual
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Tone2 Nemesis Manual

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Nemesis

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Summary of Contents for Tone2 Nemesis

  • Page 1 Nemesis...
  • Page 2 Under the DMCA, copying and sharing copyrighted materials without a license is illegal, violations to copyright law may carry heavy civil and criminal penalties. Contact If you have any difficulties installing or using Nemesis, please contact us by visiting our website and clicking the Support button. Tone2 website http://www.tone2.com...
  • Page 3 Lukas Jankowski (TTS), Rainer Sauer (rWs), Carl Lofgren (PH), Stephen Krajewski (SK), Allen Somerlot (BB), SupremeJA (SJA), Bryan Lee (XS), Bram van Riel (BvR), Carl Butler (BC) Thanks go to: Anna Krause, family and friends, all sounddesigners & testers, and of course to all Tone2 customers for their continued support.

  • Page 4: Table Of Contents

    Some words about 'FM' and its history............... What advantages does NeoFM synthesis offer............Interface overview ......................... Menu bar........................Oscillator control section.................... Filters.......................... Oscillator display......................Synthesis methods available in Nemesis..............Additive Spectral Editor ......................Spectral modifiers...................... Arpeggiator ............................. StepLFO........................Gate ..............................

  • Page 5: Installation & Authorization Procedure

    2. Install the full version of the plugin. Note: the demo version cannot be unlocked 3. Open your host program 4. Do a plugin rescan in the host if it does not list Nemesis. Detailed instructions on how to perform a rescan can be found in your host's manual 5.

  • Page 6: Manual Installation For Pc

    Nemesis.dll is in. 4. Open your host program. 5. Do a plugin rescan in the host if it does not list Nemesis. Detailed instructions on how to perform a rescan are found in your host's manual. 6. Open Nemesis. Now the normal user interface appears. If this is not the case, close your host and go back to step 3, as most likely you did not copy the keyfile to the right place.

  • Page 7: Welcome - Neofm

    NeoFM is an exclusive new and improved approach to FM synthesis that is extremely powerful and intuitive. Nemesis includes traditional FM synthesis as well as a completely new and improved approach to FM called NeoFM synthesis. It is now easier than ever to get very good sounding results.
  • Page 8 As a rule, the higher the modulation frequency, the more complex your sound will get. One major advantage that Nemesis has to offer is that NeoFM sounds very good with any kind of waveform, whereas most other FM synths are limited to dark sounding sinoids or triangle waves.

  • Page 9: Some Words About 'Fm' And Its History

    Some words about 'FM' and its history From the technical point of view, traditional and conventional 'FM' synths like the DX7 did not do frequency modulation, but rather phase modulation (PM). Here the phase of a carrier oscillator is changed by a modulator oscillator. The advantage of PM is that it is easier to calculate for the chipsets.

  • Page 10: What Advantages Does Neofm Synthesis Offer

    Additive, Formant, Wavetables, Waveshaping, Phase distortion, Sync and Reso synthesis. • Contains 1000 inspiring patches from professional designers. • Nemesis features a large number of exclusive sounds that are not possible with other synthesizers. • Perfect for modern as well as all other music styles.

  • Page 11: Interface Overview

    Interface overview Interface overview The Nemesis interface is split up into several sections: Patch Display The patch display is used to select your preset category, your presets, and it displays the current controller value. Oscillator section The oscillator section contains all oscillator specific controls for OSC1 &...

  • Page 12: Menu Bar

    Menu bar Menu bar The menu bar is used to switch between Nemesis' feature displays: ■ BROWSE displays the Patch Manager ■ SHOP the Shop link found in the Menu bar can be used to shop for / download new presets &...
  • Page 13 ■ switches the display to show the Effects slots. ■ switches the display to show configuration panel. ■ switches the display to show the 1st Modulation Matrix page. ■ switches the display to show the 2nd Modulation Matrix page.

  • Page 14: Oscillator Control Section

    Oscillator control section Oscillator control section Nemesis offers two main oscillator panels, Oscillator1 & Oscillator2. Each Oscillator panel is divided into a Carrier & Modulator oscillator (Oscillator 1: Carrier + Modulator) - (Oscillator 2: Carrier + Modulator) The Carrier and Modulator sections of an oscillator use their own waveform and offer a dedicated Tune, ENV, Filter &...
  • Page 15 ■ Feedb Introduces a feedback signal into the oscillator. Feedback works best with either a sinoid waveform as Carrier or if the Filter C knob is set to a low value. ■ FM keyfollower for the Neo FM knob. When FM key follow is set to a higher positive value and a higher key is played it will result in more frequency modulating (FM) being applied to the sound.

