1. Safety instructions • All modifications to the device will void the warranty. • Repairs are to carry out by skilled personnel only. • Use only fuses of the same type and original parts as spare parts. • Protect the unit from rain and humidity to avoid fire and electric shocks. •...
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Hearing To avoid hearing damage, no sound system should be operated at high volume. This also applies to monitoring systems that are in the vicinity of the ear, headphones and In-Ear-Monitor-Systems. Important: Damages caused by the disregard of this user manual are not subject to warranty.
2. Mono Input Channel 1.MIC Input The MIC input accepts XLR-type connectors and is designed to suit a wide range of balanced or unbalanced signals. Professional dynamics, condenser or ribbon mics are best, because these will be low impedance. You can use low cost high-impedance mics, but level of background noise will be higher.
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5. Equalizer The EQ allows fine manipulation of the sound. This is useful in live applications where the original signal is often far from ideal. Slight boosting or cutting of particular voice frequencies can really make a difference. There are three sections giving the sort of control usually only found on much larger mixers.
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10.SOLO When the latching SOLO switch is pressed, the pre-fade, pre-mute signal is fed to the headphones, control room output and meters, where it replaces the mix. The SOLO LED on the master sections illuminates to warn that a SOLO is active. This is a useful way of listening to any required input signal without interrupting the main mix.
3. Stereo Input Channels 1.Monitor Outputs These are balanced jack sockets. 2.AUX OUT (1&2) These are balanced jack sockets for AUX 1&2. 3.Stereoeingänge These are balanced TRS jack sockets. 4.GAIN The Gain controls the level of the channel signal. 5.Equalizer HF: Turn to the right to boost high (treble) frequencies above 12kHz (Cymbals, vocals, electronic instruments) by up to 15dB.
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10.SOLO When the latching SOLO switch is pressed, the pre-fade, pre-mute signal is fed to the headphones, control room output and meters, where it replaces the mix. The SOLO LED on the master sections illuminates to warn that a SOLO is active. This is a useful way of listening to any required input signal without interrupting the main mix.
4. Master Section 1.und 2. MIX OUTPUTS & INSERTS The Mix L and R outputs are balanced XLR outputs. The MIX Inserts are unbalanced sockets. 3.PLAYBACK IN The two phone sockets are unbalanced L and R line-level inputs, used for connecting a recording device. 4.REC OUT These are two outputs to connect a recording device.
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10.REPEAT This is used for adjusting frequency of echo repeat. Since too much echo repeat may cause a howl. Please adjust frequency properly. 11.und 12.AUX1;AUX2 OUT This socket sends out the signal from AUX bus. 13.EFF/RETURN This is used for adjusting volume of echo sound when connecting sound to return jack.
5. Technical data Frquency response MIC/Line input to any output +/- 20Hz bis 20kHz MIC sensitivity +30dBu-+20dBu < 0,008% bei 1kHz @all outputs Noise MIC input (Max. Gain, measured -128dBu 22Hz) Crosstalk <90dB 20Hz to 10HZ; <80dB 10kHz to Channel mute 20kHz <90dB 20Hz to 10HZ;...
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