INTRODUCTION
It
w as
o nly
a
m atter
o f
t ime
b efore
create
H EISENBERG.
M r.
W hite's
p ure
a nd
c lean
p ower
c o-‐mingles
w ith
P inkman's
r ougher
and
d irtier
b oost.
T hey
r un
i n
p arallel
t o
k eep
t heir
i ndividual
q ualities
w hile
p roviding
a
w ide
range
o f
e xperiences.
Y ou
c an
d ial
i n
a s
m uch
o r
a s
l ittle
o f
e ach
a s
y ou
n eed,
a nd
y ou
c an
further
t weak
t he
P inkman's
e ffect
w ith
d edicated
D rive
a nd
T one
c ontrols.
OPERATION
This
p edal
i s
d esigned
t o
b e
a
v ersatile
s ignal
b oosting
a nd
d istortion
e ffect
t hat
a llows
y ou
t o
either
b lend
y our
c lean
s ignal
b ack
i nto
a
d istorted
s ignal
o r
a dd
a
t ouch
o f
d istortion
alongside
y our
c lean
s ound.
T his
c an
b e
p articularly
u seful
f or
r hythm
p arts
w here
y ou
w ant
to
m aintain
p ick
a ttack
o r
l ead
p arts
w here
y ou
w ant
t he
n otes
t o
c ut
t hrough
t he
m ix
w hile
having
r ich
h armonic
c ontent.
T he
c ircuit
c ontains
t wo
i ndependent
e ffects,
t he
dirty
b oost
a nd
t he
M R.
W HITE
c lean
b oost,
t hat
a re
a rranged
i n
p arallel.
T hat
m eans
y ou
c an
dial
i n
a ny
a mount
o f
e ither,
f rom
o ff
t o
s ignificantly
l oud,
u sing
t he
t wo
v olume
c ontrols.
The
f ootswitch
t urns
t he
e ffect
o n
a nd
o ff,
a nd
t he
b lue
L ED
l ights
u p
w hen
t he
e ffect
i s
a ctive.
The
H EISENBERG
i s
1 00%
t rue
b ypass.
The
P INKMAN
s ide
o f
H EISENBERB
i s
a
m ild
t o
m edium/high
d rive
c ircuit
t hat
i s
w arm
a nd
balanced
a s
i t
r etains
t he
b ite
o f
y our
a ttack
w hile
a dding
s ome
d istortion
a nd
c ompression
t o
the
m id
f requencies.
T he
o utput
c an
g o
f ar
b eyond
u nity
g ain
t o
r eally
p ush
y our
a mp
i nto
further
s aturation.
T he
T one,
D rive,
a nd
D ist
V ol
c ontrols
a re
d edicated
t o
t his
p ortion
o f
t he
circuit,
w hile
t he
C ln
V ol
i s
a
s eparate
t ransparent
c lean
s ignal
t hat
c an
b e
a dded
i n
a s
n eeded.
DRIVE
–
T his
c ontrol
s tarts
w ith
a
s lightly
d irty
s ound
t hat
a dds
s ome
g rowl
a nd
s ubtle
compression
i n
t he
m ids.
A s
y ou
i ncrease
t he
d rive,
t he
s ound
b ecomes
m ore
c ompressed
and
s ustained
u ntil
i t
l oosens
u p
a nd
t akes
o n
s ome
c lassic
f uzz
c haracteristics.
T his
c ontrol
i s
purposely
d esigned
t o
p rovide
s ubtle
i ncreases
i n
d istortion
o ver
t he
f irst
7 5%
o f
i ts
t ravel,
letting
y ou
r eally
d ial
i n
t he
p erfect
a mount
o f
s aturation.
N ote
t hat
w hen
s et
t o
1 00%
d rive,
there
i s
s o
m uch
s aturation
t hat
a
l ittle
b it
o f
t he
d istorted
s ignal
w ill
b leed
t hrough
w hen
t he
Dist
V ol
c ontrol
i s
a t
0 %.
TONE
–
T his
c ontrol
g oes
f rom
m uted
t o
b iting
a s
y ou
r oll
c lockwise.
DIST
V OL
–
T his
c ontrol
d etermines
t he
a mount
o f
d istorted
s ignal
s ent
t o
t he
o utput.
CLN
V OL
–
T his
c ontrol
d etermines
t he
a mount
o f
c lean
s ignal
s ent
t o
t he
o utput.
HEISENBERG
P
INKMAN
a nd
M R.
W HITE
c ombined
t heir
t alents
t o
P INKMAN
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