  • Page 16: Filters

    Filters Filters Inside of Nemesis' oscillator section you'll see two knobs labeled Filter C & Filter M. These knobs control the amount of filtering applied to the Carrier oscillator and Modulator oscillator. The filters in Nemesis do not work like classic VA / Subtractive filters. They are innovative 0phase- filters which operate directly on the waveform and are specifically optimized to be used with neoFM synthesis.

  • Page 17: Oscillator Display

    The current synthesis mode (right) Nemesis currently offers no fewer then 22 synthesis modes. Clicking on the current synthesis mode label will open a menu with all available synthesis modes. To switch to another mode, simply select &...
  • Page 18 Synthesis Modes available in Nemesis ○ neoFM Our exclusive and new approach to FM synthesis. The modulator oscillator 'M' changes the frequency of the carrier oscillator 'C'. Special 90dB 0-phase filters damp the oscillators before FM is applied, providing 2 additional dimensions of sound manipulation.
  • Page 19 'Env1' as source and select the modulator pitch as target with 'Pitch M1'. ○ neoFM Winsync neoFM with a completely new and secret approach to syncing, exclusive to Tone2 products. It gives an exciting, resonating sound - especially with combinations of squarewaves. ○...
  • Page 20 ○ FM / PM Conventional phase modulation – often mistakenly called 'FM'. Only sine waves, combinations of sine waves (with a low number of partials) or triangle waves will work well as Modulator waveform. Other, more complex waveforms do not work well with this traditional FM/PM mode.
  • Page 21 ○ PD Saw Applies phase distortion to the waveform of oscillator C. The FM knob controls the amount of PD. When you load a sine wave into Osc C it will morph to a saw as soon as you change the FM level.
  • Page 22 Reso Hollow Creates a hollow sounding resonance sound, which for example can sound like an elephant or an overblown flute. This synthesis method is exclusive to Tone2 only and not available in any other synthesizer. FM controls the formant frequency. The Spectral Editor can be used to create very interesting...
  • Page 23 C it will sound similar to the format oscillators from the classic Yamaha FS1R. However, Nemesis is not limited to just sine waves - it can do formant synthesis with any waveform, which allows the creation of much more complex spectra. FM controls the formant frequency and reso controls the bandwidth of the formant.

  • Page 24: Additive Spectral Editor

    Most conventional additive waveform editors offer no phase control and are limited to 16-64 partials. The additive editor of Nemesis can handle the first 32767 partials of any waveform and you have detailed control over the phase of the waveform. This can make a significant difference in the sound, especially when the oscillator is played at a low frequency.
  • Page 25 Modifier. You can also save your creations to a wave file by selecting 'Export wave' in the waveform selector. Nemesis automatically lists all wav files from the Nemesis_waves folder in the waveform selector, as soon as you load the plugin. On PC, the waveform directory can be found inside of the...

  • Page 26: Spectral Modifiers

    Spectral modifiers Edit – Reset All Completely resets the waveform to a Saw wave. All partials are set to the spectrum of a saw wave and the phases of all partials are set to 0. Spectrum Sine All partials are set to 0 except for the first one. The phases of the partials are not affected by it. Spectrum Square All partials are set to the spectrum of a square wave.
  • Page 27 Phase Shift 50% The phase of all partials is shifted in such a way that the starting point of the waveform is moved 50% forward. The spectrum is not affected by it. While your ear may not notice a change in the sound compared to 0 degrees, it gives a significant difference in combination with Wavetable synthesis or additional, slightly detuned oscillators.
  • Page 28 Phase Sweep -16 The phases of all partials are swept by a value of -16. The spectrum is not affected by it. This Modifier makes a waveform sound laser-like, chirpy, futuristic or artificial, especially when you play the oscillator at a low frequency. Phase Sweep -64 The phases of all partials are swept by a value of -64.
  • Page 29 Cut Odd Sets the volume of all odd partials to 0, which results in squarewave-like sound. This does not affect the phase. Cut Even Sets the volume of all even partials to 0, which results in sawtoothwave-like sound one octave above.
  • Page 30 Noisegate light / medium / heavy Sets the volume of all partials below the threshold to 0, which removes noise from the sound. This does not affect the phase.

