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6. SOLO SYNTH – A fuzz-synth preset where a synth oscillator and a fuzz
square wave guitar are combined to create one single extreme synth tone!
CTRL 1 is a tone control. CTRL 2 selects between 4 octaves.
7. MOOD BASS – The Mini Moog
this preset. MOOD BASS works best when played monophonically. CTRL 1
adjusts the sweep time of a downward filter sweep. CTRL 2 chooses
between 3 octaves.
8. STRING SYNTH – Our emulation of an ARP
control. CTRL 2 sets filter sweep attack time.
9. POLY VI – Inspired by the Korg
sets modulation depth.
Buffered bypass
Input impedance: 1M
Output impedance (for both output jacks): 500
Current draw: 100mA
TIPS ON GETTING OPTIMUM PERFORMANCE FROM THE SYNTH9
1. The SYNTH9 is generally best used as the first pedal in an effects chain.
Place modulation, delay, and reverb effects after the SYNTH9. The unit will
not perform well if placed in the effects loop of a guitar amp.
2. For optimal playability, set the guitar's pickup selector to the bridge pickup
and turn the volume knob all the way up ("10").
3. Avoid placing a distortion or overdrive in front of the SYNTH9, which could
muddy up the input signal and cause the tracking to be unstable. If you
want to add overdrive or distortion, place it after the SYNTH9.
4. The SYNTH9 has a built in compressor that is active on the synth sounds at
all times. We recommend you do not insert another compressor into your
signal chain while the SYNTH9 is in effect mode.
5. The usable tracking range on the SYNTH9 extends up to about the 23rd fret
on the high-E of a standard guitar and down to the open A-string on a bass
guitar. The SYNTH9 sounds equally good on bass as it does guitar.
Korg and Arp are registered trademarks of Korg Inc.
Moog is a registered trademark of Moog Music.
Oberheim is a registered trademark of Music Corp. IP Ltd.
Sequential is a registered trademark of Dave Smith Instruments.
NOTES AND SPECIFICATIONS
®
and Taurus pedals served as inspiration for
®
string synth. CTRL 1 is a tone
®
Polysix. CTRL 1 is a tone control. CTRL 2
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