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Launch plan 1

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Summary of Contents for Endorphines Shuttle

  • Page 1 huttle Launch plan 1...
  • Page 2 First things first RTFM – be so kind and read the manual. It will provide you with the information you need to fully indulge in the module you just purchased – for which we like to thank you. Enjoy your sound experiences, dear sonic traveller. Beginning from the product's purchase date a 1-year warranty is guaranteed for each product in case of any manufactur- ing errors or other functional deficiencies during runtime.
  • Page 3 SHUTTLE OPERATED BY ENDORPHIN.ES INTERSTELLAR ENTERPRISES LIFE IS A TRIP • The Endorphin.es SHUTTLE is a unique performance instrument containing 5 Eurorack modules in one single 84hp faceplate • Shuttle Control (SC)—16 channel USB->MIDI->CV interface with almost infinite possibilities interpreting MIDI events into analogue control voltages—including CV/Gate, random or noise generators, MIDI or tap-clocks, utility LFOs and envelopes...
  • Page 4: Table Of Contents

    Modular Movement all over Europe. And we are glad to finally present you, the SHUTTLE: the Endorphin.es performance modular synthesizer. It is the result of 5 years of intense development—module after module was put together neatly to finally create an instrument in a class of it’s own—a set of well selected devices for musicians to imagine music and bring it to life in the most pleasant way.
  • Page 5 Following road signs helps you to get to your destination in the same way as when you follow the icons on the SHUTTLE to shape your timbre the way you want.
  • Page 6: Natural Signal Flow

    FX-processor), a TRS Y-cable to two single TS jacks adapter (used to connect the final output to a PA, monitor speakers or a mixer) and a USB type B cable to connect the Shuttle Control to a PC/Mac or an iPad.
  • Page 7: Patching A Mixer

    Control voltages generated by the Shuttle Control are translated from certain MIDI messages. These CVs may be patched into every CV IN jacks of the modules located to the left (there’s a total of 34 CV/Gate inputs in the SHUTTLE). CVs may be literally anything—starting from LFOs, pitch CVs, gates, triggers, noise sources or random CV.
  • Page 8: Playing A Melody

    Now you can play any notes/sequences from any MIDI controller or DAW connect- ed to the Shuttle Control on any MIDI channel and obtain a sound at the output of a Cockpit mixer. © 2013-2017 – Endorphin.es – Interstellar Enterprises...
  • Page 9: Shaping The Timbre

    FM-synthesizer. Grand Terminal's Airplane A/B envelopes usually pair well with the dual gates (one envelope per gate). TIPP: Running out of envelopes? Create additional simple note/velocity/CC controlled envelopes with the Shuttle Control. PERFORMANCE AUTOTUNING Before every performance it may be important to tune the oscillators so the sequence will play in a proper musical scale.
  • Page 10: Cabin Pressure & Mixer Connections

    The middle part of the Gateway contains switches and out- put jacks for certain deeper functions of the Grand Termi- nal that is loctaed left to it. With ‘end of stage(s)’ (Grand Terminal) or ‘A/B ends’ (Gateway) one can obtain end of attack or end of decay trigger outputs—either both from one jack or from separate jacks.
  • Page 11: Patch Examples

    (Eastcoast) “Trumansburg” is a dual-voice patch from the default preset ‘C’ stored in your Shuttle Control. In that patch CV outputs 1-8 in Shuttle Control are assigned to MIDI Channel 1, and CV ouptuts 9-16 are assigned to MIDI Channel 2. Thus, Mod- ulator, Airplane A, Gate A are controlled by MIDI channel 1 and Airplane B, Carrier, Gate B are controlled by MIDI channel 2.
  • Page 12 (via the ‘mood index’ modulated by the bi-polar CV output of Airplane A) and by the waveshaper (modulated by the unipolar CV output of Airplane B into ‘furthrrrr’ ‘cv in’). Factory preset ‘b’ on the Shuttle Control (‘b’ stands for Buchla) is full of sheer randomness and unpredictable generators.