  • Page 31: Arpeggiator

    Don’t feel like programming your own patterns? Use one of the built-in patterns or load one of the many external pattern presets to use as a starting point. Working with an arpeggiator should be fun and inspiring. The arpeggiator in Nemesis is as fun and inspiring as it is powerful, flexible, and easy to use...

  • Page 32: Steplfo

    Split Switches the arpeggiator to keyboard split mode. Low keys will use the arp to playback and higher keys will play normally. Stack This mode works together with the Chord option found in the arp menu. It uses the selected chord and lets you play that chord using a single key. Note that all arpeggiator options (note sorting, octave, semi,..) will be ignored in this mode.
  • Page 33 Arpeggiator Octave / Chord menu ■ The Nemesis arpeggiator supports playback over several octaves as well as automatic chords. To make the arpeggiator play over several octaves click on 'Octaves off' and select 2,3,4 or 5 octaves instead. When you select '3 Octaves' it will play C2 C3 C4 as soon as you press the C key. The 'Chord', '5th', and 'Third' modes automatically create chords when you press a single key.
  • Page 34 Chord4: A major or minor chord with 4 notes is generated. The arpeggiator will play C3 E3 G3 C4... Chord6: A major or minor chord with 6 notes is generated. The arpeggiator will play C3 E3 G3 C4 E4 G4... ChordA: A major or minor third chord with 3 notes is generated.
  • Page 35 To set which octave a step should use, click within the 4 octave vertical range of the step. To select semi notes, click-hold & drag the step up or down. Note that Nemesis' value readout display (found below the Patch display, will show you which Octave / Semi note value is selected.
  • Page 36 Note sorting / Play direction / Chord and special commands The 'Arp Order' row is located below the sequencer note grid. This row gives detailed control on how the arpeggiator handles the incoming notes. The 'Arp order' command always refers to the current arpeggiator slot. Play direction commands ■...
  • Page 37 – (two down) Like -, but instead of one it goes two notes down. . (same note again) Repeats the note played in the previous slot. ? (random) Plays a random note +! (classic up: CEG CEG) Like +, but without the 'smart melody' algorithm. In this mode the arpeggiator behaves as in conventional synthesizers.
  • Page 38 -3 (Go down and play a chord with 3 notes) Like - followed by 3 All (Play a chord with all notes) Plays a chord containing all keys that are currently pressed. Special commands ■ SL (start with the lowest note) Forces a resorting of the notes and the lowest note is played.
  • Page 39 Each step is represented by a small slider (value 1-100). By routing the ArpStepLfo and / or Velocity sources to a destination inside of the Modulation Matrix, you can use this to modulate features within Nemesis. For example, you could use the StepLfo to modulate the filter or Neo FM knob.

  • Page 40: Gate

    Gate Gate Nemesis also offers a dedicated Gate section. As with the arpeggiator, we aimed to make this as intuitive and flexible as possible. The Gate section provides advanced features like Contour, Fading, Swing and Shuffle to fine-tune your gate to perfection.
  • Page 41 ■ Contour: Sets the contour shape used to for the Gate. The higher its value the softer the gated signal will be; e.g. a value of zero will use a hard gated volume, whereas a value of 10 will use a more soft faded gate. ■...

