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Introduction to the Ampex 350-2, Revision 1.1
Unlike later stereo Ampex recorders (such as the 351-2 and later machines), the 350-2 stereo machines
used full-track erase heads and a unique bias-coupling arrangement between master and slave electronics.
The master electronics was essentially unchanged from 1953 to 1957 (the years when the mono 350 and
the stereo 350-2 were produced) but there were various issues of the 350-2 slave electronics (including
early ones with a bias buffer amplifier and later ones without this buffer amp).
Keep in mind that no factory-issued Ampex 350-2 recorders had independent bias oscillator linked
together (as did the later 351-2 and AG-350-2 recorders). But many technicians in the 1950s, 1960s, and
1970s made their own 350-2 recorders by taking two 350 master electronics and coupling the two bias
oscillators together (normally such modified machines will have a stereo erase head). This works well if
done correctly. One method was to tie the two bias-oscillator grids together; this was often done with a
two-conductor (plus shield) cable going from one master electronics to the other.
Note also that the early multichannel mastering recorders (such as the 300-3 and 300-4) used the 300
transport but with 350 mono slave units and a special master bias oscillator (built in on a chassis the same
size as a 350 power supply) that was not used in 350-2 stereo recorders.
Unless you understand the unique bias-coupling arrangement of the 350-2, setup will be very confusing
because there is no erase current meter indication on the master unit (because the erase head is plugged
into the slave, not the master).
Identifying master and slave units
The master unit has the ac mains input connector, two fuse holders, and normally a female 4-pin Cinch-
Jones transport power connector. Typical catalog numbers are 5701 or 5701-1.
The slave unit has a blank plate instead of the mains input connector. It has one fuse holder and normally
a male 4-pin Cinch-Jones connector. Catalog numbers for slave electronics varied and are often different
than those shown in documentation. Early 350 slaves have a single-ended bias buffer amplifier using a
6F6 tube (in place of the 6SN7 used in the master); later slaves do not have a bias buffer amp and will
have a blank plate at this chassis location.
Sometimes you will find a slave unit with a push-pull bias-buffer amplifier (used to reduce bias
distortion). These units use a 6SN7 bias buffer tube and can be identified by the presence of two toroidal
transformers under the chassis. This 350 slave was generally only used with 300-3 or 300-4 recorders—
and only then until these recorders were supplied with special versions of the Ampex 351 slave
electronics (typically catalog 30960-11) around 1958.
There is a special power interconnect cable (used only with 350-2 setups) with two female Cinch-Jones
connectors (one for the 350 transport and the other for the slave electronics) and a male Cinch-Jones
connector for the master electronics.
Note that very late model 350-2 electronics used a 6-pin transport interconnect cable but these are rather
uncommon.
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Prepared by David Dintenfass, Full-Track Productions, Seattle, Washington © 2020 by David Dintenfass
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Summary of Contents for Ampex 350-2

  • Page 1 Keep in mind that no factory-issued Ampex 350-2 recorders had independent bias oscillator linked together (as did the later 351-2 and AG-350-2 recorders). But many technicians in the 1950s, 1960s, and 1970s made their own 350-2 recorders by taking two 350 master electronics and coupling the two bias oscillators together (normally such modified machines will have a stereo erase head).
  • Page 2: Cable Connections

    Cable connections Note that these connections apply only to the model Ampex 350-2. 1. Connect playback head cables (3-pin connectors) to LEFT (master) and RIGHT (slave) electronics. 2. Connect record head cables (2-pin connectors) to LEFT (master) and RIGHT (slave) electronics.
  • Page 3 Therefore, do not the adjust the erase unless the VU meter indication of erase current deviates more than 1 dB from 0 VU. For the 350-2, the erase current trimmer (C438) is on top of the chassis on the LEFT (master) electronics—this is because the bias oscillator is in the master electronics even though it is routed to the slave electronics to power the full-track erase head.
  • Page 4: Bias Adjustment

