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PRAS EQ Suggested Equalization Control Settings
— The following tables outline common Receive Audio Issues, and
provide suggested equalization control settings for each of these
issues.
— Every suggested solution is relative to the suggested Initial Set-
tings. Please start your setup with the suggested Initial Settings ta-
ble, and adjust your PRAS EQ for each receive audio issue relative
to these starting settings.
— For each suggested solution, adjust the equalization controls in
the suggested order [(1), (2), (3)]. Each subsequent adjustment will
— The following tables outline common Receive Audio Issues, and provide suggested
be relative to the adjustment before it. Therefore, you might find
equalization control settings for each of these issues.
that only one or two suggested adjustments are necessary in some
— Every suggested solution is relative to the suggested Initial Settings. Please start your setup
instances.
with the suggested Initial Settings table, and adjust your PRAS for each receive audio issue
relative to these starting settings.
— For each suggested solution, adjust the equalization controls in the suggested order [(1), (2),
— Each suggested solution is just a starting point for common re-
(3)]. Each subsequent adjustment will be relative to the adjustment before it. Therefore, you
ceive audio issues. Adjust the equalization controls up or down
might find that only one or two suggested adjustments are necessary in some instances.
thereafter depending on the characteristics of your receive audio
— Each suggested solution is just a starting point for common receive audio issues. Adjust the
equalization controls up or down thereafter depending on the characteristics of your receive
signal and your personal preferences.
audio signal and your personal preferences.
Initial Settings
Receive Audio Issues
Poor articulation,
Speech clarity
Boomy, bassy, muddy
Harsh, noisy, static
Thin, weak
Signal overload
(Overload LED on, or
VU meter in red)
[Adjust EQ after
decreasing input level]
PRAS Suggested Equalization Control Settings
HIGH
12 o'clock
HIGH
(2)
Increase level
(2 o'clock)
(2)
Increase level
(3 o'clock)
(1)
Decrease level
(10 o'clock)
(3)
Decrease level
(if necessary)
(3)
Decrease level
(if necessary)
MID
Level: 2.5 kHz mark
Mid gain: 12 o'clock
MID
(1)
Increase level
(2.5 kHz - 4 kHz range)
Increase Mid gain
(3 o'clock)
(3)
Increase level
(2.5 kHz - 4 kHz range)
Increase Mid gain
(if necessary)
(3)
Decrease level
(1 kHz - 2 kHz range)
Decrease Mid gain
(if necessary)
(2)
Increase Mid gain
(2 o'clock)
Increase level
(if necessary)
(2)
Decrease Mid gain
(10 o'clock)
Decrease level
(if necessary)
LOW
12 o'clock
LOW
(3)
Decrease level
(10 o'clock)
(1)
Decrease level
(8 o'clock)
(2)
Increase level
(2 o'clock)
(1)
Increase level
(3 o'clock)
(1)
Decrease level
(8 o'clock)
2
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