  • Page 42: Configuration (Cfg) Display

    Show / Hide keyboard switch and Reset Midi-learn option here. Play Modes ■ Nemesis supports a large number of different and innovative monophonic and polyphonic play-modes. Monophonic Only one voice will be used – similar to old analog synths. If you press a key while a voice is still playing, the volume envelope and oscillators will be soft re-triggered to prevent clicks.
  • Page 43 Legato This is a classic Legato. When you play the first key no gliding will occur. As soon as you press another key the oscillators will glide. The glide knob controls the glide speed of the oscillators. If you set the RET (Re-trigger) option for Env1 or Env2 to off, the Envelope is re-triggered as soon as you play another key.
  • Page 44 Sync to host: The Arpeggiator and Gate are synced-to and follow the host's play position. Show / Hide Keyboard ■ The Show / Hide keyboard is used to hide or show Nemesis' keyboard. Reset Midi-learn ■ Reset Midi-learn clears all midi-learned controls by resetting them to their default unassigned setting.
  • Page 45 Boost modes ■ Nemesis offers several boost modes that will enhance various frequency ranges of the sound. These can be used to enhance bass, high frequencies, or make the sound closer to that of analog-style synths. No Boost: no boost or enhancement.
  • Page 46 Equal temp This is the standard tuning that you know from conventional synthesizers. Every pair of adjacent notes has an identical frequency ratio. Clean This mode makes chords sound cleaner. When a chord is played, the pitch of the single notes is slightly detuned in a smart way.
  • Page 47 Like fat, but with faster interferences. Well suited for chords with a lower pitch. Nemesis sounds very nice with 'Fat1' as microtuning and 2-10% Unison Spread. Also, thirds sound much better when you set the microtuning to use one of the 'Fat' modes.
  • Page 48 The punch modes add a kind of artificial, zapping, percussive and chirping quality to the sound. It's most obvious when you play a saw wave at low frequency, or if you are using volume envelopes with short decay and release times. It masks nonlinearities in speakers &...

  • Page 49: Effects Section

    Effects section Effects section The effects section consists of two effect slots. We spent a great deal of time ensuring that Nemesis featured a suite of high quality FX. No less then 33 effects are available from the effects section, ranging from Reverb, Delay, Chorus, and Phaser, to Tremelo, Vibrato, Distortion, Amp-Simulation, Bitcrush, Degrader and Compressor.
  • Page 50 If you select Duck as effect routing the effect mix is dynamically adjusted with the volume of the voices. A high voice volume will result in a dry mix, while a low voice volume results in a wet mix. Duck6dB reduces the effect mix level by 6dB if you play a voice. It's a good general purpose setting for Reverbs and Delays.

  • Page 51: Effect Types

    Effect Types ■ Reverb Large Mix: Adjust the amount of wet / dry mix. Size: Adjusts the size of the simulated space. Damp: Adjusts the amount of damping applied to high frequencies in the reverberated signal. Swirl: Applies additional modulation to the reverb signal Lowcut: The Lowcut control is used to remove low frequencies from the reverberations.
  • Page 52 ■ Reverb Cheap Mix: Adjust the amount of wet / dry mix. Size: Adjusts the size of the simulated space. Damp: Adjusts the amount of damping applied to high frequencies in the reverberated signal. Feedback: Sets the amount of signal fed back into the reverb's input. Lowcut: The Lowcut control is used to remove low frequencies from the reverberations ■...
  • Page 53 ■ Delay Dual Mix: Adjust the amount of wet / dry mix. Left: Sets the delay time for the left. The delay time is set to either divisions or multiples of your host's tempo. e.g. 2/3 is two thirds of your host's tempo. Right: Sets the delay time for the right.
  • Page 54 ■ Delay Band Mix: Adjust the amount of wet / dry mix. Time: Sets the delay time. The delay time is set to either divisions or multiples of your host's tempo. e.g. 2/3 is two thirds of your host's tempo. Feedback: Sets the amount of delay signal fed back into the delay's input.
  • Page 55 ■ Phaser Mix: Adjust the amount of wet / dry mix. Speed: Controls the LFO speed used to modulate the Phaser frequencies. Depth: Adjusts the modulation depth Stages: selects the number of all-pass poles used by the phaser, 2-pole gives the least affected signal, whereas higher values provide a deeper &...
  • Page 56 ■ Vibrato Mix: Adjust the amount of wet / dry mix. Speed: Adjusts the LFO speed used to pitch modulate. Depth: Adjusts the intensity of pitch modulation. ■ Vibrato Stereo Mix: Adjust the amount of wet / dry mix. Speed: Adjusts the LFO speed used to pitch modulate. Depth: Adjusts the intensity of pitch modulation.
  • Page 57 ■ EQ Low Cut Mix: Adjust the amount of wet / dry mix. Cutoff: Controls the cutoff frequency. ■ EQ High Cut Mix: Adjust the amount of wet / dry mix. Cutoff: Controls the cutoff frequency. ■ EQ Param Mix: Adjust the amount of wet / dry mix. Cutoff: Controls the cutoff frequency.
  • Page 58 ■ Bitcrush Mix: Adjust the amount of wet / dry mix. Bits: Sets the bit rate (between 1 and 12 bits). ■ Degrader Mix: Adjust the amount of wet / dry mix. Samplerate: Controls how often the digital conversion samples the input signal. ■...

