33. Amplifier Diagram NOTE: Due to the nature of the analog circuits used in the XS, the unit should be turned on for at least 20 minutes before the testing and calibration procedure is performed. This allows the circuits to reach their typical operating temperature, and will provide a much more accurate results.
Step 1, Calibrating the V/Oct CV OUTPUT: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the CV OUT jack to a voltmeter (positive terminal will connect to the tip, ground terminal will connect to the shield of the connector).
Step 2, Calibrating the Scale of Oscillator A: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE A output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector).
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Step 2, Oscillator A Scale Calibration: Playing C1 on MIDI keyboard Playing C2 on MIDI keyboard Playing C3 on MIDI keyboard Playing C4 on MIDI keyboard Playing C5 on MIDI keyboard Playing C6 on MIDI keyboard...
Step 3, Calibrating the Octave Control of Oscillator A: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE A output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector).
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Step 3, Oscillator A Octave Calibration: Octave control set to 0 Octave control set to 1 Octave control set to 2 Octave control set to 3 Octave control set to 4...
Step 4, Setting the Overall Pitch of Oscillator A: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE A output jack to a digital frequency counter (probe will connect to the tip, ground terminal will connect to the shield of the connector).
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Step 4, Oscillator A Overall Pitch Calibration: Playing note C1 on MIDI keyboard, and Octave switch set for 0, tune oscillator to produce 32.703 Hz...
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Step 5, Calibrating the Pulse Width Duration of Oscillator A’s Square Wave: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE A output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector).
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Step 5, Oscillator A Pulse Width Calibration: Square wave with approximately a 50% duty cycle...
Step 6, Calibrating the Scale of Oscillator B: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE B output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector).
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Step 6, Oscillator B Scale Calibration: Playing C1 on MIDI keyboard Playing C2 on MIDI keyboard Playing C3 on MIDI keyboard Playing C4 on MIDI keyboard Playing C5 on MIDI keyboard Playing C6 on MIDI keyboard...
Step 7, Calibrating the Octave Control of Oscillator B: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE B output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector).
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Step 7, Oscillator B Octave Calibration: Octave control set to 0 Octave control set to 1 Octave control set to 2 Octave control set to 3 Octave control set to 4 Octave control set to 5...
Step 8, Setting the Overall Pitch of Oscillator B: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE B output jack to a digital frequency counter (probe will connect to the tip, ground terminal will connect to the shield of the connector).
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Step 8, Oscillator B Overall Pitch Calibration: Playing note C1 on MIDI keyboard, and Octave switch set for 0, tune oscillator to produce 32.703 Hz...
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Step 9, Calibrating the Pulse Width Duration of Oscillator B’s Square Wave: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE B output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector).
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Step 9, Oscillator B Pulse Width Calibration: Square wave with approximately a 50% duty cycle TESTING THE PULSE WIDTH MODULATION FOR OSCILLATOR B Using the same settings, set the PWM control fully clockwise, and the PW MOD control to the MANUAL setting. You should see the square wave create a pulse width similar to that shown here.
Step 10, Calibrating Oscillator B’s Triangle Wave Shape: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE B output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector).
Step 11, Calibrating Oscillator B’s Sine Wave Shape: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the WAVE B output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector).
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Step 11, Oscillator B Sine Wave Shape Calibration: Nice symmetrical sine waveform...
Next using another 1/4” cable, connect the WAVE B output jack to the AUDIO IN jack on the XS. Switch the WAVE C control to its “ext” setting and adjust the oscillo- scope to display 1 period of the waveform across the horizontal width of the display.
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Step 12, WAVE C Ring Modulator Calibration: First adjust for minimum amount of signal with TR13 WAVE C when set to EXT, and WAVE B is connected Sine wave doubling in frequency when WAVE C is in to the AUDIO IN jack the RING setting...
Step 13, Calibrating Envelope 1: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, fully insert one end into the ENV1 +/- output jack and connect the other end to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector). Controls shown in red must be set to the settings as indi- cated.
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Step 13, Envelope 1 Calibration: Note the lowest portion of the positive polarity When looking at the negative polarity envelope make And set this as your reference sure it’s lowest portion lines up with your reference...
Step 14, Calibrating the Filter Pitch Tracking: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the FILTER OUT output jack to an oscilloscope (probe will con- nect to the tip, ground terminal will connect to the shield of the connector). Controls shown in red must be set to the settings as indicated.
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Step 14, Filter Pitch Tracking Calibration: Playing note C1 on MIDI keyboard Playing note C2 on MIDI keyboard Playing note C3 on MIDI keyboard...
Step 15, Calibrating the Filter Cutoff Range: Using a 1/4” cable, connect the FILTER OUT output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector). Controls shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure. Set the CUTOFF control in the Filter section to the 9 O’clock position.
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Step 15, Filter Cutoff Range Calibration: Cutoff frequency at the 9 O’clock position Cutoff frequency turned fully clockwise...
Step 16, Calibrating the Overdrive Noise Gate: Using a 1/4” cable, connect the FILTER OUT output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector). Con- trols shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure. Set the CUTOFF control in the Filter section to it’s mid position.
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Step 16, Overdrive Noise Gate Calibration: Filter output set just below self resonance Overdrive control set fully clockwise and trimmed...
