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Radel Saarang Ranjani +5 Operation Manual page 2

Digital tanpura

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approx.1 kg) and safe ABS plastic cabinet. It can be directly operated on any
voltage from 90V -260V AC or on a set of batteries (uses six AA size batteries of
1.5V each). It automatically switches over to batteries (DC) on failure of mains
power (AC). A line-out socket and speaker/headphone socket of (1/8" each) are
provided.
CAUTION:
1. Provide a gap of at least 10 seconds between switching OFF and ON the
product.
2. Avoid using the product close to other electronic equipment such as mobile /
cordless phones,
pagers etc.
OPERATING INSTRUCTIONS: Insert the mains cord provided, into the socket at
the rear of the instrument. Plug the mains cord into a standard wall power outlet.
Switch ON the product by pressing the power button. Note: It has SMPS facility
due to which it can be operated directly on any voltage from 90V-260V AC.
VOLUME(VOL): To adjust the volume press ▲ or ▼ button either step by step or
continuously.
PITCH SELECTION: Press the ▲ or ▼ button (PITCH) to change the pitch to any
standard setting in steps of half-notes such as C, C#(shown as C.) etc. Please
refer to the pitch reference chart at the bottom of the product for pitch references
in the Indian systems. The display will show the selected pitch.
FINE TUNING: For fine tuning close to a standard pitch setting, press MODE key
once. The display will now start blinking to confirm that the product is in fine
tuning mode. Now press ▲ or ▼ button to either increase or decrease the pitch in
micro-steps.
TEMPO SETTING: Pressing MODE button twice from the NORMAL mode (or
once from the fine tuning mode) puts the product in the tempo setting mode. The
display now indicates 't'. Press the ▲ or ▼ button repeatedly to increase or
decrease the plucking tempo (speed).
TONE: To get bass/treble sound, 'TONE' adjustment is provided. Tone can be
altered by pressing the ▲ and ▼ button step by step or continuously.
PLUCK STYLES: Two pluck styles are provided in the instrument. One style has
a pause after the PA note and constitutes a cycle of six counts. This style is
popular among the South Indian musicians. The other style does not have the
pause after PA and this style is popular among the North Indian musicians. To

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