    3. Set the equalization switch to HIGH. 4. Connect an audio oscillator to the line input XLR (normally Pin 3 is hot on the Ampex 350 unless later rewired Pin 2 hot) and connect the oscillator output (if unbalanced) to Pin 3 and the oscillator ground to Ampex 350 input pins 1 and 2.
  • Page 5 Record Level Meter Calibration 1. On the LEFT (master) electronics, move the playback level control so that the pointer on the knob lines up with the dot you marked earlier (see Step 7 in Playback Alignment). 2. Set the Meter and Output Switch to the PLAYBACK LEVEL and set the oscillator to 500 Hz and put the machine in record mode.
  • Page 6 This procedure is not required for electronics that have been properly upgraded to remove the now- obsolete noise-balance circuit. The noise-balance circuit was used in the Ampex 300 and 350 recorders to compensate for the leaky 1 uF / 400Vdc metalized paper capacitors used to couple the audio signal to the record head.
  • Page 7 Background In the Ampex 300, 400, and 350 electronics, the record signal is coupled to the record head through a 1 uF / 400 volt metalized paper capacitor. Until the late 1950s, Ampex used metalized paper coupling capacitors since they had gen- erally good performance and were small enough to fit under the typical electronics chassis of that era.
  • Page 8 Connect terminal A of the record-head connector to chassis ground (this terminal was formerly connected to the positive side of C112 and the wiper of R117 (50K pot). Removing Record-Noise Balance circuit from Ampex 300, 400, and 350 recorders / 2018 August 10...
  • Page 9 Ampex 400 series and Ampex 350 noise-balance removal The Ampex 400 (half-track mono) and 401 (full-track mono) were very early one-case portable recorders that used a transport with mechanical controls. The later 400A (half-track mono) and 401A (full-track mono) recorders were also one-case portable recorders but with an improved transport with solenoid-operated controls.
  • Page 10 Total pages Problem Ampex 300, 400, and 350 (and very early 351) record electronics used a 20 mH air-core inductor to form a resonant circuit used to provide the additional high-frequency boost required when using older types of magnetic tapes.
  • Page 11 Note that L101 was only installed on older Ampex 300 electronics. The following is excerpted from Ampex service bulletin 9-04 / 25 June 1959; you may also want to perform the other modifications listed.
  • Page 12 On the model 402 and 403, L401 is mounted on rear of front panel (between input level pot and equalization switch). L401 (Ampex 400, 400A, 401, 401A) L401 (Ampex 402 and 403) Removing the high-frequency record boost from early Ampex recorders / 2018 Aug 2...
  • Page 13 Disconnect or remove L401 (mounted on rear of front panel between input level pot and equalization switch). This disconnects C425 and C426 which are effectively removed from the circuit. L401 Removing the high-frequency record boost from early Ampex recorders / 2018 Aug 2...
  • Page 14 Ampex 351 (early versions) Carefully remove 1L-1 (mounted on the record board). This disconnects 1-C11 and 1C-12 which are effectively removed from the circuit. Removing the high-frequency record boost from early Ampex recorders / 2018 Aug 2...
  • Page 15: Required Equipment

    Replacing capstan idler core for Ampex 300-, 35x-, and 440-series recorders Bulletin Date 2018 Dec 21 Revision Total pages Overview New-manufacture capstan idler cores are now available from Full-Track Productions. This bulletin explains how to install the new core using parts transferred from your old capstan idler assembly.
  • Page 16 5 pounds of pinch pressure on a transport pulling quarter- inch tape may cause excessive wear on the upper capstan-motor bearing. Replacing capstan idler core for Ampex 300-, 35x-, and 440-series recorders / 2018 Dec 21 / Rev 2...
  • Page 17: Required Parts

    Background Modern tape formulations have improved high-frequency response; consequently, the 15 ips NAB record equalization as implemented in the Ampex 350 record/play electronics now has too much high-frequency boost on record and cannot be adjusted for flat response. There is no need to modify the 7.5 ips NAB record circuit as C406 should have enough adjust- ment range to set the record equalization properly during routine alignment.
  • Page 18 Part 1: Disconnect the record resonance circuit The Ampex 350 was introduced in 1953. At that time, the predominant magnetic recording tape used in North America was 3M “Scotch” 111; this tape had a high-frequency droop in its record response that could not be corrected with a simple R-C equalizer.
  • Page 19 (18 to 22-gauge stranded insulated wire is fine). Move the red wire to the junction of the two trimmer capacitors. Ampex 350 15 in/s NAB recording equalization, 15 Sept 05 (revised 5 Jan 2012)
  • Page 20 Then reassemble carefully. Reset the record equalization as described in Part 3. Acknowledgments Full-Track Productions would like to thank Jay McKnight, Magnetic Reference Laboratory and Kurt Greske, Ampex 350 15 in/s NAB recording equalization, 15 Sept 05 (revised 5 Jan 2012)