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NORD MODULAR V3.0
P P P P
I I I I T T T T C C C C H H H H M M M M O O O O D D D D U U U U L L L L A A A A T T T T I I I I O O O O N N N N I I I I N N N N P P P P U U U U T T T T S S S S
There are two red modulation inputs for modulating the oscillator pitch on this module. The modulation
amount is attenuated with the rotary knob next to each input. See
more info.
FMA
FMA
FMA
FMA
M M M M O O O O D D D D U U U U L L L L A A A A T T T T I I I I O O O O N N N N I I I I N N N N P P P P U U U U T T T T
A red modulation input where a signal will affect the frequency of the oscillator. The FM amount is at-
tenuated with the rotary knob next to the input. See
info.
S S S S
Y Y Y Y N N N N C C C C I I I I N N N N P P P P U U U U T T T T
This red input is used for synchronizing the oscillator to a control source, which could be another oscil-
lator, an LFO or the keyboard. Synchronization forces the oscillator to restart its waveform cycle, in sync
with the waveform cycle of the controlling device. The oscillator will restart whenever a signal present at
the sync input increases from 0 units to anything above 0 units.
The pitch of the controlling oscillator will interact with the controlled oscillator pitch. For a traditional
synthesizer sync-sound, start with the two oscillators to the same pitch and connect only the sync-con-
trolled oscillator to an output. Turning the tuning knob or modulating the pitch of the sync-controlled
oscillator will produce radical changes in the timbre. See
PW
PW
PW
PW
I I I I D D D D T T T T H H H H
Sets the initial width of the two sections of a Pulse waveform period. The range is from 1% to 99%. Click
on the triangle above the knob to reset the initial pulse width to 50%, which is the preset value.
P P P P
W W W W
U U U U L L L L S S S S E E E E
I I I I D D D D T T T T H H H H M M M M O O O O D D D D U U U U L L L L A A A A T T T T I I I I O O O O N N N N I I I I N N N N P P P P U U U U T T T T
This is a red input for controlling the width of a Pulse waveform with a modulator, starting at the initial
width you have set with the Pulse Width control. The modulation amount is determined by the rotary
knob next to the input. See
W W W W
A A A A V V V V E E E E F F F F O O O O R R R R M M M M S S S S E E E E L L L L E E E E C C C C T T T T O O O O R R R R S S S S
Selects one of the four available waveforms.
M M M M
Click on this button to mute the audio output of the oscillator.
O O O O
U U U U T T T T P P P P U U U U T T T T
Signal: Bipolar.
[A
[A
T T T T
[A
[A
T T T T T T T T E E E E N N N N U U U U A A A A T T T T O O O O R R R R
[A
[A
T T T T
[A
[A
T T T T T T T T E E E E N N N N U U U U A A A A T T T T O O O O R R R R
Y Y Y Y P P P P E E E E
"Frequency modulation (FM)" on page 35
[A
[A
[A
[A
T T T T T T T T E E E E N N N N U U U U A A A A T T T T O O O O R R R R
page 33
for modulation examples.
7. Module reference: Oscillator group
II]
II]
II]
II]
Y Y Y Y P P P P E E E E
"Pitch modulation" on page 34
II]
II]
II]
II]
"Sync" on page 35
for more information.
T T T T
I] I] I] I]
Y Y Y Y P P P P E E E E
for
for more
Page 101
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