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Vertigo Sound VSC-3 Operation Manual

Quad discrete vca compressor

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Operation Manual
The Vertigo Sound VSC-3
Quad Discrete VCA Compressor
Thank you for purchasing a Vertigo Sound Product.
The VSC-3 is the legal successor of the VSC-2, which now is a modern classic and can be
found in many top class studios around the world.
Vertigo Sound spent a lot of effort making a good product even better. The VSC-3 can do
all the tricks the VSC-2 is known and loved for plus a bunch of new features and options.
The VSC-3 is still named Quad Discrete Compressor because it's topology stays the same.
It is so named, because it uses 4 VCAs built using only discrete components.
It's design is a nod toward the best VCA based compressors of the 70s and 80s.
The Vertigo VCA is in fact named 1979. Some of the best features of these classic Compressors
have been complimented in the VSC.
This classic based topology is combined with a modern mastering grade signal path.
Some unique and innovative features lie beneath the bonnet, such as the ratio which increases
with level in Soft mode.
The basic idea and concept of the VSC-3
The Vertigo Sound Limiter incorporates four discrete 1979 VCAs for two channels. Each channel
has one VCA in the Audio Path and another one inside the sidechain. In stereo mode both
sidechains are active (they are not summed together) and the higher signal peak on any of both
channels results in the compression of both (in Stereo SC Mode).
Therefore the VSC-3 is reacting also on out of phase signals (peaks) without image shift.
Moreover, the detector (a Peak Forward Design) of each channel works in such a way, that stereo
compression can be achieved even without stereolinking. This precision makes the VSC-3 also
the first choice for mastering applications. Although the VSC-3 was developed as a
Bus Compressor. Each channel provides all controls separately which makes it also a Must Have
for processing while recording.

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Summary of Contents for Vertigo Sound VSC-3

  • Page 1 Quad Discrete VCA Compressor Thank you for purchasing a Vertigo Sound Product. The VSC-3 is the legal successor of the VSC-2, which now is a modern classic and can be found in many top class studios around the world. Vertigo Sound spent a lot of effort making a good product even better. The VSC-3 can do all the tricks the VSC-2 is known and loved for plus a bunch of new features and options.
  • Page 2: Installation And Hook-Up

    Installation and Hook Up The VSC-3 generates very little heat so it is not necessary to leave an empty space for ventilation above or below the unit. But: Discrete Vcas are sensitive for all heating influences (especially differences in temperature). Don’t put heat generating devices below and above inside your rack.
  • Page 3 The Ratio Sets the compression slope, which determines how the output signal will change in relation to the input signal once the input signal exceeds the threshold. The higher the ratio, the greater the compression, and the more squeezed the sound. Examples With a setting of 2 : 1, a 2 dB input change for signals above the threshold results in a 1 dB output change.
  • Page 4 With slower attack times, the limiter responds more to average signal level. This produces a smoother sound that tends to retain dynamic character, but the trade-off is that the VSC-3 cannot react as rapidly to sudden level shifts. Examples Setting a longer attack time with a bass guitar allows more of the picking attack to come through.
  • Page 5 The release This control determines how long it takes for the VSC-3 to return to unity gain after going into limiting. With short release times, the limiter tracks every little change in level, producing a potentially uneven or nervous and rippling but fresh effect that decreases dynamics but increases the average output level.
  • Page 6 SC Filter If the VSC-3 should react too much to kickdrum, bass or other bass signals (pumping effect) you can activate the SC Filter inside each sidechain. This Low Cut makes the VSC-3 react less sensitively to those signals. Both...
  • Page 7 Mono SC This is the opposite of Stereo SC mode. Like In stereo mode all upper Channel A knobs, Bypass or SC Filter A switches become the masters for Left and Right. (All controls B are switched off). So there’s no complicated L-R trimming ! The compressor is now reacting to the Mono summed Signal on both channels.
  • Page 8: Gainreduction Metering

    1979 VCA. If you want to use the VSC-3 adding some colouration without Gain Reduction then turn the threshold pots fully clockwise, and use the Make Up to control the amount of harmonics.
  • Page 9 Deactivating the system bypasses the processor completely (real hardwire bypass). The outer appearance of the VSC-3 and all mechanical parts are constructed in the same manner like we engineered the electronic design: Ratio, Attack and Release controls are fixed position gold plated rotary switches for...
  • Page 10: Technical Specifications

    This Appartus must be earthed ! To avoid groundloops all Audio-Grounds ( XLR-Pin 1 ) are separated from the outer metallcase ( housing of the VSC-3 ) To keep them separated, please avoid connecting any XLR-Pin 1 with of any XLR-housing or the housing of the VSC-3. Unnecessary...
  • Page 11 Replace fuse with same type and rating only. Check the line voltage marked on the rear panel Multiple-Input Voltage of the VSC-3 and verify that it is correct for This equipment may require the use of a your country. different line cord, attachment plug, or both,...
  • Page 12 Contact MUSTANG SOUND GERMANY Zenettistraße 11 80337 München Germany Phone: + 49 – (0) 89 - 840 617 – 77 contact@mustangsound.com www.mustangsound.com...