  • Page 59: Envelope Section

    Envelope section Envelope section Nemesis offers two auxiliary envelopes called ENV1 & ENV2. These aux. Envs. can be used to control various parameters by assigning them through the modulation matrix. Both envelopes include the option to run in Retrigger or Freerun mode and they also offer a Shape knob with which to edit the envelope's shape.
  • Page 60 The 'RET' button in the envelope section switches between different retrigger modes, which adds a lot of expression to the sounds. For dynamically evolving Pads switch it to 'off'. Shape Used to edit the shape used by the envelope.

  • Page 61: Lfos

    LFOs LFOs There are two LFO's available within Nemesis. Both are freely assignable from within the modulation matrix and can be used for basically anything, from modulating FM Morph to modulating oscillator pitch. LFO waveform button – This cycles the waveform for the LFO to be used. The available waveforms are: ○...

  • Page 62: Modulation Matrix

    Modulation Matrix Modulation Matrix The MOD MATRIX or Modulation Matrix is a system that allows you to flexibly assign different modulators (such as LFOs or envelopes) to different destinations (such as the filter, amplifier or even other modulators). There are two modulation matrix pages available, each page offering 6 different assignable modulation slots.

  • Page 63: Source Menu

    Source menu Default matrix source is set to off Volume Env The Volume envelope will be used as modulation source Env1 Envelope1 envelope will be used as modulation source Env2 Envelope2 will be used as modulation source LFO1+- LFO1 in bipolar mode as modulation source, this uses LFO1's negative and positive values LFO2+- LFO2 in bipolar mode as modulation source, this uses LFO1's negative and positive...
  • Page 64 WhiteNoise Uses white noise as modulation source PinkNoise Uses pink noise as modulation source Uses the played note value as modulation source Velocity+ Uses the positive Velocity values to modulate Velocity+- Uses both the positive and negative Velocity values to modulate Modwheel Uses the Modulation Wheel as modulation source Pitchwheel Uses the Pitch Wheel as modulation source to modulate...

  • Page 65: Destination Menu

    Destination menu The default selection; no modulation destination is selected Volume Selects the Master Volume control as destination Selects the Master Panning control as destination Spread Selects the Unison Spread control as modulation destination Stereo Selects the Stereo control as modulation destination Selects the oscillator 1 FM Morph Control as modulation destination Selects the oscillator 2 FM Morph Control as modulation destination Feedback 1 Selects the oscillator 1 Feedback control as modulation destination...
  • Page 66 Fine Selects the Master Fine control as destination Fine C1 Selects OSC1's Carrier Fine control as destination Fine C2 Selects OSC2s Carrier Fine control as destination Fine M1 Selects OSC1's Modulator Fine control as destination Fine M2 Selects OSC2's Modulator Fine control as destination Detune 1 Selects OSC1's Detune control as destination Detune 2...
  • Page 67 Vol A Selects the Volume Envelope's Attack control as destination Vol D Selects the Volume Envelope's Decay control as destination Vol S Selects the Volume Envelope's Sustain control as destination Vol R Selects the Volume Envelope's Release control as destination Env1 A Selects the Auxiliary1 Envelope's Attack control as destination Env1 D...

  • Page 68: Midi-Learn

    Midi CC to this control. Click on Yes. • Turn the knob on your midi keyboard you want assigned to this control and Nemesis will automatically Midi-learn the correct Midi CC.