Step 17, Calibrating the Amplifier: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MAIN OUT output jack to an oscilloscope (probe will connect to the tip, ground terminal will connect to the shield of the connector). Controls shown in red must be set to the settings as indicated.
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Step 17, Amplifier Calibration: Main output adjusted for minimum transient pulses...
Step 18, Testing the Glide Time: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MAIN OUT output jack to your audio system. Controls shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure.
Step 19, Testing the CV IN: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MAIN OUT output jack to your audio system. Using another 1/4” cable connect the CV IN jack to the CV OUT jack. Controls shown in green will need to be adjusted for this procedure.
Step 20, Testing Oscillator A’s Fine Tune Control: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MAIN OUT output jack to your audio system. Controls shown in red must be set to the settings as indicated.
Step 21, Testing Oscillator A’s WAVE Control: Using a 1/4” cable, connect the WAVE A jack to your oscilloscope. Using another 1/4” cable connect the WAVE B jack to the AUDIO IN jack. Controls shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure. Rotate the WAVE A control clockwise through its settings.
Step 22, Testing Oscillator A’s Modulation Amount: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MAIN OUT output jack to your audio system. Using another 1/4” cable connect the LFO OUT jack to the OSC MOD jack. If you wish to view the modulated waveform, use another 1/4” cable to connect the WAVE A jack to your os- cilloscope.
Step 23, Testing Oscillator B’s WAVE Control: Using a 1/4” cable, connect the WAVE B jack to your oscilloscope. Controls shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure. Rotate the WAVE B control clockwise through its settings.
Step 24, Testing Oscillator B’s Modulation Amount: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MAIN OUT output jack to your audio system. Using another 1/4” cable connect the LFO OUT jack to the OSC MOD jack. If you wish to view the modulated waveform, use another 1/4” cable to connect the WAVE B jack to your os- cilloscope.
Step 25, Testing Oscillator B’s ENV 1 Sweep Amount: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MAIN OUT output jack to your audio system. If you wish to view the modulated waveform, use another 1/4”...
Step 26, Testing Oscillator B’s Frequency Control: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MAIN OUT output jack to your audio system. Controls shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure.
Step 27, Testing Oscillator B’s Frequency Sync: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MAIN OUT output jack to your audio system. If you wish to view the modulated waveform, use another 1/4”...
Step 28, Testing the MOD W OUT: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the MOD W OUT jack to your oscilloscope. Move the mod wheel controller of your MIDI keyboard through its entire range, and you should see the voltage at the MOD W OUT jack vary from 0 to approximately +10...
Step 29, Testing the VEL OUT: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the VEL OUT jack to your oscilloscope. Play notes at varying velocities (from soft to hard) on your MIDI keyboard, and you should see the voltage at the VEL OUT jack vary from approximately 0 to +10 volts.
Step 30, Testing the LFO: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the LFO OUT output jack to your oscilloscope. Controls shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure.
Step 31, Testing the FILTER TYPE: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the FILTER OUT jack to your oscilloscope. Using another 1/4” cable connect the MAIN OUT jack to your audio system. Controls shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure.
Step 32, Testing the Filter Modulation Amount: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the FILTER OUT jack to your oscilloscope. Using another 1/4” cable connect the MAIN OUT jack to your audio system. Using another 1/4” cable, connect the LFO OUT jack to the FILTER MOD jack. Controls shown in red must be set to the settings as indicated.
Step 33, Testing the Filter’s ENV 1 Sweep Amount: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the FILTER OUT jack to your oscilloscope. Using another 1/4”...
Step 34, Testing the Filter’s Overdrive: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the FILTER OUT jack to your oscilloscope. Using another 1/4” cable connect the MAIN OUT jack to your audio system. Controls shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure.
Step 35, Testing the Filter’s Velocity Amount: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the LFO OUT jack to the VEL IN jack. Using another 1/4” cable connect the MAIN OUT jack to your audio system.
Step 36, Testing the Amplifier’s Velocity Amount: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the LFO OUT jack to the VEL IN jack. Using another 1/4” cable connect the MAIN OUT jack to your oscilloscope.
Step 37, Testing the Envelope 2 Shapes: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the LFO OUT jack to the VEL IN jack. Using another 1/4” cable connect the MAIN OUT jack to your oscilloscope.
Step 38, Testing the GATE IN: Using a 1/4” cable, connect the LFO OUT jack to the GATE IN jack. Check to see that the LED in the ENVELOPE 1 section is blinking at the same rate and time as the LFO LED is.
Step 39, Testing the GATE OUT: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable, connect the GATE OUT jack to your oscilloscope. Play notes on your MIDI keyboard as you monitor the level of the GATE OUT signal. When no note is being played, this GATE OUT signal should be at 0 volts. When a...
Step 40, Testing the AMP IN: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable connect the WAVE B jack to the AMP IN jack. Using a 1/4” cable, connect the MAIN OUT jack to your audio system or oscilloscope.
Step 41, Testing the MAIN OUT: Connect the MIDI Out of your MIDI keyboard to the MIDI In jack of the XS. Using a 1/4” cable connect the MAIN OUT jack to your oscilloscope. Controls shown in red must be set to the settings as indicated. Controls shown in green will need to be adjusted for this procedure.
These hidden trimmer locations should only be recalibrated by Future Retro or a qualified technician. If you do not have the ability to do the procedures in this manual, please contact Future Retro to arrange for us to do the procedure for you.
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