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Yamaha FM Synthesis Manual page 7

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pitch course, this is referred to as
.
PITCH EG
envelope generators, basic building blocks of sound synthesis
Envelope generators are among the essential elements for sound
design in a synthesizer. With these tools it is possible to program
sounds that exhibit a specifc dynamic timbre . The beginning of a
sound can thus be given a completely diferent character than for
example the end of that sound.
expression: the 'kneaded' sound
When playing a acoustic musical instrument, we often have the sound
literally in hand. We can, for example hitting a string on a guitar, soft
or hard. The fnger that shortens a violin string can slightly move in
the longitudinal axis of the string in order to achieve a tone with
vibrato. With wind instruments literally breath gives expressive life to
the sound.
breathing and muscle actions
The player actions on an acoustic instrument can be considered as a
low-frequency modulating control of the carrier oscillation, the tone,
the sound of the instrument.
external fne structure modulation
The subtle low frequency tone variations obtained in this way are of
utmost importance for the vitality and quality of sound perception.
This sophisticated modulation is known as external fne structure
modulation (Tempelaars), because they are externally realized by the
player.
internal fne structure modulation
Dissimilar sophisticated modulations in which the player has no
infuence are common in acoustic instruments. They stem from and
are embedded in the physical model of the instrument. This
modulation is known as internal fne structure modulation
(Tempelaars).
FM Synthesis I, global and simple, © Ernst Bonis 1985/1993/2013
7

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