  • Page 69: Modulation Matrix: Value Modifiers

    LFO1>Filter C1 Modulation Matrix option we'll use a modifier to get a smoother result: 1. The first thing to do is to set up our LFO settings; go into Nemesis' LFO section and set LFO1 to use the following settings: Wavetype: Square, BPM: On and Frequency: 2BPM.
  • Page 70 In another slot select 'Filter(X)' as source and for destination use pitch, set the send level to 20% to 50%. The send level for this slot controls the smoothing amount. Tone2 Audiosoftware Catalog Be sure to take a look at some of our other effect & synthesizer plugins, the following pages will provide a short overview of part of our product line.
  • Page 71 Rayblaster: Impulse Modelling synthesizer RayBlaster - a radically new form of synthesis! Impulse Modelling Synthesis (IMS) is far more than a marketing buzzword - it represents a radically new and different approach in sound generation. What is Impulse Modeling Synthesis ? Offering a new world of high quality sounds and limitless creative potential for all styles of music,IMS goes well beyond traditional forms of synthesis.
  • Page 72 Resynthesis allows easy import & manipulation of your own sounds • Huge sonic range and very flexible • Easy to use & fun to play • Over 500 ready-to-use sounds created by professional designers • Psychoacoustic processing • Expandability • Fair price • For more information: http://tone2.com/html/rayblaster_synthesizer_vst_au.html...
  • Page 73 Saurus Analog Synthesizer True analog sound with state of art functionality! Saurus takes the high regarded analog sound from the past into the unlimited digital realm, fusing them together with a user interface that invites to tweak and a multitude of unique sound sculpting tools exclusive to Saurus.
  • Page 74 Flexible Modulation Matrix with new features, including a filter • Programmable gate • 4x Stereo Unison modes with spread and panning control • Analog modeled Distortion and Tube amp • Optional Psycho-Acoustic processing • High-end quality Effects • For more information: http://tone2.com/html/saurus_synthesizer__vst_au.html...
  • Page 75 ElectraX synthesizer ElectraX! Explore the vast musical universe of multi-synthesis oscillators, analog modeled filters, chaotic fractals, samples, psychoacoustic processing, flexible modulation and an immense sonic range. Combine multiple polyphonic or monophonic synthesizers and 13 different synthesis methods to create incredible results while the well-designed preset management system provides access to a large library of sounds carefully crafted by professional designers.
  • Page 76 Customizable user interface with 4 skins • Expandability • Standalone version for PC • Flexible preset management • Features per synthesizer (4 synthesizers available) Several playmodes: Monophonic, legato, polyphonic, glide • 3 multi-synthesis oscillators • Dual multimode filters • Dual multimode distortion/waveshaper •...
  • Page 77 • Exclusive fractal filters • For more information: http://tone2.com/html/electrax_synthesizer__vst_au.html Gladiator2 Synthesizer The award winning Gladiator gives you a groundbreaking approach to sound generation. Its exclusive HCM synthesis technique covers new and unique aural territory, only possible with Gladiator. The innovative synthesis, design and unmatched sound quality, make this not only the perfect instrument, but also the best virtual synthesizer and go-to instrument for all those looking for the ultimate creative tool.
  • Page 78 Synthesis types supported by Gladiator 2 are: Tone2's award winning Harmonic Content Morphing synthesis (HCM) • Frequency Modulation (FM) & Amplitude Modulation (AM) • Pulse Width Modulation (PWM) • Analog osciallators • Resynthesized instruments • Vocoder sounds • Oscillator sync •...
  • Page 79 1135 professional preset sounds included • For more information: http://tone2.com/html/gladiator_2_vsti_au_synthesize.htm Warmverb Multi Effect Warmverb is a multi-effect unit which gives you the flexibility to create unique sounding custom effects with a mouse click. Not only can it do classic effects with pristine sound quality - it can do...
  • Page 80 • Rotary • Dolby Prologic II surround encoding • Tremelo • Autopanning • Stereo enhancing • Stereoizer • Equalizer • Ringmod • Trancegate • Early reflections (3 different types) • Pitch shifter • Feedback module • For more information: http://www.tone2.com/html/warmverb_vst_au_effect_synthes.html...
  • Page 81 AkustiX Enhancer Effect Tone2 AkustiX is a collection of six essential enhancement tools combined into one intuitive user interface. Ideal for tracks as well as full mixes AkustiX features six powerful effects: Psycho EQ, Ultra Stereo, Phase Enhance, Multi Exciter, Smart Filter and Stereo Width. Each effect is based on the latest developments in research and offers multiple ways to enhance the sound of your recordings drastically by using psycho-acoustic processing.
  • Page 82 Filterbank 3 Effect Tone2 FilterBank3 is more than an analog modeled filter plugin - it is a complete VST synthesizer and a flexible multi-effect unit. The modular design and flexible modulation routing give you nearly unlimited possibilities. With self-oscillating filters, oscillators and feedback it can create complete sequences and textures.

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